Condition:

AMG Review by Richie Unterberger

Sometimes memories distort or inflate the quality of recordings deemed legendary, but in the case of Dusty in Memphis, the years have only strengthened its reputation. The idea of taking England's reigning female soul queen to the home of the music she had mastered was an inspired one. The Jerry Wexler/Tom Dowd/Arif Mardin production and engineering team picked mostly perfect songs, and those that weren't so great were salvaged by Springfield's marvelous delivery and technique. This set has definitive numbers in "So Much Love," "Son of a Preacher Man," "Breakfast in Bed," "Just One Smile," "I Don't Want to Hear About It Anymore," and "Just a Little Lovin'" and three bonus tracks: an unreleased version of "What Do You Do When Love Dies," "Willie & Laura Mae Jones" and "That Old Sweet Roll (Hi-De-Ho)." It's truly a disc deserving of its classic status.

Dusty Springfield ?– Dusty In Memphis

TracklistHide Credits

Companies etc

• Manufactured By – Atlantic Recording Corporation

Credits

• Arranged By [Horns] – Arif Mardin, Tom Dowd
• Arranged By [Strings] – Arif Mardin
• Backing Vocals – Sweet Inspirations, The
• Bass – Tommy Cogbill
• Design [Album] – Haig Adishian
• Drums – Gene Chrisman
• Engineer [Recording] – Ed Kollis
• Guitar, Sitar – Reggie Young
• Liner Notes – Stanley Booth (2)
• Organ, Electric Piano – Bobby Emmons
• Piano – Bobby Wood
• Producer – Arif Mardin, Jerry Wexler, Tom Dowd

Notes

Barcode and Other Identifiers

• Matrix / Runout (Side A label): ST-A-681479MG
• Matrix / Runout (Side B label): ST-B-681479MG

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.