DUSTY SPRINGFIELD WHERE AM I GOING? RARE ORIG '67 UK-ONLY PHILIPS LP BEAUTIFUL

$

45

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·       DUSTY SPRINGFIELD – WHERE AM I GOING? – ORIGINAL BRITISH-ONLY PRESSING (THE ALBUM WAS NEVER RELEASED IN THE UNITED STATES) – ORIGINAL 1967 PHILIPS RECORDS (UK) MONO LP BL-7820

·       ORIGINAL U.K. PRESSING

·       ORIGINAL BLACK PHILIPS (UK) LABEL WITH SILVER PRINT.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)

·       ORIGINAL FLIP-BACK COVER (1/2-INCH MARGINS OF THE FRONT PANEL ARE FOLDED AND PASTED ONTO THE BACK PANEL)

·       ORIGINAL LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1L/-2L'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Where Am I Going is a phenomenal album by Dusty Springfield, and though it doesn't have any American chart hits made famous by the icon, it would have been a blessing had every single performance here conquered the Top 40. The British version contains 12 tracks, while the U.S. counterpart, entitled The Look of Love, has 11, four of which are not on the vinyl version of this: "Small Town Girl," "What It's Gonna Be," "Look of Love," and "Give Me Time." That means the U.K. fans got five tracks not available on The Look of Love. To further complicate things, the CD version contains three bonus tracks, including the Goffin/King tune "Don't Forget About Me" from Dusty in Memphis, "Give Me Time" from the British pressing of this, and "Time After Time." The All Music Guide lists John Franz and Jerry Ragovoy as the producers, while the original album version lists nine arrangers, conductors, and directors, but gives no production credit. The LP cover is great -- a black and white of a smiling Springfield with wide-brimmed hat, mini skirt, and a comic book quotation in psychedelic off-pink and orange stating Where Am I Going. The music inside with strings and orchestration is a relentless delight. The Pat Williams arrangement of Bobby Hebb's "Sunny" with conductor Peter Knight reveals a touch of the James Bond riff, a definite sign of the times. One can hear the wondrous voices of Madeline Bell and Lesley Duncan, the backing voices blending perfectly with the orchestration in songs like "I Can't Wait Until I See My Baby's Face" and "Don't Let Me Lose This Dream." "Where Am I Going?" is as perfectly surreal as its title suggests -- imagine Julie Andrews in The Sound of Music twirling around in the windmills of Springfield's mind. This is not the driving pop of "I Only Want to Be With You" or "Wishin' & Hopin'," this is symphonic adult contemporary. "They Long to Be Close to You" is the serious and dramatic blues that the Carpenters aspired to develop. "Welcome Home" is out of this world rhythm & blues told with authority. It and other tracks from Where Am I Going? puts Springfield in that elite class reserved for the best of Janis Joplin, Etta James, and Ella Fitzgerald -- female vocalists who found notes in niches of songs that were unavailable to lesser mortals. While Springfield was filling the airwaves in America with "The Son of a Preacher Man" toward the end of 1968, a band called Vanilla Fudge had "Take Me for a Little While" on the U.S. charts, but their disc was issued in July of 1967 and their success in the States was a delayed reaction. Dusty Springfield takes that great composition and turns it into snappy pop with an amazing vocal. Add "If You Go Away" and the musicians on these grooves take the listener on a wild ride running the gamut of genres without disrupting Where Am I Going?'s flow. This is a tremendous and often forgotten masterpiece in the repertoire of Dusty Springfield which deserves more attention. It truly is the record which keeps on giving.

(EXCERPT FROM AN ONLINE REVIEW BY JOE VIGLIONE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)            The record comes in a poly-lined 'Made in England' inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a visible "wrinkle"(crease)  in one of the corners. (VISIBLE ON FRONT SIDE ONLY)

-         The laminated cover has a few air 'bubbles' and wrinkles in lamination (this is a common problem with most laminated 50’s and 60’s covers (BARELY VISIBLE)

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2  (VISIBLE ON BACK SIDE ONLY) .

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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FINE (BUT IMPORTANT!) PRINT

(1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever; Thank You & Good Night!

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