David Bowie - Ziggy Stardust and the Spiders from Mars [The Motion Picture So...

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Trackliste LP - 1

Trackliste LP - 2

Beschreibung

Beschreibung

Ziggy played guitar -- and then he quit. On July 3, 1973, on-stage at London's Hammersmith Odeon, David Bowie took his leave of the last 18 months of stardom and insanity with one of the most legendary performances of his entire career. And documentarian D.A. Pennebaker was on hand to catch it, via what remains the most captivating Bowie live footage of all. As with the accompanying soundtrack album, Ziggy Stardust: The Motion Picture is not perfect. Ten years elapsed between shooting and release, during which period Bowie and co-producer Tony Visconti wholly remixed the audio track, often to the detriment of the performance itself -- anybody who caught the one-hour abbreviated version of this same show, aired on U.S. television in October 1974 (and the source for all the circulating bootlegs), will remember thrilling, for example, to the Mick Ronson guitar solo that cuts through "Moonage Daydream," but which here is lost behind the hitherto unheard backing vocals. The set-closing blaze through "Jean Genie," with guest guitarist Jeff Beck alongside Ronson, is similarly missing; Bowie's own retirement speech is absurdly truncated. And so on. But still, Ziggy Stardust: The Motion Picture wipes the floor with just about any other concert movie of the 1970s (and beyond), and, though some of Pennebaker's own trademark tricks (hand-held cameras, long shots and the like) can detract from the show, Bowie and the band have no problem wresting your attention back where it belongs. ~ Dave Thompson

Dave Thompson

Beschreibung

After performing his second-to-last selection, "White Light/White Heat," a tune by Lou Reed, the songwriter who most influenced Ziggy Stardust, David Bowie's enduring and indelible persona, Bowie dropped this little nugget on his fans (and bandmates): "Not only is it the last show of the tour, but it's the last show that we'll ever do. Thank you." He then went into a magnificent version of "Rock & Roll Suicide," a song that gives a glimpse of where Bowie could have gone, not to suicide, but to the style of rock & roll that a long-term band can provide. Had Bowie kept the Spiders from Mars together, unique flashes like the version of "Let's Spend the Night Together" or the striking "All the Young Dudes would have continued, a tight little rock & roll band providing a balance that dissipated when the artist branched out on his own. The other unnerving thing about this double-LP soundtrack of a concert taped in 1973 and finally released in 1982 is that there are bootlegs which have more to offer sonically. The thin recording is shameful: don't expect Pink Floyd's Delicate Sound of Thunder or even the Rolling Stones' wonderfully sludgy "Get Your Ya Ya's Out." The remix of this only official live album from the Ziggy Stardust shows is dreadful. Ziggy Stardust: The Motion Picture doesn't have the electric excitement of the Live in Santa Monica '72 boot, and that's the fault of the remix by Mike Moran, Bruce Tergeson, Tony Visconti, and Bowie. Another bootleg, David Bowie with the Spiders from Mars, London, July 3, 1973, is the exact same Ziggy performance, but it comes across better, much better. According to Pimm Jal de la Parra's book David Bowie: The Concert Tapes, the bootleg was issued from the ABC TV 1974 broadcast. The bootleg also has "Jean Genie and "Love Me Do," which feature Jeff Beck on guitar, Beck's performances being absent from the official RCA soundtrack release. The shame of it all is that this double disc was released after David Live and Stage, and while the upside is it makes for a rare, three double-live sets from one performer, the downside is that the best of those three albums has the worst mix on official record. Also, had RCA released the October 1, 1972 Boston Music Hall show -- which was brilliant, despite Bowie having a cold that night -- or this July 3, 1973 London Hammersmith Odeon program back in the day, it could have had an enormous effect on Bowie's career. At that point in time, the fans wanted more Ziggy, and the timing of this release only shows how important it is to get the material out while it's hot. Just ask Peter Frampton, Bob Seger, and the J. Geils Band, who solidified their audiences with double-live sets at crucial points in their careers. Nonetheless, everything here is essential David Bowie; it is a great performance, and you definitely need it for your Bowie collection. The only thing better would be Lou Reed himself finally releasing the September 1973 first gig of his Rock 'n' Roll Animal Band, which was, as they say, the real thing. [The soundtrack was re-released on LP in 2016.] ~ Joe Viglione

Joe Viglione

Mitwirkende

• Artist: David Bowie
• Record Label: Rhino
• Record Label: Warner
• Record Label: Elektra
• Record Label: Atlantic