Die Dreigroschenoper Kurt Weill / Bertolt Brecht Philips L 09 421/22 L 2 LP

$

20

Description:


Die Dreigroschenoper
 Vorspiel
A1     –Mitglieder Des Tanzorchesters Des "Sender Freies Berlin"*, Wolfgang Neuß*     Ouvertüre     
A2     –Wolfgang Neuß*     Moritat Von Mackie Messer     
        1. Akt
A3     –Willy Trenk-Trebitsch     Morgenchoral     
A4     –Willy Trenk-Trebitsch u. Trude Hesterberg     Anstatt-Daß Song     
A5     –Der Günther-Arndt-Chor     Hochzeitslied     
A6     –Erich Schellow, Wolfgang Gruner, Der Günther-Arndt-Chor     Kanonensong     
A7     –Johanna Von Koczian, Erich Schellow     Liebeslied     
A8     –Johanna Von Koczian     Barbara-Song     
B9     –Johanna Von Koczian, Willy Trenk-Trebitsch, Trude Hesterberg     Erstes Dreigroschenfinale     
        2. Akt
B10     –Erich Schellow, Johanna Von Koczian     Melodram Und Pollys Lied     
B10a     –Mitglieder Des Tanzorchesters Des "Sender Freies Berlin"*, Erich Schellow     Melodram     
B11     –Trude Hesterberg     Ballade Von Der Sexuellen Hörigkeit     
B12     –Lotte Lenya     Seeräuberjenny     
C13     –Lotte Lenya, Erich Schellow     Zuhälterballade     
C14     –Erich Schellow     Ballade Vom Angenehmen Leben     
C15     –Inge Wolffberg, Johanna Von Koczian     Eifersuchts-Duett     
C16     –Inge Wolffberg     Eifersuchts-Song     
C17     –Erich Schellow, Lotte Lenya, Der Günther-Arndt-Chor     Zweites Dreigroschenfinale     
        3. Akt
D18     –Willy Trenk-Trebitsch     Lied Von Der Unzulänglichkeit Menschlichen Lebens     
D19     –Lotte Lenya     Salomon-Song     
D20     –Erich Schellow     Ruf Aus Der Gruft     
D21     –Erich Schellow     Melodram Und Grabschrift     
D22     –Unknown Artist     Drittes Dreigroschenfinale     
D23     –Wolfgang Neuß*     Ausklang     


    Chorus – Der Günther-Arndt-Chor
    Chorus Master – Günther Arndt
    Composed By – Kurt Weill
    Conductor – Wilhelm Brückner-Rüggeberg
    Illustration – Rupert Rosenkranz
    Liner Notes – Horst Koegler
    Lyrics By – Bertolt Brecht
    Orchestra – Mitglieder Des Tanzorchesters Des "Sender Freies Berlin"*
    Painting – Ben Shahn
    Photography – Köster, Moor
    Photography By – Grimm*, Conti-Press*, Dpa (2), Ullstein Archiv*
    Producer [Produktionsleitung] – Theo Knobel
    Supervised By [Künstlerische Leitung] – Lotte Lenya
    Vocals [Brown, Polizeichef Von London] – Wolfgang Gruner
    Vocals [Frau Peachum] – Trude Hesterberg
    Vocals [Jonathan Jeremiah Peachum, Chef Einer Bettlerplatte] – Willy Trenk-Trebitsch
    Vocals [Lucy, Tochter Von Brown] – Inge Wolffberg
    Vocals [Macheath's Straßenbandit: Hakenfingerjakob] – Paul Otto Kuster
    Vocals [Macheath's Straßenbandit: Münzmathias] – Josef Hausmann*
    Vocals [Macheath's Straßenbandit: Sägerobert] – Martin Höppner*
    Vocals [Macheath's Straßenbandit: Trauerweidenwalter] – Kurt Hellwig
    Vocals [Macheath, Genannt Mackie Messer, Chef Einer Platte Von Straßenbanditen] – Erich Schellow
    Vocals [Moritatensänger], Voice Actor [Sprecher] – Wolfgang Neuß*
    Vocals [Polly Peachum] – Johanna Von Koczian
    Vocals [Spelunkenjenny] – Lotte Lenya

Philips ?– L 09 421/22 L 2 LP Gatefold Germany

Vinyl Condition: "Ticks" , Background Noise Here & There  VG   CLEAN & SHINY    
Cover Condition: VG++
(see condition key below)
                                                      ******************
  
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Condition key:

MINT (M): The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT (EX): The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD (VG): The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD (G): The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR (F): The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR (P): The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD (B): The record is unplayable or might even be broken, and is only of use as a collection filler.

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