Duke Pearson - Angel Eyes 583 723 UK LP 1968 Polydor
£
130
$
172
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Description
General Details Artist Duke Pearson Title Angel Eyes Record Label Polydor Cat. number 583 723 Mono/Stereo? S
Country
UK Sleeve MacNeill Press Ltd If blank, no sleeve manufactured credits present Released 1968Matrix no.
Please enquire if you need the matrix numbers
Condition
Disc
Paper Scuffs
Side 1
VGPaper scuffs
Side 2 VG Paper scuffsSurface Marks
Side 1
EXSide 2 EX
Scratches
Side 1
EX Side 2 VG Three hairline scratches Other Info. Ink initials on labelSound
Surface Noise
Side 1
EXSide 2 EX
Pops/Clicks
Side 1
VG Side 2 VGScratches
Side 1
EX Side 2 EX Other Info.Cover
Ring / Surface Wear
Front
EX Back EX InnerCard Creases
Front
VG Creases on sleeve Back VG Creases on sleeve InnerShelf Wear
Edge
VG Tear at open edge & light edge wear Spine EX Light spine wear Corner VG Inner SleeveEX
Other Info.Guide to grades used
M Cover Looks New - no marks, wear or damage Disc Looks unplayed - no marks visible Sound I don't use this grade for sound - as all records (even brand new) produce some noise Ex Cover Slight signs of wear on edges/spine, corners or ring wear. Minor creases. No damage caused by sticker removal/residue. Light sleeves may show slight discolouration due to age or handling Disc May have minor paper scuffs caused by moving record in & out of paper sleeve. Sound May be occasional pops/clicks and minimal surface noise Vg Cover Moderate edge/spine or ring wear. Corners may be a little blunt. Opening edge may show feathering caused by removal of record. Visible creases or laminate lift. Disc Some surface marks &/or hairline scratches. Moderate paper scuffs. Sound May be pops/clicks caused by marks/scratches. Moderate background surface noise and crackles. G Cover Heavy ring or edge/spine wear. Corners noticable bashed. Heavy creases. Considerable laminate damage. Disc Looks very well played. A lot of surface marks/scratches Sound Considerable surface noise. Audible scratches.Background Information
Click on the link to see the original information source: - Angel Eyes Duke Pearson was an accomplished, lyrical, and logical, if rather cautious, pianist who played a big part in shaping the Blue Note label's hard bop direction in the 1960s as a producer. He will probably be best remembered for writing several attractive, catchy pieces, the most memorable being the moody "Cristo Redentor" for Donald Byrd, "Sweet Honey Bee" for himself and Lee Morgan, and "Jeannine," which has become a much-covered jazz standard.Pearson was introduced to brass instruments and the piano as a youth, and his abilities on the latter inspired his uncle, an Ellington admirer, to give him his nickname. Dental problems forced Pearson to abandon the brass family, so from there, he worked as a pianist in Atlanta and elsewhere in Georgia and Florida before moving to New York in 1959. There, he joined Donald Byrd's band, the Art Farmer/Benny Golson Sextet, and served as Nancy Wilson's accompanist. In 1963, he arranged four numbers for jazz septet and eight-voice choir on Byrd's innovative A New Perspective album; one of the tunes was "Cristo Redentor," which became a jazz hit.
From 1963 to 1970, Pearson was in charge of several recording sessions for Blue Note, while also recording most of his albums as a leader. He also led a big band from 1967 to 1970 and again in 1972, hiring players like Pepper Adams, Chick Corea, Lew Tabackin, Randy Brecker and Garnett Brown. Pearson continued to accompany vocalists in the 1970s, such as Carmen McRae, but he spent a good deal of the latter half of the decade fighting the ravages of multiple sclerosis.
Other InformationIf you require any further information about this record or require additional photos, matrix numbers etc - please let me know and I will send them to you.
All records will be sent in professional mailers with two cardboard stiffeners. The record will be removed from the sleeve to protect it during transit. I will always obtain a certificate of posting for each parcel.
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