EARL HOOKER DON'T HAVE TO WORRY VERY RARE ORIG'69 ABC-BLUESWAY LP IN SHRINK MINT
$
46
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Description
WE CURRENTLY HAVE MORE THAN 500 LISTED ITEMS
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· EARL HOOKER – DON’T HAVE TO WORRY – EARL HOOKER’S THIRD (AND NEXT TO LAST) STUDIO ALBUM; TWO MORE POSTHUMOUS RELEASES WERE TO FOLLOW - ORIGINAL 1969 BLUESWAY RECORDS STEREO LP BLS-6032
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK ABC-BLUESWAY LABEL WITH BLUE ‘BAND’ ALONG THE LABEL.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· This album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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If there was a more immaculate slide guitarist residing in Chicago during the 1950s and '60s than Earl Hooker, his name has yet to surface. Boasting a fretboard touch so smooth and clean that every note rang as clear and precise as a bell, Hooker was an endlessly inventive axeman who would likely have been a star had his modest vocal abilities matched his instrumental prowess and had he not been dogged by tuberculosis (it killed him at age 41) (…).
Hooker's dazzling dexterity was intermittently showcased on singles for Argo, C.J., and Bea & Baby during the mid-to-late '50s before he joined forces with producer Mel London (owner of the Chief and Age logos) in 1959. For the next four years, he recorded both as sideman and leader for the producer, backing Junior Wells, Lillian Offitt, Ricky Allen, and A.C. Reed and cutting his own sizzling instrumentals ("Blue Guitar", "Blues in D-Natural"). He also contributed pungent slide work to Muddy Waters' Chess waxing "You Shook Me". Opportunities to record grew sparse after Age folded; Hooker made some tantalizing sides for Sauk City, Wisconsin's Cuca Records from 1964 to 1968 (several featuring steel guitar virtuoso Freddie Roulette).
Hooker's amazing prowess (he even managed to make the dreaded wah-wah pedal a viable blues tool) finally drew increased attention during the late '60s. He cut LPs for Arhoolie, ABC-BluesWay, and Blue Thumb that didn't equal what he'd done at Age, but they did serve to introduce Hooker to an audience outside Chicago and wherever his frequent travels deposited him. But tuberculosis halted his wandering ways permanently in 1970.
(AN EXCERPT FROM ONLINE BIO BY BILL DAHL, ALL MUSIC GUIDE /ALLMUSIC.COM/)
Effortless and laid-back Chicago blues with Earl Hooker’s masterful and unimitable slide guitar carrying the amplified small combo accompanied by piano and harp. Hooker was no great vocalist or original songwriter (these are all based on totally familiar, more famous blues tracks), but if you need a break from the more forceful and harder rocking Chicago blues guys like Wolf and Buddy, this is a great little album. Earl Hooker is still one of the most underrated slide blues guitarists because he was mainly a session man with little frontman power – but just grab a cold beer and get into the groove.
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record comes in the original stock inner sleeve.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover shows JUST A HINT of yellowing on back side, apparently from aging.
- Minor shelf wear noted on the opening side (nothing significant)
- Cover has one corner slightly worn (BARELY VISIBLE)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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