EDDIE GALE GHETTO MUSIC RARE ORIG '68 BLUE NOTE LP N/M

$

124

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·       EDDIE GALE – GHETTO MUSIC – ORIGINAL 1968 BLUE NOTE STEREO LP BST-84294

·       ORIGINAL U.S. PRESSING

·       ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH 'A DIVISION OF LIBERTY RECORDS’ INSCRIPTION ON THE LABEL (THIS IS THE ORIGINAL PRESSING, NOT A REISSUE)

·       The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL UNIPAC-STYLE COVER (ONE SIDE OF THE GATEFOLD OPENS, THE OTHER ONE IS A SINGLE-PLY CARDBOARD)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)

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One has to wonder why Blue Note Records has not chosen to reissue Eddie Gale's Ghetto Music album from 1968 and its companion Black Rhythm Happening from 1969, and left San Francisco's Water Records the job -- perhaps because it doesn't fit the label's notion of getting the consumer to buy the same recordings over and over. Oh well, it's their Philistine loss. The aesthetic and cultural merits of Eddie Gale's Ghetto Music cannot be overstated. That it is one of the most obscure recordings in Blue Note's catalogue -- paid for out of label co-founder Francis Wolff's own pocket -- should tell us something. This is an apocryphal album, one that seamlessly blends the new jazz of the '60s -- Gale was a member of the Sun Ra Arkestra before and after these sides, and played on Cecil Taylor's Blue Note debut Unit Structures -- with gospel, soul, and the blues. Gale's sextet included two bass players and two drummers -- in 1968 -- as well as a chorus of 11 voices, male and female. Sound like a mess? Far from it. This is some of the most spiritually engaged, forward-thinking, and finely wrought music of 1968. What's more is that, unlike lots of post-Coltrane new jazz, it's ultimately very listenable. Soloists comes and go, but modes, melodies, and harmonies remain firmly intact. The beautiful strains of African folk music and Latin jazz sounds in "Fulton Street," for example, create a veritable chromatic rainbow. "A Walk With Thee" is a spiritual written to a march tempo with drummers playing counterpoint to one another and the front line creating elongated melodic lines via an Eastern harmonic sensibility. Does it swing? Hell yeah! The final cut, "The Coming of Gwilu," moves from the tribal to the urban and everywhere in between using Jamaican thumb piano's, soaring vocals à la the Arkestra, polyrhythmic invention, and good old fashioned groove jazz, making something entirely new in the process. While Albert Ayler's New Grass was a failure for all its adventurousness, Ghetto Music, while a bit narrower in scope, succeeds because it concentrates on creating the a space for the myriad voices of an emerging African-American cultural force to be heard in a single architecture. This is militant music and it scared the hell out of people back in the day; since it took an independent to get this music back into the populace, it probably still does -- it should. Hipsters will be beating down the door to get this and tell people they've been into it since they were kids. Whatever, this music will endure long after they've passed into the next senior citizenry.

(EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Cover has a few tiny wrinkles along the spine

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No bar codes

-        No RIAA stamps or stickers.

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POSTAGE & SHIPPING:

Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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