ELECTRIC LIGHT ORCHESTRA - UK LP on Harvest The Move Wizzard Jeff Lynne Roy Wood

	£		17
	$		22

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** RECORD COLLECTOR **

ELECTRIC LIGHT ORCHESTRA

Electric Light Orchestra

UK LP released on Harvest Records.
Textured gatefold sleeve.
Late 70s pressing with 'EMI RECORDS LTD' rim text.

SHVL 797 A//2   SHVL 797 A-1U   /   SHVL 797 B//2   SHVL 797 B-1U

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Although ELO quickly became Jeff Lynne's baby, it was launched as a collaboration between Lynne and his band mates in the Move, multi-instrumentalist Roy Wood, and drummer Bev Bevan. Indeed, most histories claim that the initial idea for the spin-off group combining rock and classical music was Wood's, not Lynne's. Wood and Lynne split the songwriting duties on Electric Light Orchestra, much as they did on late-period Move albums, but it seems like their visions of what ELO was were widely divergent.

Wood's songs are clearly more classically influenced, with the string and horn sections driving the songs rather than merely colouring them, as they do on Lynne's tunes. The difference between Wood's baroque "Look at Me Now" and Lynne's hard rocking "10538 Overture" is obvious, and Lynne never wrote anything as purely classical as Wood's "The Battle of Marston Moor (July 2nd, 1644)" in his entire career. (The Gershwin-like piano jazz of "Manhattan Rumble (49th Street Massacre)" is Lynne's equivalent piece, and suggests an intriguing avenue he unfortunately never explored further.)

This dichotomy makes Electric Light Orchestra in some ways much more interesting than later ELO albums. When Wood left to form Wizzard after the release of this album, the tension generated by that clear difference between his and Lynne's songwriting styles was gone. Later ELO albums were much more commercially successful, but they were also considerably more stylistically attenuated. As good as they are, all of the later ELO albums sound pretty much exactly alike. Electric Light Orchestra sounds like nothing either Jeff Lynne or Roy Wood did before or after, and therein lies its fascination.

Tracks Are :-

Side One

 10538 Overture
Look At Me Now
Nellie Takes Her Bow
The Battle Of Marston Moor (July 2nd, 1644)

Side Two

First Movement (Jumping Biz)
Mr. Radio
Manhattan Rumble (49th Street Massacre)
Queen Of The Hours
Whisper In The Night

Released on 'Harvest Records'

Catalogue No. SHVL 797

Disc is in EX+ condition

Sleeve is in EX+ condition

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PAYMENT BY PAYPAL ONLY

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UK POSTAGE RATES FOR 12" RECORDS (LPs & 10"/12" SINGLES):

1 LP £4.15
2 LP £4.15
3 LP £6.50
4 LP £6.50
5 LP £6.50
6 LP £6.50

*********DOUBLES COUNT AS TWO*********

INTERNATIONAL POSTAGE RATES TO EUROPE FOR 12" RECORDS:

1 LP £6.90
2 LP £8.15
3 LP £9.35
4 LP £10.45
5 LP £11.60
6 LP £12.40

INTERNATIONAL POSTAGE RATES TO "WORLD ZONE 1" (USA, CANADA, JAPAN etc ) FOR 12" RECORDS:

1 LP £9.20
2 LP £11.65
3 LP £14.05
4 LP £15.50
5 LP £17.00
6 LP £18.20

INTERNATIONAL POSTAGE RATES TO "WORLD ZONE 2" (AUSTRALIA, NEW ZEALAND, SINGAPORE etc)

1 LP £9.90
2 LP £12.35
3 LP £14.80
4 LP £16.45
5 LP £18.25
6 LP £19.70

*********DOUBLES COUNT AS TWO*********

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POSTAGE RATES FOR 7” SINGLES & CDs:

UK: £1.90 – then £0.50 each extra.
EUROPE: £4.95 – then £0.50 each extra.
"WORLD ZONE 1" (USA, CANADA, JAPAN etc ): £6.00 – then £1.00 each extra
"WORLD ZONE 2" ( AUSTRALIA/NEW ZEALAND etc): £6.55 then £1.00 each extra

*********DOUBLES COUNT AS TWO*********

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IMPORTANT INFORMATION ABOUT COMBINED SHIPPING ON ALL 12" RECORDS (LPs / 12" SINGLES etc). PLEASE READ THE FOLLOWING CAREFULLY!!!!

We offer combined shipping on vinyl records: our shipping rates are listed above. HOWEVER shipping packages that weigh more than 2kg is VERY expensive. Therefore we can only offer combined shipping up to a maximum of SIX (6) LPs / 12" records. Any extra purchases will be invoiced, packaged and shipped separately.

***Due to the physical logistics of how I can package orders, I will not combine box sets with other items, I will only package them individually***

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COMBINED POSTAGE FOR DIFFERENT FORMATS will be invoiced at my discretion:

While I am happy to combine (for example) one or two 7” singles into one package with 12” records, sometimes it isn’t practical (like if you want me to combine one 12” record with three or more 7” records). I do not think that these combinations can be packaged together safely and securely. Therefore these will be invoiced separately as two packages.

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However, I am no longer willing to carry combined transactions beyond two weeks and in these cases would appreciate payment promptly after the close of the second week's auctions.

I am sorry to have to introduce these measures – I always try to be patient and allow buyers to bid on extra auctions and / or delay payment. Unfortunately some buyers have been stretching out transactions to unacceptable lengths so I have no option but to limit 'carried over' transactions to two weeks.