ERIC DOLPHY w/ORCHESTRA USA DEBUT RARE ORIG 1963 COLPIX TRUE STEREO LP NEAR MINT
$
31
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· ERIC DOLPHY WITH ORCHESTRA U.S.A, FEATURING PHIL WOODS, JIM HALL, GARY McFARLAND AND OTHERS. – DIRECTED AND CONDUCTED BY JOHN LEWIS – ORCHESTRA U.S.A. DEBUT – ORIGINAL 1963 COLPIX RECORDS STEREO LP SCP-448
· ORIGINAL U.S. PRESSING
· ORIGINAL GOLD COLPIX LABEL WITH BLACK PRINT.
· RARE STEREO PRESSING, MANY TIMES RARER THAN MONO
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE.
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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John Lewis formed Orchestra U.S.A. as a vehicle to potentially explore any composed or improvised music, blending elements of jazz and classical music by recruiting some first-rate players from both worlds. The result is one of the more successful third stream recordings. There are two string quartets, plus woodwinds, brass, and a rhythm section present. Collaborating with Gunther Schuller, who conducted the group and did some of the orchestrations, Lewis expanded his work "Three Little Feelings" from its original chart for brass, featuring outstanding solos by alto saxophonist Phil Woods and guitarist Jim Hall. Lewis includes two pieces he had written for William Inge's play Natural Affection; Dolphy's fireworks on "Donnie's Theme" contrast with the easygoing "Natural Affection," which features the leader's piano and has a sudden dramatic finale. Gary McFarland contributed both "Milesign" and "Grand Encounter"; the former composition is a driving bop chart with a typically angular alto sax solo by Dolphy, while the latter piece is quirky and has a playful solo by Lewis. Schuller's rather stiff arrangement of "The Star Spangled Banner" serves as a odd but brief coda to close the record. Although there were additional records by Orchestra U.S.A., none of them match the heights of this initial effort
(EXCERPT FROM AN ONLINE REVIEW BY KEN DRYDEN, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 5:1.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NEAR MINT !
The following flaws or imperfections are noted on the cover:
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging. (nothing significant)
- Cover has a few tiny wrinkles along the spine (nothing significant)
- Cover has one corner slightly worn / dinged (nothing significant)
- Minor shelf wear noted on the bottom seam (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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