EVANS BRADSHAW PIECES OF 88 VERY RARE ORIGINAL '59 RIVERSIDE STEREO LP BEAUTIFUL

$

22

WE CURRENTLY HAVE   NEARLY 1,000   LISTED ITEMS

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·       EVANS BRADSHAW TRIO – PIECES OF EIGHTY-EIGHT – ORIGINAL 1958 RIVERSIDE RECORDS STEREO LP RLP-1136 (MONO ALBUM WAS RELEASED IN 1958, STEREO AROUND 1960)

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK RIVERSIDE STEREO LABEL WITH SILVER SCRIPT AND “MICROPHONE AND REEL” LOGO

·       EXTREMELY RARE ORIGINAL STEREO PRESSING, MANY TIMES RARER THAN MONO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER

·       NOTE: AS IS THE CASE WITH MANY 1950s AND 1960s RIVERSIDE TITLES (CHECK OUT WYNTON KELLY'S 'KELLY BLUE', FOR EXAMPLE), MONO AND STEREO COVERS OF THIS TITLE HAVE SLIGHLY DIFFERENT COLORING CONVENTIONS: THE MONO HAS A BLACK AND WHITE COVER WITH LARGE CIRCLES IN BLUE AND TURQUOISE; WHEREAS THE ORIGINAL STEREO PRESSING  HAS BLACK AND WHITE COVER WITH LARGE CIRCLES IN RED AND OCHRE

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This pianist was born in Memphis and died there as well, but is associated with the Detroit jazz scene. Despite the fact that his name sounds quite classy, it is possible most jazz listeners have not heard of Evans Bradshaw, who began his professional career as a child and died when he was only in his mid-fifties. He was a childhood pal of the superb pianist Phineas Newborn, and may have even been influential in Newborn's interest in the keyboards in the first place. Bradshaw's first move upon learning to crawl was to try and mount the piano bench; he learned to play at the age of nine and was in his father's band three years later.

The pianist headed to Flint, MI in 1953, picking up a day job in an auto factory. At night, he was out and about gigging with his own trio. At one of these live gigs, a talent scout connected with the group and arranged a contact with the Riverside label. In both 1958 and 1959 the label released albums by Bradshaw which have continued to represent his entire discography. There are no recordings available of Bradshaw as a sideman in anyone else's groups. His own trio played at the Village Vanguard and the Detroit Jazz Festival as a result of the Riverside buzz.

 (EXCERPT FROM AN ONLINE BIO OF EVANS BRADSHAW BY EUGENE CHADBOURNE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 10:1.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NEAR MINT !

The following flaws or imperfections are noted on the cover:

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         Cover has a small quality control (inspection) stamp on the back panel

-         Cover has a minor 'bump' (dent) on the opening side (BARELY VISIBLE)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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