Elvis Presley Lp"Self -titled " LPM-1382
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Jun 27, 2019 Sold Date
Jun 20, 2019 Start Date
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Elvis Presley Phenomenal Break through Lp...Lp Cover is Vg Record ORIGINAL VG Buyer to pay $4.00 s/H Thanks for looking 

Elvis (1956 album)-wiki

Jump to navigationJump to search Elvis Studio album by  Elvis Presley Released October 19, 1956 Recorded January 30th; September 1st-3rd, 1956 Studio RCA Studio 1 - New York, Radio Recorders Studio 1, Hollywood Genre Rock and roll, rockabilly, rhythm and blues, country Length 29:47 Label RCA Victor Producer Steve Sholes Elvis Presley chronology Elvis Presley
(1956) Elvis
(1956) Love Me Tender
(1956) Professional ratings Review scores Source Rating AllMusic [1] MusicHound [2] The Rolling Stone Album Guide [3] Rough Guides [4]

Elvis (also known as Elvis Presley No. 2) is the second studio album by American rock and roll singer Elvis Presley, released by RCA Victor in October 1956 in mono. Recording sessions took place on September 1, September 2, and September 3 at Radio Recorders in Hollywood, with one track left over from the sessions for Presley's debut album at the RCA Victor recording studios on January 30 in New York.[5] It spent four weeks at #1 on the BillboardTop Pop Albums chart that year, making Presley the first recording artist to have both albums go straight to number one in the same year. It was certified Gold on February 17, 1960, and Platinum on August 10, 2011, by the Recording Industry Association of America.



Content

RCA Victor producer Steve Sholes had commissioned two new songs for this batch of sessions, "Paralyzed" from Otis Blackwelland "Love Me" from Jerry Leiber and Mike Stoller, the authors respectively of both sides of Presley's summer hit of 1956, "Don't Be Cruel" backed with "Hound Dog," the first record to top all three of the Billboard singles charts then in existence: pop, R&B, and C&W.[7] Presley decided upon three Little Richard covers, and selected three new countryballads respectively from regular Everly Brothers writer Boudleaux Bryant and guitarist Chet Atkins, Sun staff musician and engineer Stan Kesler, and Aaron Schroeder and Ben Weisman. The latter two, contracted to Hill and Range, the publishing company of Presley's manager, Colonel Tom Parker, would write dozens of songs for Presley through the 1960s. Also included was the song with which Presley won second prize at a fair in Tupelowhen he was ten years old, Red Foley's 1941 country song, "Old Shep."

With all but one track on the album recorded at a single set of sessions over three days in September, Presley and his touring band of Scotty Moore, Bill Black, and D.J. Fontana, along with The Jordanaires, managed to recreate the loose feel from Sun Studio days, mixing rhythm and blues and country and western repertoire items as they had on all of his Sun singles.[8] They reinforced this effect by including material echoing his very first Sun record: a blues by Arthur Crudup, author of "That's All Right (Mama);" and a song recorded by bluegrassfounder Bill Monroe, "When My Blue Moon Turns to Gold Again." The sessions were attended by a few outsiders, namely his current girlfriend at the time, actress Natalie Wood and actor Nick Adams, both of whom had starred in Rebel Without a Cause, Presley's favorite James Dean film. Steve Sholes was the RCA man at the session, and handled the paper work and such, but basically Elvis himself chose the songs, led the session, made all the decisions concerning which take would be the master and so forth. Thus it would be fair to say that for most practical purposes, Elvis himself at this session and throughout his career would continue to do most of the things that a regular record producer normally would do.[9]

The piano player on this album is not registered in the official RCA Victor archives, except for the song "So Glad You're Mine", which was cut at a previous session in New York. In a 1984 interview conducted by Jan-Erik Kjeseth, Gordon Stoker of the Jordanaires stated that he was the piano player on most of the songs on the album. In an article written by Kjeseth for the Flaming Star magazine, it was argued that the piano player on "Love Me", "Old Shep" and "How's the World Treating You" was Elvis himself. Ernst Jørgensen, writer of Elvis Presley - A Study in Music, seems to be of the same opinion. Kjeseth also claims that Elvis played the piano on the single from this session, "Playing for Keeps". Again, Jørgensen seems to be of the same opinion. Gordon Stoker played the piano on "Rip it Up" and "Anyplace is Paradise".


Personnel

  • Elvis Presley – vocals, acoustic guitar, piano on "Old Shep", "Playing For Keeps", "Paralyzed", First In Line, and "How's The World Treating You".
  • Scotty Moore – electric guitar
  • Shorty Long – piano on January 30
  • Gordon Stoker - piano on September 1–3
  • Bill Black – double bass
  • D. J. Fontana – drums
  • The Jordanaires - backing vocals

Track listing[edit]

Side one No. Title Writer(s) Recording date Length 1. "Rip It Up"
  • Robert Blackwell
  • John Marascalco
September 3, 1956 1:50 2. "Love Me"
  • Jerry Leiber
  • Mike Stoller
September 1, 1956 2:41 3. "When My Blue Moon Turns to Gold Again"
  • Gene Sullivan
  • Wiley Walker
September 2, 1956 2:18 4. "Long Tall Sally"
  • Blackwell
  • Enotris Johnson
  • Richard Penniman
September 2, 1956 1:51 5. "First in Line"
  • Aaron Schroeder
  • Ben Weisman
September 3, 1956 3:21 6. "Paralyzed"
  • Otis Blackwell
  • Elvis Presley
September 2, 1956 2:18 Side two No. Title Writer(s) Recording date Length 1. "So Glad You're Mine" Arthur Crudup January 30, 1956 2:18 2. "Old Shep" Red Foley September 2, 1956 4:10 3. "Ready Teddy"
  • Blackwell
  • Marascalco
September 3, 1956 1:55 4. "Anyplace Is Paradise" Joe Thomas September 2, 1956 2:26 5. "How's the World Treating You"
  • Chet Atkins
  • Boudleaux Bryant
September 1, 1956 2:23 6. "How Do You Think I Feel"
  • Webb Pierce
  • Wayne Walker
September 1, 1956 2:10


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