Eric Dolphy ?– Last Date [Jazz LP 1964] Limelight ?– LM 82013, Avantgarde

$

22

   Eric Dolphy ?– Last Date

Label:
Limelight ?– LM 82013
Format:
Vinyl, LP, Album, Mono, Gatefold cover
Country:
US
Released:
1964
Genre:
Jazz
Style:
Free Jazz, Avantgarde

Tracklist

A1     Epistrophy
    Composed By – Th. Monk*
    11:15
A2     South Street Exit
    Composed By – E. Dolphy*
    7:10
A3     The Madrig Speaks, The Panther Walks
    Composed By – E. Dolphy*
    4:50
B1     Hypochristmutreefuzz
    Composed By – M. Mengelberg*
    5:25
B2     You Don't Know What Love Is
    Composed By – D. Raye*, De Paul*
    11:20
B3     Miss Ann
    Composed By – E. Dolphy*
    5:25

Credits

    Bass – Jacques Schols
    Drums – Han Bennink
    Flute, Bass Clarinet, Alto Saxophone – Eric Dolphy
    Liner Notes – Michiel de Ruyter
    Piano – Misja Mengelberg*

Notes

Recorded June 2, 1964, Hilversum, Holland.

"Producer: Radio Jazz Club, Co-producer: Jazz Magazine"

Gatefold cover with 8-page booklet

- Eric Dolphy
Real Name:
Eric Allan Dolphy
Profile:
American jazz alto saxophonist, flautist, and bass clarinetist.

Born June 20, 1928 in Los Angeles, California, USA
Died June 29, 1964 in Berlin, Germany

Dolphy was credited to pioneering the use of the Bass Clarinet as a solo improvising instrument and much of his best work was in the company of John Coltrane and Charles Mingus. His death was tragic however, unable to finish some work in America and anxious to prove himself before his forthcoming marriage, he travelled to Europe 'single' but soon died of undiagnosed diabetes in Berlin.

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(M) Mint Record still shrink wrapped, new copy of a record.

(NM) Near Mint Almost perfect record that has usually only been played 1-3 times, in "like new" condition, no visual defects.

(NM-/ EX+) Almost near mint, maybe a few very light marks, nearly perfect.

(VG+/ EX) Very Good Plus / Excellent Record - will show minor signs that it was played but otherwise handled by a previous owner who took good care of it. Record surface may show light scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK".

The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves will have some slight wear, lightly turned up corners, or a slight seam split.

An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print & sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint.

All but the most mint-crazy collectors will find a Very Good Plus (VG+) record highly acceptable.

(VG) Very Good Record has more wear than VG+ with some more surface noise, light pops, scuffs or light scratches. Generally still a great playing copy, no skips. Jacket may have more shelf wear, a little writing, sticker residue, punch out/cut out holes or corners.

(VG-) Very Good Minus Record has noticeable groove wear, discoloration, surface noise, louder pops, marks & scratches/ scuffs but still a decent playing copy, no skips. Cover may has heavier shelf wear, more discoloration and split seams.

(G/ G+) Good/ Good Plus Record still plays without skipping but has considerable amounts of groove wear, discoloration, surface noise, scuffs, and/or scratches.  Sleeve has a lot of wear and some defects such as split seams, heavy creasing, writing, marks, sticker residue, etc...