Explosions In The Sky - Take Care, Take Care, Take Care - 2LP - Sealed
£
40
$
53
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Description
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For information relating to payment, postage packaging and grading guidelines please see the details beneath the bulk of the advert.
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Four years ago, Explosions in the Sky ended their last album with a short (for them) song called "So Long, Lonesome". It was pretty and melancholy, not so unlike a lot of their other music, really, but as its title suggests, it had the feel of a goodbye. It seemed so final. But no, the Austin quartet is not done. Take Care, Take Care, Take Care finds the band returning with a renewed focus on its most basic sound: multiple guitars with drums and a bit of bass. The piano that helped lend "So Long, Lonesome" its sense of cold finality is gone, and the band sounds confident getting back to the setup on which they built their reputation.
The band famously doesn't consider itself post-rock, but if we're being honest, today they may be the last true exponent of turn-of-the-century post-rock-- unlike Mogwai, they never wandered away from drifting instrumentals constructed around loud-soft dynamics and the contrast between soft guitar tones and pounding drums. Most of their other contemporaries from the period are gone or found dub or electronics or something else. But Explosions in the Sky are sticking to their guns-- Take Care is less ragged than Those Who Tell the Truth Shall Die, but it's otherwise a very similar album.
So whether or not you dive into Take Care will largely depend on your appetite for loud/soft instrumental post-rock. If your appetite for it is boundless, you will be very pleased by this album, and probably also its elaborate artwork, which can be folded several ways to make the interior or exterior of a building. At its best, Take Care is ruled by drummer Chris Hrasky. The guitars tend to hang on particular figures or throw up an e-bowed haze, and Hrasky is the one who can cut through that. On "Trembling Hands" his drum kit is the lead instrument as he unleashes Keith Moon-worthy torrents of snare, tom, and cymbal, throwing himself at the guitars as though they were a wall to break through.
One could argue that the music here is predictable and even a bit old-hat. We've lived with this sound for well over a decade now, and we have classics to compare it to, including Explosions in the Sky's own work. And that argument holds some water. But the simple fact is that Explosions in the Sky are very good at this particular thing, and it seems as though no matter how many crescendos and diminuendos they play, there remains a certain amount of cathartic power to their music. The emotion in it is ambiguous, and you can read whatever you want into it-- the soundtrack to your rainy day might be the soundtrack to someone else's overwhelming joy, and that too is important to its appeal.
Artist - Explosions in The Sky
Last Known Surroundings 08:21
Human Qualities 08:09
Trembling Hands 03:30
Be Comfortable, Creature 08:47
Postcard From 1952 07:06
Let Me Back In 10:07
Catalogue No. - TRR199
Record Condition - Mint (Sealed)
Cover Condition - Mint
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PAYMENT
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POSTAGE
At Netdiscs we ensure you get the postage and packing service you require - we can send by 1st, 2nd or Recorded delivery within the UK and Air or Airsure to any overseas destination. We no longer use surface mail due to the length of delivery time and any overseas items over £20 will now have to be sent by Airsure.
We hate being overcharged for postage, it’s money for nothing. So we aim to keep our postage costs fair and transparent. Obviously each item is different, but we’ve done a fair bit of work to establish the correct postage price before posting. If you feel hard done by, please get in contact.
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PACKAGING
We’re record lovers too and hate receiving items marked as ‘Mint’ and turns out to be scuffed or ripped. This can be avoided!
We use top quality packaging materials - so all our items arrive with you, the buyer, in top notch condition.
Please note: all records are removed from their sealed packaging UNLESS REQUESTED OTHERWISE. Once removed from their packaging, they are kept in a 250g polysleeve which ensures protection. The record(s) and its sleeves are then placed between 2 stiffeners. This ensures that everything arrives exactly as you’d want it to.
Remember - we all need to recycle where possible, so with larger orders and larger items, we re-use the packing boxes and protective wrapping received from our suppliers.
The charges for packaging are based on the following:
FORMAT
PACKAGING
COST
7”
1 polysleeve, 2 stiffeners, 1 card envelope
£0.80
10”
1 polysleeve, 2 stiffeners, 1 card envelope
£1.00
12” / LP
1 polysleeve, 2 stiffeners, 1 card envelope
£1.00
2 x12”
2 polysleeve, 2 stiffeners, 1 card envelope
£1.10
CD
1 Jiffy bag
£0.60
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Grading based on Record Collector Guidelines:
Mint The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as sealed or unplayed should be Mint.
Excellent The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
Good The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration etc.
Fair The record is still just playable but has not been cared for properly and displays considerable surface noise, it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
Bad The record is unplayable or might even be broken, and is only of use as a collection-filler.
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