FLEETWOOD MAC Kiln House RARER ORIG UK 1970 RSLP SUPERB NEAR MINT 1st PRESS LP.
  £   113
  $   150

 


£ 113 Sold For
May 5, 2014 Sold Date
Apr 28, 2014 Start Date
£   14 Start price
20   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.

Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all – in fact I think these things should be banned as records WILL arrived damaged in them at some time. More details on my packing nearer the end of the listing.

Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.

ALSO: I now apply the Ebay ‘4-day’ rule for non-payment to keep things moving – cash-flow is important to any small business. I will always keep my P&P prices as low as possible, and even after yet another Royal Mail price hike from April this year, I have NOT raised my prices and will never compromise on solid, safe packing that is invariably heavier than most you will get. My P&P offers probably the best value-for-money for vinyl records available, and I even will pay for full insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received. You WILL see the difference when my packet arrives.

Artist or Band: FLEETWOOD MAC

Album Title: Kiln House.

Producer(s): Fleetwood Mac.

TRACK LIST:

Side 1: This is the Rock; Station Man; Blood on the Floor; Hi Ho Silver; Jewel Eyed Judy.

Side 2: Buddy’s Song; Earl Gray; One Together; Tell Me All the Things You Do; Mission Bell.

Label/Format: Reprise - original deep tan RSLP first UK press issue with matt, smooth surfaces (Please see my label scans).

Label Conditions: Both in stunning condition: ultra clean, very fresh and attractive with just a tiny chip on side one near the hole rim, but barely a spindle trace to be seen.

Cat Number: RSLP 9004.

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 154 grams. Very thick and solid and heavier than most found.

Country of Manufacture: England.

Rarity: Scarce: not a huge seller and this in supreme condition, I have rarely, if ever found one quite like it.

Original Year of Release: 1970

Matrix Nos: RSLP 9004 A1 / RSLP 9004 B1 (stampers: 1 F / 1 H)

Musicians: Jeremy Spencer – guitar, vocals, piano; Danny Kirwan – guitar, vocals; John McVie – bass; Mick Fleetwood – percussion, drums. Guest: Christine McVie – backing vocals (uncredited), but is credited as cover designer inside.

Brief Info: The first post-Peter Green Fleetwood Mac album and last to feature Jeremy Spencer, it did not sell well and only reached a lowely 39 in the UK, way below par compared to their early titles. It faired even worse in the US and did not chart at all in the rest of Europe – hence this is an elusive copy and one in supreme condition. The mood of the album is gentle and has a fifties feel with Spencer’s tributes to the stars and music of the time. Christine McVie does feature on vocals but was not a member until after it’s release. Original copies that include the elusive insert are quite hard to find especially in this type of condition. This is a fantastic example with a very attractive and fresh gatefold cover. The folded insert in practically mint also and this fragile set will prove immensely difficult to find much better. A superb very early pressed copy with impressive weight and nigh-on perfect sound, this appears hardly even played.

Cover Grade and Format: EXCELLENT(++): and looks even better, this is a beautiful cover. An unlaminated gatefold format with matt, smooth surfaces. Printed and made in England by the E. J. Day Group and includes the insert booklet and the original heavy duty polylined inner sleeve.

Cover – Front & Back: Superb with cleanest and freshest looking artwork I have yet seen for this beautiful cover. A lovely graphic of innocence and credited to Christine McVie as designer. This UK matt version is usually seen grubby and aged but this front looks simply fantastic. It is almost a case of spot-the-blemish, well under light a tiny trace of adhesive is seen on the front hear the right edge, but that is pretty much it. This is nigh-on invisible unless searched for. The only reason why a top Mint(–) grade was not given is for rubbing on the bottom back edge that few will ever escape totally. This is as clean, fresh and attractive as when made back in 1970. Crease-free, no grubbiness and unusually, not even a hint of any ring wear, this superb example could prove a near ultimate upgrade for many.

Cover Inner Gatefold: Immaculate, this looks practically new.

Top Edges: Barely any hint of wear with just a tiny rub to the front right corner tip. Both straight, neat and flush.

Bottom Edges: The front is superb again, the back has light to moderate rubbing.

Right Edge(s), and Type: The front edge is closed, so the record enters on the back edge. Both are beautifully neat with hardly any wear – any traces of thickening or burring seen viewed end-on are minuscule, both guaranteed untrimmed or enhanced in any way.

Spine and Text: A near perfect spine: solid and wide, uncrushed, straight with barely any compression. Folded square so the edges are parallel and almost perfectly flush. I always consider worthy of mention as it makes for a much tidier and neater cover for the more discerning. No text was printed on this, but graphic flows around and there is no wear to the main surface or the two vulnerable fold hinges.

Corners: The spine pair are crisp and barely rubbed at all. The top right pair have only tiny tip rubs. Only the bottom right back has a moderate rub, the front lesser. Excellent to near mint shape retained, the rubbing barely even registers on the main full-on artwork and only really seen viewed edge-on.

Cover Summary: A supremely attractive all-round example of this lovely very early 1970’s cover, one that will prove immensely difficult to find better. UK versions of this album were not laminated and are seldom seen in this type of condition. Cover-protected for most of it’s existence and the surfaces barely even handled, that is the difference. A scarce original cover that will please most-all collectors.

The Inner Sleeve: EXCELLENT: a plain white polylined inner that has two immaculate window circles, crystal-clear lining and no edge splits or repairs. Some natural crinkle and the odd light crease with a little fine edge darkening of the adhesive. It is UK Patented with ‘Foreign Patents Pending’ text. On the front top left corner, the retailer wrote (in pencil) ‘RSLP 9004’ with the original selling pre-decimal price of 43/9. This converts to modern currency to approximately £2.19. I consider these original details in old LSD coinage important as it helps put a definitive date on the record and date of purchase.

The Insert Booklet: PRACTICALLY MINT: and little short of as made. The insert has one manufacture’s fold and is very clean and looks little handled with genuine freshness retained. No real creasing – the merest hint of a thumb trace on the right edge – this almost nit-picking faint. All edges crisp and ultra sharp. A lovely item with vintage band member pictures including Mick with long hair. This 4-page booklet often missing and only available with early examples anywhere.

Vinyl Condition/Visual Grading: MINT(–): a superb visual copy that is very clean, shiny, intense black and heavily pressed on top quality vinyl. A record hardly even played on all the evidence with any surface traces being super-fine, faint and hardly any at all. Visually a super record that should please most-all collectors again.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]

Sound Quality and Audio Grading: This beautiful original 1970 record that plays up to it’s high visual grading and beyond with practically nothing to fault. Strong, distortion-free sound, all frequencies are sharp and clear - sound quality is very high with a wide dynamic range and very detailed sound. Any surface sounds barely even registered and this is an exceptional clean pressing. A top quality first issue with impressive mass and weight, the way the connoisseur vinyl collectors like them. The fact this one has hardly been played is great news on a more gentle album and few available copies will outperform this very early British pressing I feel sure. Both channels are clean and sharp, I am certain this record has been played no more than a couple or three times, including my mandatory play-grade, clearly well stored and carefully handled, almost certainly in a non-smoking environment. Nothing spoilt my pleasure when play-grading this wonderful record. This copy will prove immensely difficult to find better and merits my highest possible recommendation.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Terrarium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand+ based on over 10,000+ items sold in over 12 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffeners cannot be bent by hand, so what chance 2 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.

NOTE: First Time Bidders: Please ask me first.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of FOUR days if no payment is received. I will then cancel the dispute to end the, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site and they take the Ebay consequences (a strike or removal from the system). Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £8. (this includes insurance of £500). Add £2 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £3 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.




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