FLEETWOOD MAC - S/T - ORIGINAL MASTER RECORDING - MFSL
  $   31

 


$ 31 Sold For
May 27, 2009 Sold Date
May 20, 2009 Start Date
$   10 Start price
6   Number Of Bids
  Canada Country Of Seller
eBay Auctioned at
 
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Description

RECORD - NM    MFSL 1-012  MOBILE FIDELITY SOUND LAB  AUDIOPHILE PRESSING. PRESSED IN JAPAN 

COVER - VG+     SLIGHT CORNER, EDGE WEAR. SMALL STICKER RESIDUE TOP RIGHT CORNER

INNER SLEEVE  - CARDBOARD SUPERDISC SLEEVE 

 

Review by Stephen Thomas Erlewine

It's unfair to say that Fleetwood Mac had no pop pretensions prior to the addition of Lindsey Buckingham and Stevie Nicks to the lineup in 1975. When they were lead by Bob Welch they often flirted with pop, even recording the first version of the unabashedly smooth and sappy "Sentimental Lady," which would later be one of the defining soft rock hits of the late '70s. Still, there's no denying that 1975's Fleetwood Mac represents not just the rebirth of the band, but in effect a second debut for the group — the introduction of a band that would dominate the sound of American and British mainstream pop for the next seven years. In fact, in retrospect, it's rather stunning how thoroughly Buckingham and Nicks, who had previously recorded as a duo and were romantically entangled in the past, overtook the British blues band. As soon as the Californian duo came onboard, Fleetwood Mac turned into a West Coast pop/rock band, transforming the very identity of the band and pushing the band's other songwriter, keyboardist Christine McVie, to a kindred soft rock sound. It could have all been too mellow if it weren't for the nervy, restless spirit of Buckingham, whose insistent opener, "Monday Morning," sets the tone for the rest of the album, as well the next few years of the group's career. Surging with a pushily melodic chorus and a breezy Californian feel, the song has little to do with anything the Mac had done before this, and it is a positively brilliant slice of pop songwriting, simultaneously urgent and timeless. After that barnstorming opener, Buckingham lies back a bit, contributing only two other songs — a cover of Richard Curtis' "Blue Letter," the second best up-tempo song here, and the closer, "I'm So Afraid" — while the rest of the album is given over to the wily spirits of Nicks and McVie, whose singles "Rhiannon," "Say You Love Me," and "Over My Head" deservedly made this into a blockbuster. But a bandmember's contribution can never be reduced to his own tracks, and Buckingham not only gives the production depth, he motivates the rest of the band, particularly Nicks and McVie, to do great work, not just on the hit singles but the album tracks that give this record depth. It was diverse without being forced, percolating with innovative ideas, all filtered through an accessible yet sophisticated sensibility. While Rumours had more hits and Tusk was an inspired work of mad genius, Fleetwood Mac wrote the blueprint for Californian soft rock of the late '70s and was the standard the rest were judged by.

 

BECAUSE OF NEW PAYPAL BUYER PROTECTION RULES, PAYPAL USERS MUST HAVE A CONFIRMED ADDRESS TO BID!!!!!! IF YOU ARE NOT CONFIRMED PLEASE CONTACT PAYPAL AND GET CONFIRMED (ITS VERY EASY) WE CANNOT SHIP TO UNCONFIRMED PAYPAL USERS. SO PLEASE MAKE SURE YOU ARE BEFORE YOU BID! SORRY BUT ITALY & SOUTH AMERICA BIDDERS MUST PAY FOR SIGNATURE TRACKING,RECORDS SEEM TO NEVER MAKE TO THESE COUNTRIES WITHOUT TRACKING AND SIGNATURE!!!!!! BECAUSE WE LIVE IN CANADA WE HAVE TO USE CANADA POST! PLEASE VISIT (CANADAPOST.CA) FOR DETAILED PRICE GOUGING FOR YOURSELF!!

 

 

 

///GRADING///

MINT: as stated with no defects

NEAR MINT: (NM) as stated near Mint!, or Mint Minus, same thing, very clean with no defect to sound or visual appearance, a scuff or mark will be mentioned in the description, a near Mint record looks and plays very clean

VG+ still a very nice copy with minimal cover wear and/or delete/splits, still visually appealing, the vinyl will retain it's original gloss and can have some minor scuffs/scratches that don't affect play.

VG  a little more cover/ring wear and delete, splits etc., the vinyl will still retain much original gloss with a bit more scuffs and/or scratches I may list a very rare or desirable item with a lower grade,(G+) I will try to list all defects, both cover and vinyl no matter the condition, I also play grade the records on high end equipment and will give an honest play grade as well as visual grade, considering the number of records I buy on line my grading is very conservative and fair.

 

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