FLYING BURRITO BROS w/GRAM PARSONS GILDED PALACE OF SIN RARE ORIG'69 A&M LP NICE

$

47

WE CURRENTLY HAVE   MORE THAN 300  LISTED ITEMS

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·       FLYING BURRITO BROTHERS featuring GRAM PARSONS - THE GILDED PALACE OF SIN -  ORIGINAL 1969 A&M RECORDS STEREO LP SP-4175

·       ORIGINAL U.S. PRESSING

·       ORIGINAL TAN (BROWN) A&M LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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By 1969, Gram Parsons had already built the foundation of the country-rock movement through his work with the International Submarine Band and the Byrds, but his first album with the Flying Burrito Brothers, The Gilded Palace of Sin, was where he revealed the full extent of his talents, and it ranks among the finest and most influential albums the genre would ever produce. As a songwriter, Parsons delivered some of his finest work on this set; "Hot Burrito No. 1" and "Hot Burrito No. 2" both blend the hurt of classic country weepers with a contemporary sense of anger, jealousy, and confusion, and "Sin City" can either be seen as a parody or a sincere meditation on a city gone mad, and it hits home in both contexts. Parsons was rarely as strong as a vocalist as he was here, and his covers of "Dark End of the Street" and "Do Right Woman" prove just how much he had been learning from R&B as well as C&W. And Parsons was fortunate enough to be working with a band who truly added to his vision, rather than simply backing him up; the distorted swoops of Sneaky Pete Kleinow's fuzztone steel guitar provides a perfect bridge between country and psychedelic rock, and Chris Hillman's strong and supportive harmony vocals blend flawlessly with Parsons' (and he also proved to be a valuable songwriting partner, collaborating on a number of great tunes with Gram). While The Gilded Palace of Sin barely registered on the pop culture radar in 1969, literally dozens of bands (the Eagles most notable among them) would find inspiration in this music and enjoy far greater success. But no one ever brought rock and country together quite like the Flying Burrito Brothers, and this album remains their greatest accomplishment.

 (EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

This is probably the only Country-Rock album (Byrds "Sweetheart of the Rodeo" notwithstanding) that managed to withstand the test of time, the critical judgment AND the whims of popular opinion at the same time. Recorded in late 1969, just as Gram Parsons was rubbing shoulders with Rolling Stones and the post-hippie crowd, this is an opulent, decadent, but ultimately a very passionate and heartfelt statement on human condition in America at the turn of the decade. "Sin City" has got to be the ultimate song on the trails and tribulations of the country boy lost (and sinning) in big city. The musicians, of course, are the Royalty of the country and rock: Gram Parsons, Sneeky Pete, Chris Hillman (for my money, the best white bass player ever - with the possible exception of Paul McCartney) and Chris Ethridge. My favorite tracks on the album are two "Deep Soul" covers, showing Gram Parson’s profound love and affection for his native south: Aretha Franklin’s "Do right woman", and James Carr’s poignant "Dark end of the street". For those who think that Gram’s covering soul classics was an accident, remember: he (along with Otis Redding) also covered William Bell’s "You don’t miss your water" . This is Country meets Rock meet Blues meet Soul album, and they all have a good time. This is a part of American cultural heritage and history, whose proper place is in Smithsonian museum. 

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record comes in the original stock inner sleeve.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

-         Cover has some visible fraying/tattering on all three seams

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4

-         The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Cover has a visible "wrinkle"(crease)  in one of the corners.

-         Back cover has tiny, spot-like peel-off marks, most likely from the exposure to the humidity   (nothing significant)

-         Cover has a few tiny wrinkles along the spine

-         Cover has a light "wrinkle" (crease)  in one of the corners.

-         Front cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)

-         Cover has a visible wrinkle (crease) in the cardboard base on the back panel

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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