FOR TAYLOR STORER V.A. Steve Reich, Carla Bley, Philip Glass LP NEW Sealed 1968
$
36
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Description
For Taylor Storer
Label:
TS Records (5) ?– TS 001
Format:
Vinyl, LP, Album, Limited Edition
Country:
US
Released:
1988
Genre:
Electronic, Jazz, Classical
Style:
Contemporary Jazz, Modern Classical, Minimal
Tracklist Hide Credits
A1 –Carla Bley Ups And Downs
Alto Saxophone – Steve Slagle
Bass – Steve Swallow
Drums – Victor Lewis
French Horn – Vincent Chancey
Piano – Ted Saunders*
Tenor Saxophone – Tony Dagradi
Trombone – Gary Valente
Trumpet – Michael Mantler
Tuba – Bob Stewart
Written-By, Organ – Carla Bley
8:24
A2 –Dewey Redman QOW
Drums – Ed Blackwell
Piano – Fred Simmons
Written-By, Saxophone – Dewey Redman
5:09
A3 –Dewey Redman Dewey Square
Drums – Ed Blackwell
Piano – Fred Simmons
Saxophone – Dewey Redman
Written-By – Charlie Parker
16:04
B1 –Steve Reich And Musicians Music For Mallet Instruments, Voices And Organ
Glockenspiel – Gary Schall, Glen Velez
Marimba – Bob Becker, David Van Tieghem, Russ Hartenberger
Organ – Steve Chambers
Vibraphone – James Preiss
Voice – Elizabeth Arnold, Jay Clayton, Pamela Fraley
Written-By, Marimba – Steve Reich
14:03
B2 –Taylor Storer And Mark Schuyler Taylor Storer And Mark Schuyler Onstage 0:29
B3 –Philip Glass Solo Movement From Dance
Written-By, Organ – Philip Glass
16:04
Notes
A1 - Written for Taylor Storer during his illness. Recorded live by NDR in Hamburg, Germany, March 14, 1984.
A2 & A3 - Recorded live at the Public Theater, April 25, 1979. Taylor was stage manager at the concert and helped engineer this recording.
Side B recorded live at Carnegie Hall, April 1, 1979, for a WKCR-benefit concert, produced by Taylor Storer, Mark Schuyler and Tim Page.
Limited edition of 2,000 copies. Proceeds will go to the New Music Distribution Service in memory of Taylor Storer.
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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