FRANK ZAPPA LONDON SYMPHONY ORCHESTRA Vol 2 NAGANO NM
$
40
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Description
FRANK ZAPPA LONDON SYMPHONY ORCHESTRA Vol II Barking Pumpkin Records ST 74207 NM-
Official Release #48 Originally Released: September 17, 1987 Label: Barking Pumpkin Records Catalog Number: SJ-74207 Produced/Composed/Orchestrated by Frank Zappa The London Symphony Orchestra Music composed & arranged by Frank Zappa Conducted by Kent Nagano with David Ocker: Solo Clarinet Chad Wackerman: Drum Set Ed Mann: Featured Percussionist Recording Dates: January 12-14, 1983 Produced by Frank Zappa Recording Engineer: Mark Pinske Re-mix engineer: Bob Stone Disc Mastering: Bernie Grundman Graphic Design: James Stagnitta Cover photo: Mark Hanauer
BOGUS POMP (24:34) Large Orchestra Version (Orchestration by David Ocker) This piece is a parody of movie music cliches and mannerisms. It is derived from themes first performed by members of the BBC Symphony during a MOTHERS OF INVENTION concert October 28, 1968 at the Royal Festival Hall in London (the original recording has been included in the Mystery Disc of THE OLD MASTERS, BOX II). The themes were further developed in the film ‘200 MOTELS.’ An early version of BOGUS POMP (for 40-piece orchestra) was released on the ill-fated ORCHESTRAL FAVORITES album in the mid-70’s. Built into the composition is a little psychodrama based on the idea that in an orchestra, the principal violist never gets a good solo. What happens in the minds of the other principal string players when the lowly viola gets all the hot licks? Something stupid, of course, culminating in the principal cellist’s improvised emotional outburst near the end of the piece. All of this is supported by cheesy fanfares, drooling sentimental passages and predictable ‘scary music.’ BOB IN DACRON (12:11) Under normal performance conditions, this piece is coupled with SAD JANE. It is a ballet, and has been performed as such by the Berkeley Symphony Orchestra (Kent Nagano conducting). The scenario depicts an unpleasant urban scoundrel (BOB) in his quest for mid-life erotic gratification in a singles bar. The first section, subtitled “Bob’s Clothes,” is a musical description of patterns which do not blend and textures only a ‘BOB’ could love, as he gets dressed for the evening foray. Battery-operated plastic ‘laugh boxes’ represent the voices of the ‘imaginary girls’ BOB seeks to impress. The second section, “Bob Gets Drunk” shows him in action at the bar. During the Berkeley dance premiere, the bartender, played by a life-sized puppet (operated by two dancers in black), gets so busy serving the thirsty yupsters he literally splits in half, continuing his shift with entrails dangling behind. The rest of the scenario is too lengthy to include here. STRICTLY GENTEEL (6:58) This was written for the finale of ‘200 MOTELS.’ It has lyrics and was sung by Theodore Bickel, Mark Volman, and Howard Kaylan on the original United Artists soundtrack album released in 1971. The performance included here was recorded in the last hour of the last session of the last night . . . with no possibility of overtime (at any price) to correct mistakes. During the final ‘rest period’ just before the big push to get a good take, the entire trumpet section decided to visit a pub across the street. They returned 15 minutes late. No recording could be done without them. The orchestra refused to spend another 15 minutes at the end of the session to make up for their glowing brass section neighbors. I have done as much as possible to enhance this fine British ‘craftsmanship’ (at least 50 edits in 6:56), but, to no avail . . . the ‘human element’ remains intact.
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