FRANK ZAPPA LUMPY GRAVY RARE ORIGINAL 1968 VERVE STEREO LP BEAUTIFUL
$
46
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Description
WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· FRANK ZAPPA - LUMPY GRAVY - ORIGINAL 1968 VERVE STEREO LP V6-8741
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK VERVE LABEL WITH SILVER PRINT AND LARGE T-SHAPED VERVE LOGO
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· EAST COAST PRESSING (CAPITOL RECORDS, SCRANTON, PA)
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· NOTE:THE LATEST COMPACT DISC MASTERING OF THIS TITLE (2012), WHICH IS THE ONLY VERSION CURRENTLY IN PRINT, HAS A MAJOR 'AUDIO ERROR': FROM ABOUT 01:48 TO AROUND 03:31, IT IS MASTERED IN MONO; THE ONLY WAY YOU CAN CURRENTLY HEAR THIS 2-MINUTE SEGMENT IN ITS ORIGINAL STEREO VERSION IS ON THE ORIGINAL 1968 VINYL, SINCE PARTS OF THE BARKIN' PUMPKIN 1984 LP REISSUE APPEAR TO HAVE BEEN RE-RECORDED
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Lumpy Gravy, Frank Zappa's first solo album, was released months before the Mothers of Invention's third LP (even though its back cover asked the question: "Is this phase two of We're Only in It for the Money?") and both were conceptualized and recorded at the same time. We're Only in It for the Money became a song-oriented anti-flower power album with one contemporary/musique concrète/sound collage hybrid piece by way of conclusion. Lumpy Gravy collaged bits of orchestral music, sonic manipulations, spoken words, and occasional pop ditties into two lumps of 16 minutes each. This album presents Zappa's first recordings with a decent orchestra, the 50-piece Abnuceals Emuukha Electric Symphony Orchestra. His symphonic writing was very much influenced by Stravinsky and Varèse. It still had to lose its sharp edges and find the lushness found in 200 Motels. The segments of music are loosely tied together by bits of dialogue from inside the piano. MOI members and friends were invited to talk with their head inside a grand piano with the sustain pedal depressed (the technique was immortalized in the song "Evelyn, A Modified Dog"). The reverberating space gave the voices an eerie quality, but made it very difficult to convincingly edit the material. Thus, the plot emanating from these portions remains very vague (it was clarified 25 years later in Civilization Phaze III). The song bits include "Oh No," "Theme from Lumpy Gravy" (aka "Duodenum"), "King Kong," and "Take Your Clothes off When You Dance," all in instrumental versions, all making their first appearance on record. The starting point of Zappa's "serious music," Lumpy Gravy suffers from a lack of coherence, but it remains historically important and contains many conceptual continuity clues for the fan. The opening line of part one ("The way I see it, Barry, this should be a dynamite show") became a classic reference.
(EXCERPT FROM AN ONLINE REVIEW BY FRANCOIS COUTURE, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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This is Zappa FIRST solo album, and - believe it or not - it may actually be the hardest one to find - in many ways it is tougher to find than the mega-rare mono copies of his first three albums with the Mothers. Originally conceived as a ballet/classical piece, the album wound up in record shops' classical bins, where nobody who was into Mozart and Bach could relate to the name of Frank Zappa. The album flopped big time and disappeared without a trace, never to be reissued again until Zappa started systematically reissuing his (remixed) works on his Barkin' Pumpkin records label in the 1980's.
Rare in any form, but particularly hard to find as original gatefold VERVE lp, such as the specimen we proudly present here.
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Stock (commercially released) mono copies of this album are NOT known to exist.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (front side) and 5 (back side)
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant). Yellowing is also noted on the INSIDE gatefold
- Inside gatefold has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
- Cover has a few tiny wrinkles along the spine
- Visible shelf wear noted on the top and bottom seams (nothing significant)
- Cover has one corner slightly worn / dinged (nothing significant)
- The cover has a few tiny scratch marks on the back side
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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