FRANK ZAPPA WE'RE ONLY IN IT FOR THE MONEY ORIG 1960s V
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Description
FRANK ZAPPA~WE'RE ONLY IN IT FOR THE MONEY~ORIG 1960s VERVE STEREO LP + STICKER!
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NICE COPY OF THIS CLASSIC WITH THE RARE "MOTHERS" STICKER ON THE FRONT! COVER IS IN VG++ CONDITION WITH SOME RINGWEAR. VINYL IS VG++ WITH LIGHT SURFACE SCRATCHES.
Tracklist? A1 Are You Hung Up 1:30 A2 Who Needs The Peace Corps 2:35 A3 Concentration Moon 2:17 A4 Mom & Dad 2:20 A5 Bow Tie Daddy 0:33 A6 Harry, You're A Beast 1:22 A7 What's The Ugliest Part Of Your Body? 1:03 A8 Absolutely Free 3:28 A9 Flower Punk 3:04 A10 Hot Poop 0:30 B1 Nasal Retentive Caliope 2:03 B2 Let's Make The Water Turn Black 1:45 B3 The Idiot Bastard Son 2:44 B4 Lonely Little Girl 1:45 B5 Take Your Clothes Off When You Dance 1:35 B6 What's The Ugliest Part Of Your Body (Reprise) 0:57 B7 Mother People 2:32 B8 The Chrome Plated Megaphone Of Destiny 6:25
Credits? Arranged By, Composed By, Conductor – Frank Zappa Artwork [Plaster Figures And All Other Artwork] – Cal Schenkel Bass, Vocals, Other [Asthma] – Roy Estrada Drums, Trumpet, Vocals, Other [Indian Of The Group] – Jimmy Carl Black Drums, Vocals, Other [Yak & Black Lace Underwear] – Billy Mundi Executive Producer – Tom Wilson (2) Guitar, Piano, Vocals, Edited By, Other [Weirdness] – Frank Zappa Other [Cheerful Interruptions] – Dick Kunc Other [Has Graciously Consented To Speak To You In Several Critical Area] – Eric Clapton Other [Retired] – Don Preston Other [Wants You To Turn Your Radio Around] – Spider Photography By – Jerrold Schatzberg* Piano, Woodwind, Other [Wholesome] – Ian Underwood Producer – Frank Zappa Saxophone, Other [Weirdness & Teen Appeal] – Euclid James Motorhead Sherwood* Sounds [Snorks] – Dick Barber Voice [Creepy Whispering] – Gary Kellgren Voice [Telephone] – Suzy Creamcheese Woodwind, Voice [Mumbled Weirdness] – Bunk Gardner
From the beginning, Frank Zappa cultivated a role as voice of the freaks -- imaginative outsiders who didn't fit comfortably into any group. We're Only in It for the Money is the ultimate expression of that sensibility, a satirical masterpiece that simultaneously skewered the hippies and the straights as prisoners of the same narrow-minded, superficial phoniness. Zappa's barbs were vicious and perceptive, and not just humorously so: his seemingly paranoid vision of authoritarian violence against the counterculture was borne out two years later by the Kent State killings. Like Freak Out, We're Only in It for the Money essentially devotes its first half to satire, and its second half to presenting alternatives. Despite some specific references, the first-half suite is still wickedly funny, since its targets remain immediately recognizable. The second half shows where his sympathies lie, with character sketches of Zappa's real-life freak acquaintances, a carefree utopia in "Take Your Clothes Off When You Dance," and the strident, unironic protest "Mother People." Regardless of how dark the subject matter, there's a pervasively surreal, whimsical flavor to the music, sort of like Sgt. Pepper as a creepy nightmare. Some of the instruments and most of the vocals have been manipulated to produce odd textures and cartoonish voices; most songs are abbreviated, segue into others through edited snippets of music and dialogue, or are broken into fragments by more snippets, consistently interrupting the album's continuity. Compositionally, though, the music reveals itself as exceptionally strong, and Zappa's politics and satirical instinct have rarely been so focused and relevant, making We're Only in It for the Money quite probably his greatest achievement.
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! We have 2 physical locations in Massachusetts and 1 in Rhode Island:
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RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
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Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you are getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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