FREDDIE MERCURY / MONTSERRAT CABALLE - BARCELONA. 12" VINYL LP RECORD ALBUM 1988
£
30
$
40
£ 30
Sold For
Oct 17, 2022
Sold Date
Oct 13, 2022
Start Date
1
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Great Britain
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Description
FREDDIE MERCURY / MONTSERRAT CABALLE
BARCELONA
12" STEREO VINYL LP RECORD ALBUM
COMPLETE WITH CARD LYRIC INNER SLEEVE
VINYL IN VERY GOOD CONDITION (SEE DESCRIPTION)
COVER IN VERY GOOD CONDITION (SEE PHOTOS)
INNER IN EXCELLENT CONDITION (SEE PHOTOS)
POLYDOR RECORDS
BARCODE: 042283727717
CAT NO: POLH 44
1988
RARE
THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALEI DO NOT USE MISLEADING STOCK PHOTOS
FREE UK POSTAGE
THANKS FOR LOOKING
INFORMATION BELOW KINDLY PROVIDED BY DISCOGSBarcelona
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Label: Polydor – POLH 44, Polydor – 837277-1 Format: Vinyl, LP, Album, Embossed Gatefold Country: UK Released: 1988 Genre: Electronic, Rock Style: Modern Classical, Symphonic RockTracklist
Hide Credits A1 Barcelona Cello – Deborah Ann Johnston Horns – Barry Castle Percussion – Frank Ricotti Violin – Homi Kanga, Laurie Lewis Cello – Deborah Ann Johnston Horns – Barry Castle Percussion – Frank Ricotti Violin – Homi Kanga, Laurie Lewis 5:38 A2 La Japonaise 4:49 A3 The Fallen Priest Lyrics By – Tim Rice Lyrics By – Tim Rice 5:45 A4 Ensueño Lyrics By – Montserrat Caballé Lyrics By – Montserrat Caballé 4:20 B1 The Golden Boy Backing Vocals – Carol Woods, Debbie Bishop, Lance Ellington, Madeline Bell, Mark Williamson, Miriam Stockley, Peter Straker Lyrics By – Tim Rice Backing Vocals – Carol Woods, Debbie Bishop, Lance Ellington, Madeline Bell, Mark Williamson, Miriam Stockley, Peter Straker Lyrics By – Tim Rice 6:04 B2 Guide Me Home 2:41 B3 How Can I Go On Bass – John Deacon Bass – John Deacon 3:59 B4 Overture Piccante 6:40Companies, etc.
- Phonographic Copyright ℗ – Mercury Songs Ltd.
- Copyright © – Mercury Songs Ltd.
- Recorded At – The Town House
- Recorded At – Mountain Studios
- Mastered At – The Town House
- Distributed By – Polydor Ltd.
- Marketed By – Polydor Ltd.
- Published By – Mercury Songs Ltd.
Credits
- Arranged By, Composed By – Freddie Mercury, Mike Moran
- Engineer [Assistant] – Andy Mason, John Brough, Richard Dodd
- Keyboards – Mike Moran
- Mastered By – Kevin Metcalf*
- Photography By [Cover] – Terry O'Neill (2)
- Producer – David Richards, Freddie Mercury, Mike Moran
Notes
Recorded at The Townhouse Studios, London andMountain Studios, Montreux.
Mastered at The Townhouse Studios.
That release has embossed gatefold.
Barcode and Other Identifiers
- Barcode: 0 42283 72771 7
- Matrix / Runout (Side A ): POLH 44 A-2U-1-1
- Matrix / Runout (Side B ): POLH 44 B-1U-1-1
- Label Code: LC 0309
- Matrix / Runout (Variant 1 Side A ): POLH 44 A -1U-1-1 Townhouse DMM D
- Matrix / Runout (Variant 1 Side B): POLH 44 B-2U-1-1 Townhouse DMM D
- Matrix / Runout (Variant 2, Runout, Side A ): POLH 44 A -1U-1-1 Townhouse DMM D
- Matrix / Runout (Variant 2, Runout, Side B): POLH 44 B-1U-1-1 Townhouse D
Record Collectors Grading system Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint. Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable Good (G) Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc Fair (F) The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. Poor (P) The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing Bad (B) The record is unplayable or might even be broken, and is only of use as a collection-filler
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