2-18-2019



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Alice Cooper (2) ?– Goes To Hell

Label: Warner Bros. Records ?– BS 2896 Format: Vinyl, LP, Album, Reissue/Lp
COVER-VG++ to VG+++ slight ringing
VINYL-VG+++ in original inner sleeve

TracklistHide Credits

A1 Go To Hell 5:02 A2 You Gotta Dance 2:44 A3 I'm The Coolest 3:57 A4 Didn't We Meet 4:15 A5 I Never Cry Written-By – Cooper*, Wagner* 3:43 B1 Give The Kid A Break 4:13 B2 Guilty 3:21 B3 Wake Me Gently 5:03 B4 Wish You Were Here 4:35 B5 I'm Always Chasing Rainbows Written-By – H. Carroll*, J. McCarthy* 2:13 B6 Going Home 3:47

Companies, etc.

• Copyright (c) – Warner Bros. Records Inc.
• Produced For – Migration Records, Inc.
• Recorded At – Soundstage, Toronto
• Mastered At – J.A.M.F.
• Pressed By – Capitol Records Pressing Plant, Winchester
• Recorded At – Record Plant, N.Y.C.
• Recorded At – RCA Recording Studios
• Phonographic Copyright (p) – Warner Bros. Records Inc.
• Copyright (c) – Warner Bros. Records Inc.

Credits

• Arranged By – Ezrin*, Wagner*, The Hollywood Vampires
• Arranged By, Guitar – John Tropea
• Arranged By, Piano – Al Macmillan*
• Bass – Babbit*, Tony Levin
• Creative Director – Alice Cooper (2)
• Design – Brian Hagiwara, Rod Dyer
• Drums – Allan Schwartzberg, Jim Gordon
• Guitar – Steve Hunter
• Guitar, Vocals, Creative Director – Dick Wagner
• Mastered By – Brian Christian, George Graves
• Percussion, Percussion [Soft Shoe] – Jim Maelen*
• Photography [Liner] – Bret Lopez
• Producer, Keyboards, Vocals, Creative Director – Bob Ezrin
• Recorded By – Brian (Richie, Richie, Richie) Christian*, Corky Stasiak, Jim Frank, John Jansen, Ringo Hrycyna
• Vocals – Bill Misener, Colina Phillips, Denny Vosburgh, Laurel Ward, Michael Sherman, Sharon-Lee Williams*, Shawn Jackson*, Shep Gordon
• Vocals, Vocals [Tri-city Credit] – Joe Gannon
• Written-By – Cooper* (tracks: A1 to A4, B1 to B4, B6), Ezrin* (tracks: A1 to A4, B1 to B4, B6), Wagner* (tracks: A1 to A4, B1 to B4, B6)

Notes

? © 1976 Warner Bros. Records Inc. 

A Black Widow / Kru Production 
Special thanks to: Jon Podell, David Pearl, Donna Dobbs, Ralph Febre, Mandi Newall, Robert L. Casper, Scott Anderson, Patrick Gannon, Big Bert Padell and the whole gang down there.

Barcode and Other Identifiers

• Matrix / Runout (Etched Side A ): BS-1-2896 WW-1 REI #2 ---<
• Matrix / Runout (Etched Side B): BS-2-2896 WW-1 RE-1 #2 ---<
• Matrix / Runout (Stamped Both Sides): JAMF

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A vinyl sound recording has two aspects: visual and audio. I cannot possibly test play every record I list therefore, all grading is visual.
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Rating System
 
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
 All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.