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Maria Muldaur ?– Maria Muldaur

Label: Reprise Records ?– MS 2148 Format: Vinyl, LP, Album 
Country: US Released: 1973
COVER-Near MINT in shrink open
VINYL-Near nMINT in original inner sleeve
Soft Rock

TracklistHide Credits

A1 Any Old Time Acoustic Guitar – Ry CooderBass – Tommy McClureDrums – Jim KeltnerGuitar [Hawaiian] – David Lynley*Piano – Jim DickinsonWritten-By – Jimmie Rodgers 3:40 A2 Midnight At The Oasis Acoustic Guitar, Written-By – David NichternArranged By [Strings] – Nick DeCaroBass – FreeboDrums – Jim GordonElectric Guitar – Amos GarrettPiano – Mark JordanVoice – Greg Prestopino 3:46 A3 My Tennessee Mountain Home Acoustic Guitar – Clarence White (2), David NichternBacking Vocals – Ellen Kearney, Greg Prestopino, Maria MuldaurBass – Chris EthridgeDrums – Jim KeltnerMandolin – David GrismanViolin – Richard GreeneWritten-By – Dolly Parton 3:28 A4 I Never Did Sing You A Love Song Accordion, Arranged By [Stings] – Nick DeCaroAcoustic Guitar, Written-By – David NichternBass – Chris EthridgeDrums – Jim KeltnerPiano – Spooner OldhamSteel Guitar – Bill Keith 2:48 A5 The Work Song Acoustic Guitar – Clarence White (2), David NichternArranged By [Horns] – Artie ButlerBacking Vocals – Ellen Kearney, Greg Prestopino, Karen Alexander, Maria MuldaurBanjo – Bill KeithBass – Chris EthridgeDrums – Jim KeltnerPiano – Mark JordanWritten-By – Kate McGarrigle 4:02 B1 Don't You Feel My Leg (Don't You Get Me High) Arranged By [Horns] – Jerry Jumonville, Mac RebennackBass – Klaus Voorman*Drums – Jim KeltnerMusic By – Danny Barker, J. M. Williams*Piano, Electric Guitar – Mac RebennackWords By – Lou Barker* 2:45 B2 Walkin' One & Only Acoustic Guitar – David NichternBass – Ray BrownDrums – Ed ShaughnessyViolin – Richard GreeneVocals [All] – Maria MuldaurWritten-By – Dan Hicks 2:44 B3 Long Hard Climb Acoustic Guitar, Electric Guitar – David NichternArranged By [Strings] – Nick DeCaroBass – Chris EthridgeDrums – Jim KeltnerPiano – Spooner OldhamSteel Guitar – Bill KeithWritten-By – Ron Davies 3:00 B4 Three Dollar Bill Arranged By [Horns] – Jerry Jumonville, Mac RebennackBacking Vocals – Betty Lavette*, Gloria Jones, Jessie M. Smith*Bass – James Calhoun*Drums – John BoudreauxOrgan – Jim Gordon (2)Piano, Written-By – Mac Rebennack 4:08 B6 Vaudeville Man Acoustic Guitar – Andrew GoldArranged By [Horns] – Jerry Jumonville, Mac RebennackBanjo – Bill KeithBass – Klaus Voorman*Clarinet – Jim Gordon (2)Drums – Jim KeltnerPiano – Mac RebennackWritten-By – Wendy Waldman 2:36 B6 Mad Mad Me Arranged By [Strings] – Dave Holland, David Nichtern, Larry Packer (2)Double Bass [Bowed] – Dave HollandDrums – Chris Parker (2)Piano – Greg PrestopinoProducer – David NichternViolin, Viola – Larry Packer (2)Written-By – Wendy Waldman 2:45

Companies, etc.

• Phonographic Copyright (p) – Warner Bros. Records Inc.
• Copyright (c) – Warner Bros. Records Inc.
• Published By – Peer International Corp.
• Published By – Space Potato Music
• Published By – Owepar Pub. Co.
• Published By – Garden Court Music Corp.
• Published By – Popular Music Co.
• Published By – Great Guns Publishing
• Published By – Irving Music, Inc.
• Published By – Walden
• Published By – Oyster Music (2)
• Published By – Cauldron Music (2)
• Published By – Big Kitty Music
• Mixed At – Warner Bros. Recording Studios
• Mastered At – Warner Bros. Recording Studios
• Pressed By – Columbia Records Pressing Plant, Pitman

Credits

• Design, Illustration – Michael Wood (6)
• Engineer – Don Landee*
• Engineer, Mixed By, Mastered By – Lee Herschberg
• Photography By – Ginny Winn
• Producer – Joe Boyd, Lenny Waronker
• Producer [Production Assistant] – Judy Maizel

Notes

Mac Rebennack appears courtesy of Atco Records. 
Betty Lavette appears courtesy of Atlantic Records. 

Gatefold Packaging. 

A label variation of this LP exists Maria Muldaur

Barcode and Other Identifiers

• Matrix / Runout (A-Side label): 31,626
• Matrix / Runout (B-Side label): 31,627
• Matrix / Runout (A-Side Etched): T I MS-2148 31626-1-1
• Matrix / Runout (B-Side Etched): T I MS-2148 31627-1-1
• Rights Society: ASCAP
• Rights Society: BMI

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Rating System
 
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
 All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.