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Various ?– Death Row - Greatest Hits

Label: Death Row Records (2) ?– DRR 63014-1 Series: Greatest Hits (3) – Format: 4 × Vinyl, LP, Compilation, Reissue, Remastered
Country: US Released: 2001
COVER-VG+++
VINYL-VG+++

TracklistHide Credits

A1 –Dr. Dre Nuthin' But A G Thang Performer [Sample] – Leon HaywoodProducer – Dr. DreWritten-By – Leon Haywood, Snoop Doggy Dogg*Written-By [Interpolation] – F. Knight*Written-By [Sample] – L. Haywood* 3:37 A2 –Snoop Doggy Dogg* Gin & Juice Performer [Sample] – George McCraeProducer – Dr. DreWritten-By – Dr. Dre, Harry Casey, Richard Finch*, Snoop Doggy Dogg*Written-By [Interpolation] – D. Webster*, M. Adams*, R. Turner*, S. Washington*, S. Arrington*Written-By [Sample] – H. Casey/R. Finch* 3:34 A3 –The Lady Of Rage Afro Puffs Mixed By – Dr. DrePerformer [Sample] – Johnny "Guitar" Watson*Producer – Dat Nigga Daz, Dr. DreWritten-By – Dat Nigga Daz, The Lady Of RageWritten-By [Sample] – J. Watson* 4:49 A4 –Dr. Dre & Ice Cube Natural Born Killaz Co-producer – Sam SneedKeyboards – Priest "Superfly" Brooks*Producer – Dr. DreWritten-By – Dr. Dre, Ice Cube 4:50 A5 –Snoop Doggy Dogg* Who Am I (What's My Name?) Producer – Dr. DreWritten-By – David Spradley, Garry Shider, George Clinton, Jr.*, Snoop Doggy Dogg*Written-By [Interpolation] – D. Spradley*, G. Shider*, G. Clinton, Jr.* 4:06 B1 –Dr. Dre Keep Their Heads Ringin' Co-producer – Sam SneedEngineer – Keston Wright, Tom Daugherty*Keyboards – Stu "Fingas" Bullard*Producer – Dr. DreVocals – Barbara Wilson, Dorothy Coleman, Nancy FletcherWritten-By – Angela Brown (4), Cheryl Cook, Dr. Dre, Gwendolyn Chisolm, J-Flex, Sam Sneed, Sylvia RobinsonWritten-By [Interpolation] – A. Brown*, C. Cooks*, G. Chisolm*, S. Robinson* 4:13 B2 –Ice Cube No Vaseline Performer [Sample] – BrickProducer – Sir JinxWritten-By – Ice Cube, Sir JinxWritten-By [Sample] – E. Irons*, R. Ransom Jr.*, R. Hargis* 4:04 B3 –Snoop Doggy Dogg* featuring Tha Dogg Pound and The Dramatics Doggy Dogg World Producer – Dr. DreWritten-By – Dat Nigga Daz, Kurupt, Richard Fields*, Snoop Doggy Dogg*Written-By [Interpolation] – R. Fields* 4:39 B4 –2Pac Keep Ya Head Up Performer [Sample] – Roger*Producer – D.J. Daryl*Vocals – The Black AngelWritten-By – D. Anderson*, R. Troutman*, Stan Vincent, T. Shakur*Written-By [Interpolation] – S. Vincent*Written-By [Sample] – R. Troutman* 4:22 C1 –Snoop Doggy Dogg* Murder Was The Case Producer – Dr. DreWritten-By – Dat Nigga Daz, Dr. Dre, Snoop Doggy Dogg* 4:19 C2 –Dr. Dre Lil' Ghetto Boy Performer [Sample] – Donny HathawayProducer – Dr. DreWritten-By – Ed Howard*, Snoop Doggy Dogg*, The D.O.C.Written-By [Sample] – E. Howard* 4:24 C3 –Snoop Doggy Dogg* Ain't No Fun Producer – Dr. DreWritten-By – Dr. Dre, Kurupt, Nate Dogg, Snoop Doggy Dogg*, Warren G 4:06 C4 –Snoop Doggy Dogg* Lodi Dodi Producer – Dr. DreVocals [Additional] – Nancy FletcherWritten-By – Douglas Davis*, Rokuske Ei*, Hachidai Nakamura, Ricky Walters, Snoop Doggy Dogg*Written-By [Interpolation] – D. Davis*, R. Ei*, H. Nakamura*, R. Walters* 4:27 D1 –Dr. Dre Stranded On Death Row Performer [Sample] – B.T. Express, Isaac HayesProducer – Dr. DreWritten-By – Allen Williams, Billy Nichols, Dr. Dre, Kurupt, RBX, Snoop Doggy Dogg*, Rage*Written-By [Sample] – A. Williams*, B. Nichols*, I. Hayes* 4:49 D2 –Snoop Doggy Dogg* The Shiznit Producer – Dr. DreWritten-By – Dre. Dre*, Snoop Doggy Dogg* 4:14 D3 –2Pac Dear Mama Co-producer – DF Master Tee, Moses (3)Engineer – Tony PizarroEngineer [Mixing] – Paul ArnoldPerformer [Sample] – Joe SampleProducer – Tony PizarroWritten-By – Joe Sample, T. Shakur*Written-By [Interpolation] – B. Hawes*, C. Simmons*, J. Jefferson*Written-By [Sample] – J. Sample* 4:56 D4 –2Pac featuring Dramacydal Me Against The World Backing Vocals – Puff JohnsonEngineer [Mixing] – Jay Lean, Soul Shock*Performer [Sample A] – Isaac HayesPerformer [Sample B] – Minnie RipertonProducer – Soul Shock & Karlin*Written-By – Burt Bacharach, Hal David*, Leon Ware, Minnie Riperton, Richard Rudolph, Soul Shock, Karlin*, T. Shakur*Written-By [Sample A] – B. Bacharach/H. David*Written-By [Sample B] – L. Ware*, M. Riperton*, R. Rudolph* 4:40 E1 –Dr. Dre Let Me Ride (Rmx) Horns – Fernando Harkless, Rahmlee Davis*, Steve Baxter, Tyrone GriffinKeyboards – Priest "Superfly" Brooks*Percussion – James "Timbali" CornwellProducer – Dat Nigga DazProducer [Horns] – Kevyn "Cavi" Lewis*Vocals – Jewell*Written-By – Bernie Worrell, Bootsy Collins, George Clinton, Jr.*, RBX, Snoop Doggy Dogg* 5:53 E2 –Snoop Doggy Dogg* Gin & Juice (Rmx) Keyboards – Priest "Superfly" Brooks*Mixed By – Dave AronProducer – Dat Nigga DazVocals – Dat Nigga DazWritten-By – Dr. Dre, Snoop Doggy Dogg* 5:07 E3 –Michel'Le Daydreaming Arranged By [Vocals] – Reggie LambBass – Cornelius "Corny" Mims*Flute, Soloist – Fernando HarklessHorns – Fernando Harkless, Rahmlee Davis*, Steve Baxter, Tryone Griffin*Keyboards – Kevyn "Cavi" Lewis*, Warren Campbell III*Producer – Kevyn "Cavi" Lewis*, Kurt Curthon, Reggie LambWritten-By – Aretha Franklin 4:53 E4 –Snoop Doggy Dogg* Who Am I (What's My Name?) (Rmx) Keyboards – Priest "Superfly" Brooks*Producer – Dat Nigga DazVocals – Dat Nigga DazWritten-By – David Spradley, Garry Shider, George Clinton, Jr.*, Snoop Doggy Dogg* 4:11 F1 –Dr. Dre Nuthin' But A G Thang (Rmx) Engineer – Lance Pierre, Patrick ShevelinGuitar – Ricardo RouseProducer – DJ Jam, Tommy D*Written-By – Leon Haywood, Snoop Doggy Dogg* 4:35 F2 –2Pac with Digital Underground I Get Around (Rmx) Bass – Cornelius "Corny" Mims*Drums – Derek OrganGuitar – Darrel Crooks, Ricardo RouseKeyboards – Cassandra O'Neal, Kevyn LewisMixed By – Kevyn "Cavi" Lewis*, Rick CliffordPercussion – James "Timbali" CornwellPerformer [Sample] – ZappProducer – Kevyn "Cavi" Lewis*Written-By – Larry Troutman, Money-B*, Roger Troutman, Shirley Murdock, Shock-G*, T. Shakur*Written-By [Sample] – L. Troutman*, R. Troutman*, S. Murdock* 4:04 F3 –Dr. Dre Lil' Ghetto Boy (Rmx) Performer [Sample] – Donny HathawayProducer – Julio G.*, Tony GVocals [Additional] – O-Genius*Written-By – Ed Howard*, Snoop Doggy Dogg*, The D.O.C.Written-By [Sample] – E. Howard* 4:55 F4 –2Pac featuring The Outlawz Hit 'Em Up Written-By – Dennis Lambert, Duane Hitchings, Franne Golde, T. Shakur*Written-By [Interpolation] – D. Lambert*, D. Hitchings*, F. Golde* 5:19 G1 –J-Flex Who Been There, Who Done That? Performer [Sample] – Patrice RushenProducer – Barney*, J. Flex*Vocals, Keyboards, Programmed By – Sean Barney Thomas*Written-By – J. Flex*, Sean Barney Thomas*Written-By [Sample] – F. Washington*, P. Rushen*, T. McFadden* 4:34 G2 –Jewell* F--- Wit Dre Day (Rmx) Bass – Cornelius MimsDrums – Derek OrganGuitar – Darrel Crooks, Ricardo RouseHorns – Fernando Harkless, Rahmlee Davis*, Steve Baxter, Tyrone GriffinKeyboards – Cassandra O'Neal, Kevyn LewisLyrics By [Additional] – Jewell*Percussion – James "Timbali" CornwellProducer – Kevyn "Cavi" Lewis*Vocals – Jewell*Written-By – David Spradley, Dr. Dre, Garry Shider, George Clinton, Jr.*, Snoop Doggy Dogg* 4:43 G3 –Thug Life featuring 2Pac Pour Out A Little Liquor Mixed By – Norman "Slam" Whitfield, Jr.*Performer [Sample] – The O'JaysProducer – Johnny "J"*Written-By – T. Shakur*Written-By [Sample] – K. Gamble, L. Huff* 3:39 G4 –Tha Dogg Pound What Would You Do Backing Vocals – Jewell*Keyboards – Priest "Superfly" Brooks*Mixed By – Dr. DreProducer – Dat Nigga DazWritten-By – Big Pimpin' Delemond*, Dat Nigga Daz, Jewell*, Kurupt, Snoop Doggy Dogg* 5:08 H1 –Jodeci featuring Tha Dogg Pound Come Up To My Room Arranged By [Vocals] – Mr. DalvinCo-producer – DeVante SwingKeyboards – Priest "Superfly" Brooks*Producer – Dat Nigga DazVocals [Additional] – Dat Nigga Daz, KuruptWritten-By – Dat Nigga Daz, DeVante Swing, Jodeci, K-Ci Hailey*, Mr. Dalvin 4:37 H2 –Danny Boy Come When I Call Performer [Sample] – Ray Parker, Jr.*Producer – D.J. Quick*Written-By – D.J. Quick*, Danny BoyWritten-By [Sample] – M. Henderson*, R. Parker, Jr.* 4:55 H3 –Dat Nigga Daz Me In Your World Producer – Dat Nigga DazWritten-By – Dat Nigga Daz, Kurupt 3:46 H4 –2Pac and Scarface (3) Smile For Me Now Backing Vocals – 816Engineer – Dave AronMixed By – Dave AronProducer – 2Pac, Damon ThomasWritten-By – Damon Thomas, Scarface (3), T. Shakur* 4:47

Credits

• Art Direction – George Pryce
• Compiled By [Project Co-ordinator] – Roy Tesfay
• Design – Unleashed (2)
• Executive-Producer – Suge Knight
• Illustration [Front Cover] – Ronald "Riskie" Brent*
• Illustration [Inlay] – T.J. Johnson
• Liner Notes [About The Company] – Suge Knight
• Mastered By – Brian "Big Bass" Gardner*
• Photography By [Portraiture] – Edge Films, Ken Nahoum
• Supervised By [Project] – Norris Anderson

Notes

Publishers:
Beechwood Music/EMI-Blackwood Music, Inc. (BMI) (1-13); Careers-BMG Music Pub., Inc. (BMI) (2-08); Casa David Music (ASCAP) (1-17); Copyright Control (ASCAP) (1-05, 2-04, 2-10); Copyright Control (BMI) (1-05, 2-01, 2-04, 2-10); Danica/Entertaining Music (BMI) (1-13); Dat Richfield Kat Music (BMI) (1-08); DeSwing Mob Music/EMI-April Music, Inc. (ASCAP) (2-13); Dickiebird Music & Pub. Co. (BMI) (1-17); EMI Cassadida Music Pub./ EMI-Blackwood Music, Inc. (BMI) (1-17); Emoni's Music (1-10); Emoni's Music (ASCAP) (2-12, 2-13); Emoni's Music (BMI) (1-08); Emoni's Music/Morgans Publishing (ASCAP) (2-15); Four Knights Music/Music Corp. Of America (BMI) (1-16); Frankly Music/Music of The World (BMI) (1-14); Full Keel Music (ASCAP) (2-08); Gambi Music (BMI) (1-06); Gangsta Boogie/W.B. Music Corp. (ASCAP) (1-04, 1-07); GLG Two Music (BMI) (1-09, 2-06); Harrick Music/Longitude Music Co. (BMI) (1-02); Jim-Edd Music/Music Of The World (BMI) (1-01, 2-05); Jobete Music Co., Inc. (ASCAP) (1-17); Joel Hailey Music Corp. (ASCAP) (2-13); Joshua's Dream Music/Interscope Pearl Music/Warner-Tamerlane Publishing Corp. (BMI) (1-09, 1-16, 1-17, 2-06, 2-08, 2-11, 2-16); Kama Sutra Music, Inc./Sleeping Sun Music/EMI Unart Catalog, Inc. (BMI) (1-09); Kuumba Music/W.B. Music Corp. (ASCAP) (1-11, 2-07); LBN Publishing (ASCAP) (2-13); Mr. Dalvin Degrate Music (ASCAP) (2-13); N-The-Water Pub., Inc./Rhythm Works Music (ASCAP) (2-16); New Hidden Valley Music (ASCAP) (1-17); Pubhowyalike Pub./ Zomba Songs, Inc. (BMI) (2-06); Rubberband Music, Inc./Songs Of Polygram International, Inc. (BMI) (1-09); Saja Music Co./Songs of Lastrada (BMI) (1-09, 2-06); Slick Rick Music (BMI) (1-13); Sony/ATV Songs, Inc. (BMI) (1-11, 2-07); Sony/ATV Tunes, Inc. (ASCAP) (1-02, 1-04, 1-05, 1-06, 1-08, 1-10, 1-12, 1-14, 1-15, 2-02, 2-10); Springtime Music, Inc. (BMI) (2-03); Street Knowledge Music (ASCAP) (1-07); Styleetron Music (BMI) (2-06); Suge Publishing/W.B. Music Corp. (ASCAP) (1-01, 1-02, 1-03, 1-05, 1-06, 1-08, 1-10 to 1-15, 2-01, 2-02, 2-04, 2-05, 2-07, 2-09, 2-10, 2-12 to 2-15); Warren G Publishing (ASCAP) (1-12); Way 2 Quick Music (ASCAP) (2-14)

Publishers Print Variations:
Copyright Control (1-05, 2-10), Copyright Controls (2-04)
Copyright Control (1-05, 2-01, 2-10), Copyright Controls (2-04)
Gangsta Boogie (1-07), Gansta Boogie (1-04)
Warner-Tamerlane Publishing Corp. (1-16, 1-17, 2-11, 2-16), Warner-Tamerlane Pub. Corp. (1-09, 2-06, 2-08)

Samples:
"I Want'a Do Something Freaky To You" (1-01) Jim-Edd Music/Music Of The World (BMI), as recorded by Leon Haywood, under license from Polygram Special Markets, a division of Polygram Group Distribution.
"I Get Lifted" (1-02) Harrick Music/Longitude Music Co. (BMI), as recorded by George McCrae, courtesy of Rhino Records, by arrangement with Warner Special Products, Inc.
"Love That Will Not Die" (2-03) Vri-Jon Music (BMI), as recorded by Johnny "Guitar" Watson, under license from Vri-Jon Music.
"Dazz" (1-07) Silver Cloud Music, CMI America (ASCAP), as recorded by Brick, under license from Sony Music Entertainment.
"Be Alright" (1-09) Rubberband Music, Inc./Songs Of Polygram International, Inc., Saja Music Co./Songs of Lastrada (BMI), as recorded by Roger.
"Little Getto Boy" (1-11, 2-07) Kuumba Music/W.B. Music Corp. (ASCAP), as recorded by Donny Hathaway courtesy of Atlantic Recording Corp., by arrangement with Warner Special Products.
"Do Your Thang" (1-14) Irving Music, Inc. (BMI), as recorded by Isaac Hayes, under license from Fantasy, Inc.
"If It Don't Turn You On" (1-14) Frankly Music/Music of The World (BMI), as recorded by B.T. Express, under license from Roadshow Music Corp.
"In My Wildest Dreams" (1-16) Four Knights Music/Music Corp. Of America (BMI), as recorded by Joe Sample; under license from MCA Special Markets and Products.
"Walk On By" (1-17) New Hidden Valley Music, Casa David Music (ASCAP), as recorded by Isaac Hayes, under license from Fantasy, Inc.
"Inside My Love" (1-17) Dikiebird Music & Pub. Co. (BMI), Jobete Music Co., Inc. (ASCAP), as recorded by Minnie Riperton, under license from Capitol Records.
"Computer Love" (2-06) Saja Music Co./Songs of Lastrada (BMI) as recorded by Zapp, courtesy of Atlantic Recording Corp., by arrangement with Warner Special Products Inc.
"Forget Me Nots" (2-09) Baby Fingers Music, Yamina Music (ASCAP), Freddie Dee Music (BMI), as recorded by Patrice Rushen, Courtesy of Elektra Entertainment, by arrangement with Warner Special Products, Inc.
"Cry Together" (2-11) Warner-Tamerlane Publishing Corp. (BMI), as recorded by The O'Jays, under license from Philadelphia International Records.
"Let Me Love You" (2-14) Electrocord Pub. Co., Raydiola Music (ASCAP), as recorded by Ray Parker, Jr. Under license from Arista Records, Inc.

Interpolations:
"Uphill Peace Of Mind" (1-01) Two -Knight Music/Irving Music, Inc. (BMI).
"Watching You" (1-02) Cotillion Music/Warner Tamerlane Pub. Corp.,/GlobeArt, Inc. (BMI)
"Atomic Dog" (1-05) Copyright Controls (ASCAP) (BMI).
"Funk You Up" (1-06) Gambi Music (BMI).
"If It Ain't One Thing, It's Another" (1-08) Dat Richfield Kat Music (BMI).
"Ooh Child" (1-09) Kama Sutra Music, Inc./Sleeping Sun Music/EMI Unart Catalog, Inc. (BMI).
"La Di Da Di" (1-13) Danica Music/Entertaining Music/Slick Rick Music (BMI).
"Sukiyaki" (1-13) Beechwood Music/EMI-Blackwood Music, Inc. (BMI).
"Sadie" (1-16) Warner-Tamerlane Pub. Corp. (BMI)
"Don't Look Any Further" (2-08) Full Keel Music (ASCAP), Franne Golde Music/Rightsong Music, Inc./Warner-Tamerlane Pub. Corp., Careers-BMG Music Pub., Inc. (BMI).

Track Notes:
"Keep Their Heads Ringin'" (1-06) recorded at Dre's Crib. ?1995 Priority Records.
"No Vaseline" (1-07) ?1991 Priority Records.
"Dear Mama" (1-16) produced for Audio-Tone Productions. Co-Produced for Master Lab Productions. Recorded at Encore Studio. Mixed at Enterprise Studis.
"Me Against The World" (1-17) produced for Soulpower. Recorded at Soundcastle & Pure Studios. Mixed at The Record Plant.
"Lil' Ghetto Boy (RMX)" (2-07) recorded at G-Spot Studios, El Monte, CA.
"Hit 'Em Up" (2-08) produced for Non-Stop Productions.

Ice Cube appears courtesy of <a href:"http://www.discogs.com/label/Priority+Records">Priority Records</a>.
Puff Johnson appears courtesy of <a href:"http://www.discogs.com/label/Columbia">Columbia Records</a>.
Digital Underground appears courtesy of <a href:"http://www.discogs.com/label/TNT+Recordings+%282%29">TNT Recordings</a>/<a href:"http://www.discogs.com/label/Tommy+Boy">Tommy Boy Records</a>.
Jodeci appears courtesy of <a href:"http://www.discogs.com/label/Uptown+Records">Uptown Entertainment</a>/<a href:"http://www.discogs.com/label/MCA+Records">MCA Records</a>.
Scarface appears courtesy of <a href:"http://www.discogs.com/label/Rap-A-Lot+Records">Rap-A-Lot Records</a>.

Mastered at Bernie Grundman Mastering.

Company Overview:
CEO & President: Suge Knight
Founded: 1992
Roster: Snoop Doggy Dogg, 2pac, Tha Dogg Pound, Nate Dogg, The Lade of Rage, Danny Boy, Michel'le, Jewell, M.C. Hammer, David Blake, K-Solo, Operation From The Bottom, Six Feet Deep, Young Soldiers
Releases/Sales:
Albums (certified) - Artist - Sales (# pieces):
The Chronic - Dr. Dre - 4 million
Doggystyle - Snoop Doggy Dogg - 5 million
Above the Rim - Various Artists - 2 million
Murder Was the Case - Various Artists - 2 million
Dogg Food - Tha Dogg Pound - 2 million
All Eyez On Me - 2pac - 6 million
Singles (certified):
Nuthin' But a "G" Thang - Dr. Dre - 1 million
Dre Day - Dr. Dre - 1 million
Regulate - Warren G & Nate Dogg - 1 million
How Do U Want It - 2pac - 2 million
Over 26 million records sold (as of September 1996)
Gross receipts in excess of $170 million (as of September 1996)

?© 1996 The New and "Untouchable" Death Row Records/Interscope Records. Manufactured and distributed by Priority Records Inc. Printed in U.S.A.

Barcode and Other Identifiers

• Barcode: 0728706300216

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Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
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Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
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