FREE Tons Of Sobs LP ISLAND 1968 UK reissue ILPS-9089 PAUL KOSSOFF-PAUL RODGERS
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  $   21

 


€ 18 Sold For
Dec 22, 2018 Sold Date
Dec 20, 2018 Start Date
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Description

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FREE

PAUL RODGERS, SIMON KIRKE, PAUL KOSSOFF, ANDY FRASER

Survivors of the late-'60s British blues boom who carved a niche with rootsy rock, 

metal, and melodic pop styles, hitting it big with "All Right Now."

"TONS OF SOBS"

<reissue, originally published in 1968>

Produced by Guy Stevens

LP     ISLAND RECORDS      ILPS 9089 STEREO

MADE IN ENGLAND    MID/LATE-70s REPRESSING

[Palm Tree label with blue rim]

UNLAMINATED SINGLE COVER + COMPANY BLACK INNER

Barcode and Other Identifiers

Barcode: none

LABEL: ISLAND -  PALM TREE LABEL - BLACK TEXT

Catalog on cover: (spine) ILPS 9089   (rear) ILPS 9089 (800 481-928, sticker)    

Catalog on labels: IILPS 9089-A) / ILPS 9089-B)

Matrix / Runout (Side A, Stamped): ILPS 9089 A-3U   (Etched): PORKY

Matrix / Runout (Side B, Stamped): ILPS 9089 B-5U   (Etched): GD

On labels: rim text reads "All rights.........prohibited"

Produced By Guy Stevens

 Rights Society / Publishing: Blue Mountain Music, Lupus Music, Leeds Music, Tee Pee Music

On back cover: Piano thumping: Steve Miller

Produced By Guy Stevens

1968 Island Records Ltd *Warner Bros. Music

Manufactured and distributed by EMI Records Ltd

tracklisting

Side A: OVER THE GREEN HILLS Pt. 1 - WORRY - WALK IN MY SHADOW

WILD INDIAN WOMAN - GOIN' DOWN SLOW

Side B: I'M A MOVER - THE HUNTER* - MOONSHINE

SWEET TOOTH - OVER THE GREEN HILLS Pt. II

  grading

RECORD EX but (please, read above description)

SLEEVE NEAR EX but (please, see pictures and read above description)

Although Free was never destined to scrape the same skies as Led Zeppelin, 

when they first burst out of the traps in 1968, close to a year ahead of Jimmy Page and company, 

they set the world of British blues-rock firmly on its head, a blistering combination of 

youth, ambition, and, despite those tender years, experience that, across the course of their debut album, 

did indeed lay the groundwork for all that Zeppelin would embrace. 

That Free and Zeppelin were cut from the same cloth is immediately apparent, even before 

you start comparing the versions of "The Hunter" that highlight both bands' debut albums. 

Where Free streaks ahead, however, is in their refusal to compromise their own vision of the blues, 

even at its most commercial ("I'm a Mover" and "Worry"), Tons of Sobs has a density that makes 

Zeppelin and the rest of the era's rocky contemporaries sound like flyweights by comparison...(AllMusic)



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