FUNKADELIC AMERICA EATS ITS YOUNG ORIG 2xLP on WESTBOUND PROMO GF 1972

$

58

Here is a NEAR MINT MINUS! ORIGINAL! DOUBLE LP by FUNKADELIC titled AMERICA EATS ITS YOUNG. It is an US pressing on the WESTBOUND label, catalog #2WB 2020 in STEREO and released in 1972. The vinyl is in NEAR MINT MINUS! condition shiny and black and should have excellent playback. The GATEFOLD cover is in NEAR MINT MINUS! condition with a “DEMONSTRATION ONLY NOT FOR SALE” sticker on front, light wear at edges and corners. It is an opportunity to purchase this LP by FUNKADELIC in this condition. It’s a true gem for the FUNK / ROCK / SOUL / R&B collector! Email me with any questions and be sure to look at the pics. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $4.00 for MEDIA MAIL. I COMBINE SHIPPING SO US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Ned Raggett

A double album and worth every minute of it, America Eats Its Young makes for a freaky, funky, and aware good time. Compared to the endless slabs of double-album dreck that came out around the same time from all sources, here Funkadelic brought life, soul, and much more to the party. With George Clinton credited only for arranging and producing, here the mad cast he brought together went all out. Bernie Worrell in particular now had a new importance, credited as co-arranger with Clinton as well as handling string and horn charts on a number of songs. His surging, never-stop keyboards, meanwhile, took control from the start, with his magnificent lead break on the opening "You Hit the Nail on the Head" making for one of the best performances ever on Hammond organ. Bootsy Collins(credited as William) is also somewhere in the crowd on bass and vocals, while old favorites like Eddie Hazel and Tiki Fulwood, among many others, can be found. Perhaps to fill in the time, a few numbers from the first Parliament album, Osmium, two years before cropped up, namely "Loose Booty" and the hilariously sleazy "I Call My Baby Pussycat," here performed with a noticeably slower, dirty groove. The straightforward social call to arms appears throughout, with one song title saying it all -- "If You Don't Like the Effects, Don't Produce the Cause." Other winners include the vicious title track, combining everything from mysterious, doom-laden voices and weeping wails to slow, sad music, and the concluding "Wake Up," while "Everybody Is Going to Make It This Time" is a lovely, gospel-informed ballad that heads for the skies and hearts. There are more mundane concerns as well, such as "There Was My Girl," a quirky weeper, and the weird if smoothly delivered "Miss Lucifer's Love," with more than one target in mind.