"Feel Like Makin' Love" Roberta Flack Hand Signed FDC From 1969
  $   100

 


$ 100 Sold For
Feb 25, 2025 Sold Date
Jan 24, 2025 Start Date
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  USA Country Of Seller
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Description

Up for auction "Feel Like Makin' Love" Roberta Flack Hand Signed First Day Cover Dated 1969. 


ES-3240

Roberta Cleopatra Flack (born February

10, 1937) is an American singer. She is known for her No.

1 singles "The First

Time Ever I Saw Your Face", "Killing Me Softly with His

Song", "Feel Like

Makin' Love"; and "Where Is the Love" and "The Closer I Get to You",

two of her many duets with Donny Hathaway. Flack is the only solo artist to win the Grammy Award

for Record of the Year on two consecutive years: "The

First Time Ever I Saw Your Face" won at the 1973 Grammys and "Killing Me Softly with His

Song" won at the 1974 Grammys. Flack lived

with a musical family, born in Black Mountain,

North Carolina to parents Laron LeRoy, a Veterans Administration draftsman, and Irene Council, Flack

a

church organist, on February 10, 1937 (some sources also say 1939) and

raised in Arlington, Virginia. Growing up she

often accompanied the choir of Lomax

African Methodist Episcopal Zion Church by playing hymns and

spirituals on piano, but she also enjoyed going to the "Baptist church down the street" to listen to

contemporary gospel music, such as that performed by Mahalia Jackson and Sam Cooke. When Flack was nine,

she started taking an interest in playing the piano, and during her early teens, Flack so excelled

at classical piano that Howard University awarded her a full music scholarship. By age 15, she entered Howard University,

making her one of the youngest students ever to enroll there. She eventually

changed her major from piano to voice, and became an assistant conductor of the

university choir. Her direction of a production of Aida received

a standing ovation from the Howard University faculty. Flack is a member

of Delta Sigma Theta sorority and was made an honorary member of Tau Beta Sigma by the Eta Delta Chapter at Howard

University for her outstanding work in promoting music education. Roberta Flack

became a student teacher at a

school near Chevy Chase, Maryland. She

graduated from Howard University at 19 and began graduate studies in music, but the sudden death of her

father forced her to take a job teaching music and English in Farmville, North Carolina. Before becoming a professional

singer-songwriter, Flack returned to Washington, D.C. and taught at Browne

Junior High and Rabaut Junior High. She also taught private piano lessons out

of her home on Euclid St. NW. During this period, her music career began to

take shape on evenings and weekends in Washington, D.C. area night spots. At

the Tivoli Club, she accompanied opera singers at

the piano. During intermissions, she would sing blues, folk, and pop standards in

a back room, accompanying herself on the piano. Later, she performed several

nights a week at the 1520 Club, again providing her own piano accompaniment. Around

this time, her voice teacher, Frederick "Wilkie" Wilkerson, told her

that he saw a brighter future for her in pop music than in the classics. She modified her

repertoire accordingly and her reputation spread. Flack began

singing professionally after being hired to perform regularly at Mr. Henry's

Restaurant, on Capitol Hill, Washington,

DC in 1968. The atmosphere in Mr.

Henry's was welcoming and the club turned into a showcase for the young music

teacher. Her voice mesmerized locals and word spread. A-list entertainers who

were appearing in town would come in late at night to hear her sing (frequent

visitors included Woody Allen, Bill Cosby, Ramsey Lewis and others). As

restaurant owner Henry Yaffe recalled, "She told me if I could give her

work there three nights a week, she would quit teaching." He did and she

did. To meet Roberta's exacting standards, Yaffe transformed the apartment

above the bar into the Roberta Flack Room. "I got the oak paneling from

the old Dodge Hotel near Union Station. I put in heavy upholstered chairs, sort

of a conservative style from the 50s and an acoustical system designed

especially for Roberta. She was very demanding. She was a perfectionist."




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