Festival of Light Classical Music Box Set LP Album Reader's Digest 1st Pressing
  $   45

 


$ 45 Sold For
Apr 25, 2016 Sold Date
Apr 2, 2016 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Up for Auction:

12 Album Box Set

Festival of Light Classical Music

from Reader's Digest

Includes a 39 pages guide to the composers & their music

Vinyl: Mint

Original Inner Sleeves:  NM because very slight storage impression

Cover: VG+

Labels: Mint no spindle marks

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Guaranteed to Play & Sound Great

LP will be shipped so you will receive it in the condition described

Please ask any questions by email ~ more photos available upon request

Tracklist

A1 Capriccio Italien, Op. 45 Composed By – Tchaïkovsky*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* A2 Minuet Of The Will-O'-The Wisps (From "The Damnation Of Faust") Composed By – Berlioz*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* A3 Ballet Of The Sylphs (From "The Damnation Of Faust") Composed By – Berlioz*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* A4 Rakóczy March (From "The Damnation Of Faust") Composed By – Berlioz*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* B1 Thunder And Ligntening Polka Composed By – J. Strauss II*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* B2 The Moldau Composed By – Smetana*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* B3 Andante Cantabile (From "Quartet In D, Op. 11") Composed By – Tchaïkovsky*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* B4 Die Walküre: Ride Of The Valkyries Composed By – Wagner*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* C1 Hänsel And Gretel: Overture Composed By – Humperdinck*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* C2 Rosamunde: Entr'acte No. 2 In B-Flat Composed By – Schubert*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* C3 Zigeunerweisen (Gyspy Airs) Composed By – Sarasate*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* D1 Hungarian Rhapsody No. 2 Composed By – Liszt*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* D2 Midsummer Night's Dream: Nocturne Composed By – Mendelssohn*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* D3 Gold And Silver Waltz Composed By – Lehár*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* E1 Semiramide: Overture Composed By – Rossini*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma E2 Sleeping Beauty Ballet--Waltz Composed By – Tchaïkovsky*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma E3 Marche Slave, Op. 31 Composed By – Tchaïkovsky*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma F1 Zampa: Overture Composed By – Hérold*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma F2 Aïda: Grand March Composed By – Verdi*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma F3 Xerxes: Largo Composed By – Handel*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma F4 La Gioconda: Dance Of The Hours Composed By – Ponchielli*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma G1 Carmen Suite Composed By – Bizet*Conductor – René LeibowitzOrchestra – Orchestre De La Société Des Concerts Symphoniques De Paris* G2 The Tales Of Hoffmann: Barcarolle Composed By – Offenbach*Conductor – René LeibowitzOrchestra – Orchestre De La Société Des Concerts Symphoniques De Paris* H1 Bolero Bassoon – A. DhellemmesClarinet – H. Dionet, R. MarouzeComposed By – Ravel*Conductor – René LeibowitzFlute – H. Lebon*Oboe [D'amour] – R. Casier*Orchestra – Orchestre De La Société Des Concerts Symphoniques De Paris*Soprano Saxophone – F. LhommeTenor Saxophone – R. GateauTrombone – V. Globokar* H2 Faust: Ballet Music Composed By – Gounod*Conductor – René LeibowitzOrchestra – Orchestre De La Société Des Concerts Symphoniques De Paris* I1 Poet And Peasant Overture Composed By – Suppé*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* I2 Invitation To The Dance, Op. 65 Composed By – Weber*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* I3 Moto Perpetuo, Op. 11 Composed By – Paganini*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* I4 Tritsch-Tratsch Polka, Op. 214 Composed By – J. Strauss II*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* J1 Lohengrin: Act III: Prelude Composed By – Wagner*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* J2 Norwegian Dance No. 2 Composed By – Grieg*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* J3 1812 Overture (For Full Orchestra, Masses Brass Bands, Organ, Carillon, Russian Church Bells, Two Bronze Regimental Cannons) Composed By – Tchaïkovsky*Conductor – Alexander GibsonOrchestra – New Symphony Orchestra Of London* K1 The Marriage Of Figaro: Overture Composed By – Mozart*Conductor – René LeibowitzOrchestra – Orchestre De La Société Des Concerts Symphoniques De Paris* K2 Manon Lescaut: Intermezzo Composed By – Puccini*Conductor – René LeibowitzOrchestra – Orchestre De La Société Des Concerts Symphoniques De Paris* K3 Prince Igor: Overture Composed By – Borodin*Conductor – René LeibowitzHorn [Solo] – Lucien Thévet*Orchestra – Orchestre De La Société Des Concerts Symphoniques De Paris* L1 The Sorcerer's Apprentice Composed By – Dukas*Conductor – René LeibowitzOrchestra – Orchestre De La Société Des Concerts Symphoniques De Paris* L2 Petite Suite: En Bateau Composed By – Debussy*Conductor – René LeibowitzOrchestra – Orchestre De La Société Des Concerts Symphoniques De Paris* L3 Orpheus In Hades: Overture Composed By – Offenbach*Conductor – René LeibowitzOrchestra – Orchestre De La Société Des Concerts Symphoniques De Paris* M1 Fingal's Cave Overture Composed By – Mendelssohn*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* M2 Les Préludes Composed By – Liszt*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* N1 Pomp And Circumstance March No. 1 Composed By – Elgar*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* N2 Night On The Bare Mountain Composed By – Mussorgsky*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* N3 Overture Di Ballo Composed By – Sir Arthur SullivanConductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* O1 Light Cavalry Overture Composed By – Suppé*Conductor – Josef Leo GruberOrchestra – Vienna State Opera Orchestra* O2 Tales From The Vienna Woods Waltz Composed By – J. Strauss II*Conductor – Josef Leo GruberOrchestra – Vienna State Opera Orchestra*Zither [Solo] – Fred Krippner O3 Liebestraum No. 3 In A-Flat Composed By – Liszt*Conductor – Josef Leo GruberOrchestra – Vienna State Opera Orchestra* O4 Radetzky March Composed By – J. Strauss I*Conductor – Josef Leo GruberOrchestra – Vienna State Opera Orchestra* P1 Martha: Overture Composed By – Flotow*Conductor – Josef Leo GruberOrchestra – Vienna State Opera Orchestra* P2 Artist's Life Waltz Composed By – J. Strauss II*Conductor – Josef Leo GruberOrchestra – Vienna State Opera Orchestra* P3 Marche Militaire No. 1 In D Composed By – Schubert*Conductor – Josef Leo GruberOrchestra – Vienna State Opera Orchestra* P4 Estudiantina Waltz Composed By – Waldteufel*Conductor – Josef Leo GruberOrchestra – Vienna State Opera Orchestra* Q1 Russlan And Ludmilla: Overture Composed By – Glinka*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma Q2 Kamennoi-Ostrow: Rêve Angélique Composed By – Rubinstein*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma Q3 William Tell: Overture Cello [Solo] – Giuseppe SelmiComposed By – Rossini*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma R1 La Traviata: Prelude To Act I Composed By – Verdi*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma R2 La Traviata: Prelude To Act II Composed By – Verdi*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma R3 Cavalleria Tusticana: Intermezzo Composed By – Mascagni*Conductor – Massimo FrecciaOrchestra – Orchestra Filarmonica Di Roma R4 Die Götterdämmerung: Siegfried's Rhine Journey Composed By – Wagner*Conductor – Massimo FrecciaHorn [Solo] – Dominico CeccarossiOrchestra – Orchestra Filarmonica Di Roma S1 Eine Kleine Nachmusik, K. 525; First Movement: Allegro Composed By – Mozart*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* S2 Eine Kleine Nachmusik, K. 525; Second Movement: Romanza: Andante Composed By – Mozart*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* S3 Eine Kleine Nachmusik, K. 525; Third Movement: Menuetto: Allegretto; Trio Composed By – Mozart*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* S4 Eine Kleine Nachmusik, K. 525; Fourth Movement: Rondo: Allegro Composed By – Mozart*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* S5 On The Beautiful Blue Danube Composed By – J. Strauss II*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* T1 Academic Fesitval Overture Composed By – Brahms*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* T2 Hungarian Rhapsody No. 9 Composed By – Liszt*Conductor – Victor DesarzensOrchestra – Vienna State Opera Orchestra* U1 The Crown Diamonds: Overture Composed By – Auber*Conductor – René LeibowitzOrchestra – Orchestre De La Societe Des Concerts Symphoniques De Paris U2 Funeral March Of A Marionette Composed By – Gounod*Conductor – René LeibowitzOrchestra – Orchestre De La Societe Des Concerts Symphoniques De Paris U3 March Of The Little Lead Soldiers Composed By – Pierné*Conductor – René LeibowitzOrchestra – Orchestre De La Societe Des Concerts Symphoniques De Paris U4 Danse Macabre, Op. 40 Composed By – Saint-Saëns*Conductor – René LeibowitzOrchestra – Orchestre De La Societe Des Concerts Symphoniques De Paris V1 La Valse Composed By – Ravel*Conductor – René LeibowitzOrchestra – Orchestre De La Societe Des Concerts Symphoniques De Paris V2 Prince Igor: Polovetzian Dances Composed By – Borodin*Conductor – René LeibowitzOrchestra – Orchestre De La Societe Des Concerts Symphoniques De Paris W1 Nutcracker Suite, Op. 71a; Overture Miniature Composed By – Tchaïkovsky*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* W2 Nutcracker Suite, Op. 71a; Marche Composed By – Tchaïkovsky*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* W3 Nutcracker Suite, Op. 71a; Dance Of The Sugar Plum Fairy Composed By – Tchaïkovsky*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* W4 Nutcracker Suite, Op. 71a; Trepak Composed By – Tchaïkovsky*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* W5 Nutcracker Suite, Op. 71a; Arabian Dance Composed By – Tchaïkovsky*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* W6 Nutcracker Suite, Op. 71a; Chinese Dance Composed By – Tchaïkovsky*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* W7 Nutcracker Suite, Op. 71a; Dance Of The Reed Flutes Composed By – Tchaïkovsky*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* W8 Nutcracker Suite, Op. 71a; Waltz Of The Flowers Composed By – Tchaïkovsky*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London* X1 Swan Lake--Ballet Suite Cello [Solo] – Raymond ClarkComposed By – Tchaïkovsky*Conductor – Sir Adrian BoultOrchestra – New Symphony Orchestra Of London*Violin [Solo] – Yfrah Neaman

RECORD GRADING GUIDELINES

MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.

NEAR MINT or NM, M- : This record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be.

EXCELLENT or EX or VG++ : minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impressions to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.

VERY GOOD PLUS or VG+ record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it.The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.

VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear to have been played and may still have some degree of luster. VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.

GOOD or G A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. These are big turn offs. May have magic marker writing on the cover but still if they are in huge letters, it is a big turn off.In essence, the cover will looked virtually trashed, but some artwork will still be noticed. If the artwork is worn, it is POOR and the










































 


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