Fleetwood Mac "Tango In The Night" SEALED MFSL MoFi Vinyl 180 Gram 2xLP 45rpm

$

60

Two 12” 45 rpm SEALED black vinyl music records:
Fleetwood Mac – "Tango In The Night"

Label:  Mobile Fidelity Sound Lab – MFSL 2-569 Series:  Gain 2™ Ultra Analog 45RPM 180g Series, Original Master Recording Format:  2 x Vinyl, 12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo, 180g Country:  US Released:  2025 Genre:  Rock Style:  Art Rock, Dream Pop
A1 Big Love A2 Seven Wonders A3 Everywhere
B1 Caroline B2 Tango In The Night B3 Mystified
C1 Little Lies C2 Family Man C3 Welcome To The Room... Sara
D1 Isn't It Midnight D2 When I See You Again D3 You and I Part II

SPECIAL NOTE: This is the numbered edition. I am selling numbers 3693 and 3694. Lowest number ships first. MOBILE FIDELITY SOUND LAB -MFSL 
In 1977, Mobile Fidelity began to produce a line of records known as "Original Master Recording" vinyl LPs. These albums were previously released by other companies, licensed by Mobile Fidelity, and remastered using half-speed mastering. During mastering, sound was transferred from magnetic tape to disc while the cutting lathe moved at half speed. The albums were remastered from the original analog master tapes, without compression, and with minimal equalization. The recordings were pressed in Japan on "Supervinyl", a plastic compound invented by JVC to compensate for the demands of quadraphonic Compatible Discrete 4 records, which had been introduced in 1972. JVC Supervinyl was more durable than regular vinyl, with lower surface noise and fewer pops and clicks. Mobile Fidelity packaged their albums in heavy cardboard sleeves, inner cardboard stiffeners, and plastic liners.   Half-speed mastering had been done before. Decca Records used the same process on its classical albums from 1958 to 1967. MFSL revived the practice, refined it, and made it the company's selling point. Half-speed mastering took more time than typical mastering, and it presented technical challenges. Its use was never widespread by other companies despite sonic advantages.   Stan Ricker (né Stanley Forbes Ricker; 1935–2015) mastered early Mobile Fidelity LPs. Ricker's work can be recognized by the signature "SR/2" carved in the dead wax. Jack Hunt ("JH/2") mastered many of MFSL's LP releases in the 1970s and 1980s. Some later titles were mastered by John LeMay and Paul Stubblebine, with a few uncredited releases. Currently, Shawn R. Britton and Rob LoVerde are mastering most LPs for MFSL. The company has had only a handful of engineers in its history. 

CONDITION:  BRAND NEW FACTORY SEALED
All contents are presumed to be included and in mint condition. No signs of warping, no cutouts, no stains, no stickers (except for hype and price stickers), no stamps, no writing on jacket. No flaws. “Gift Quality”.
Since this record is still sealed, label details, color of vinyl or matrix numbers cannot be verified.
Photo is the actual item you will receive; feel free to ask for more pics.
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