Foreigner Double Vision 1978 Atlantic Records Club Edition Vinyl LP NM

$

30

Welcome to Classic Cadillac Records!  I visually grade all my records as accurately as possible and will never grade anything above Near Mint unless it's still sealed.  Please note that a visual grade can differ from a play grade, and am happy to spot check a record upon request.   All orders are shipped within 1 business day (usually sooner) and packed with extra care to ensure fast, safe arrival.  Please look closely at all pictures, read all relevant details and ask any questions you may have before buying.  I offer a full 30-day return policy on everything I sell, so buy with confidence!  20% restocking fee charged on items returned for reasons other than it not working properly.  Thanks for looking!
Double Vision Original cover art by Norman Seeff Studio album by  Foreigner Released June 20, 1978 Recorded December 1977 - March 1978 Studio Sound City (Van Nuys, CA). Genre

• Hard rock
• arena rock

• Keith Olsen
• Mick Jones
• Ian McDonald

1. "Hot Blooded"
   Released: June 1978
2. "Double Vision"
   Released: September 1978
3. "Blue Morning, Blue Day"
   Released: December 1978

Double Vision is the second studio album by the British-American rock band Foreigner, released on 20 June 1978 by Atlantic Records. Recorded between December 1977 and March 1978, it was Foreigner's only album co-produced by Keith Olsen and the last recording with bass guitarist Ed Gagliardi who would be later replaced by Rick Wills.

Double Vision was the first in the line of many other recordings in which A&R executive John Kalodner would simply have his name listed twice in liner notes, as a play on the title of this album. The phrase "John Kalodner: John Kalodner" originated when the producer Olsen was wondering just how to credit Kalodner's involvement in the band and the album. In keeping with the double vision theme, guitarist Mick Jones came up with an idea of doubling the name.

"Tramontane" is the only instrumental track Foreigner have released to date on a studio album.

Mick Jones takes the lead vocals on "Back Where You Belong" and "I Have Waited So Long".

Release

The album peaked at number 3 on the Billboard 200 chart and earning platinum certification a week after its release. It has now been certified 7× platinum for sales in excess of 7 million units and along with the compilation Records (1982) is counted as Foreigner's best selling album. In Europe, however, Double Vision reached the Top 40 only in the United Kingdom.

The lead single, released in June 1978, was "Hot Blooded," which reached number 3 on the Billboard Hot 100 chart. In September, it was followed by "Double Vision," which charted at number 2. This was the highest position Foreigner had attained to that time. The third and final single, "Blue Morning, Blue Day," was released in December and climbed to number 15 on the chart.

Reception

Los Angeles Times critic Robert Hilburn described Double Vision as "slickly produced, commercially powerful, but artistically vapid." The Record critic Rick Atkinson said of the album that it used the same formula as Foreigner's debut album such that "Foreigner's Clone" would have been an appropriate title.

According to Atkinson, "Tramontane" was the only "new and different track" on the album. Atkinson describes "Tramontane" as having a "heavy keyboard line" but that all members of the group "get a quick shot at the spotlight." On the other hand, The Morning News critic Gary Mullinax described "Tramontane" as "a densely textured instrumental that is pleasant enough but doesn't really go anywhere." Unlike most Foreigner songs, Tramontane was written primarily by Al Greenwood. Ian McDonald played a lyricon on the track.

Murfreesboro Press critic Van West also recognized Double Vision as having similarities to Foreigner, but said that there are important differences; in particular, Double Vision has "more individualistic interpretations" and a "heavy metal tonal structure" instead of some of the "careful harmonies" of the debut album.

New York Daily News critic Ace Adams called Double Vision "a fine collection of songs" that is "hard rock at its best."

Track listing