Frank Zappa ?– Guitar *1988:Zappa Records UK Pressing ZAPPA 6 *Vinyl (NM-) copy

$

50

Frank Zappa ?– Guitar

Label:Zappa Records ?– ZAPPA 6

Format:2 × Vinyl, LP, Album

Country:UK

Released:1988

Genre:Rock

Style:Avantgarde

Frank Zappa ?– Guitar

Label:Zappa Records ?– ZAPPA 6

Format:2 × Vinyl, LP, Album

Country:UK

Released:1988

Genre:Rock

Style:Avantgarde

Tracklist

A1        Sexual Harassment In The Workplace

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeGuitar [Stunt] – Steve VaiKeyboards – Bobby Martin (2), Tommy MarsPercussion – Ed MannRhythm Guitar – Ray White

            3:42

A2        Republicans

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeKeyboards – Alan Zavod*, Bobby Martin (2)Rhythm Guitar – Ike Willis, Ray White

            5:07

A3        Do Not Pass Go

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeGuitar [Stunt] – Steve VaiKeyboards – Bobby Martin (2), Tommy MarsPercussion – Ed MannRhythm Guitar – Ray White

            3:37

A4        That's Not Really Reggae

    Bass – Scott ThunesDrums – Chad WackermanKeyboards – Alan Zavod*, Bobby Martin (2)Rhythm Guitar – Ike Willis, Ray White

            3:16

A5        When No One Was No One

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeGuitar [Stunt] – Steve VaiKeyboards – Bobby Martin (2), Tommy MarsPercussion – Ed MannRhythm Guitar – Ray WhiteSaxophone – Bobby Martin (2)Vocals – Bobby Martin (2), Tommy Mars

            4:49

B1        Once Again, Without The Net

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeKeyboards – Alan Zavod*, Bobby Martin (2)Rhythm Guitar – Ike Willis, Ray White

            3:43

B2        Outside Now (Original Solo)

    Bass – Arthur BarrowDrums – Vinnie ColaiutaEngineer [Recording] – Klaus Wiedemann*Guitar [Slide] – Denny WalleyKeyboards – Peter Wolf (3), Tommy MarsPercussion – Ed MannRhythm Guitar – Warren Cucurrullo*

            5:28

B3        Jim & Tammy's Upper Room

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeGuitar [Stunt] – Steve VaiKeyboards – Bobby Martin (2), Tommy MarsPercussion – Ed MannRhythm Guitar – Ray WhiteSaxophone – Bobby Martin (2)Vocals – Bobby Martin (2), Tommy Mars

            3:11

B4        Were We Ever Really Safe In San Antonio?

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeKeyboards – Alan Zavod*, Bobby Martin (2)Rhythm Guitar – Ike Willis, Ray White

            2:49

B5        That Ol' G Minor Thing Again

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeGuitar [Stunt] – Steve VaiKeyboards – Bobby Martin (2), Tommy MarsPercussion – Ed MannRhythm Guitar – Ray White

            5:02

C1        Move It Or Park It

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeGuitar [Stunt] – Steve VaiKeyboards – Bobby Martin (2), Tommy MarsPercussion – Ed MannRhythm Guitar – Ray White

            5:43

C2        Sunrise Redeemer

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeKeyboards – Alan Zavod*, Bobby Martin (2)Rhythm Guitar – Ike Willis, Ray White

            3:59

C3        But Who Was Fulcanelli?

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeGuitar [Stunt] – Steve VaiKeyboards – Bobby Martin (2), Tommy MarsPercussion – Ed MannRhythm Guitar – Ray White

            2:48

C4        For Duane

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeKeyboards – Alan Zavod*, Bobby Martin (2)Rhythm Guitar – Ike Willis, Ray White

            3:24

C5        GOA

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeKeyboards – Alan Zavod*, Bobby Martin (2)Rhythm Guitar – Ike Willis, Ray White

            4:51

D1        Winos Do Not March

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeKeyboards – Alan Zavod*, Bobby Martin (2)Rhythm Guitar – Ike Willis, Ray White

            3:14

D2        Systems Of Edges

    Bass – Arthur BarrowDrums – Vinnie ColaiutaEngineer [Recording] – Klaus Wiedemann*Guitar [Slide] – Denny WalleyKeyboards – Peter Wolf (3), Tommy MarsPercussion – Ed MannRhythm Guitar – Warren Cucurrullo*

            5:32

D3        Things That Look Like Meat

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeGuitar [Stunt] – Steve VaiKeyboards – Bobby Martin (2)Percussion – Ed MannRhythm Guitar – Ray White

            6:57

D4        Watermelon In Easter Hay

    Bass – Scott ThunesDrums – Chad WackermanEngineer [Recording] – Mark PinskeKeyboards – Alan Zavod*, Bobby Martin (2)Rhythm Guitar – Ike Willis, Ray White

            4:02

Credits

    Engineer [Remix] – Bob Stone

    Graphics – Art Hotel, Jeff Fey*

    Mastered By – Bernie Grundman

    Photography By – Sergio Albonico

    Plated By – MAX.*

    Producer, Guitar, Arranged By, Edited By, Composed By – Frank Zappa

Notes

A1 recorded December 1981, San Diego, California

A2 recorded November 1984, Philadelphia, Pennsylvania

A3 recorded June 1982, London, England

A4 recorded September 1984, London, England

A5, C3 recorded June 1982, Cologne, West Germany

B1 recorded November 1984, Portland, Oregon

B2, D2 recorded February 1979, Wiesbaden, West Germany

B3 recorded June 1982, Bodeaux, France

B4 recorded November 1984, San Antonio, Texas

B5 recorded June 1982, Zurich, Switzerland

C1 recorded June 1982, Frankfurt, West Germany

C2, D1 recorded November 1984, Fort Lauderdale, Florida

C4 recorded November 1984, Atlanta, Georgia

C5 recorded November 1984, Chicago, Illinois

D3 recorded December 1981, Salt Lake City, Utah

D4 recorded July 1984, Jones Beach, New York

Barcode and Other Identifiers

    Barcode: 5 016583 600617

    Matrix / Runout (Side A Run-out): ZAPPA - 6 - A, ? MAX.

    Matrix / Runout (Side B Run-out): ZAPPA - 6 - B, ? MAX.

    Matrix / Runout (Side C Run-out): ZAPPA - 6 - C, ? MAX.

    Matrix / Runout (Side D Run-out): ZAPPA - 6 - D, ? MAX.

Nm (Near Mint): In brand new condition with no surface marks or deterioration in sound quality. Cover and contents have been opened and are nearly close to perfect.

Ex (Excellent): Shows some signs of being played, light marks, but there is very little lessening in sound quality. Cover and contents might have slight wear and /or nominal creasing.

VG+ (Very Good Plus): Better than Very Good: Obviously been played but no significant deterioration in sound quality despite some surface marks and light scratches. Some wear and tear on cover and contents, as in corner/edge/ring wear, with names or initials / prices tags on cover.

VG (Very Good): Obviously been played many times, some deterioration in sound quality, despite noticeable surface marks and light scratches. Wear and tear on cover or contents, including more severe corner/edge/ring wear, including a split spine & rips in seams up to 6" / including heavy marking of initials and names on cover. Tape on seams or spines (no masking tape)

Gd+ (Good Plus): Better than Good: Sound quality has deteriorated with surface noise heard. Some scratches and occasional more noticeable scratches that can be felt. Cover and contents suffer from peeling or discoloration, entire spine & split seams /  including heavy drawing or marking of initials and names on cover. Tape on seams or spines - including masking tape.

Gd (Good): Sound quality has noticeably deteriorated, perhaps with continual surface noises. Scratches and marks are noticeable, yet record plays without skipping. Cover and contents suffer from more severe peeling or discoloration, entire spine & split seams. Tape on cover that has aged or is obvious.

F (Fair): Playable but has not been cared for properly and displays considerable surface noise - it may even skip due to scratches and marks . Cover and contents will be severely torn, stained and / or defaced, yet will still house an album.  

P (Poor): Very poor sound due to scratches, bad surface noise, potential skips, deeper marks and scratches etc.... Cover and contents will be badly damaged or partly missing. This grading is pro-dominantly used for jacket cover grading (I will not sell any vinyl of this poor quality)

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