Funkadelic - Maggot Brain - Audiophile reissue LP - HIQLP 020 - Sealed

	£		20
	$		27

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For information relating to payment, postage packaging and grading guidelines please see the details beneath the bulk of the advert.

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There is no doubt about it, Funkadelic’s 1971 masterpiece is a classic recording. Ignored for years, it is now considered to be one of the all-time greats; an intoxicating mix of funk, soul and rock that showcased a group who were unlike any others at the time. The album’s critical reputation rests on its title track. An extended instrumental, Eddie Hazel lays down more than 10 minutes of astounding improvisation, over a simple rhythm section. It is said that the album was recorded after the band had taken some yellow sunshine acid, and George then asked Eddie to play as if he had just heard that his mother had died, and then as if he had heard that she was in fact still alive. The resultant joyous release makes for one of the most exhilarating listening experiences that one could wish for. However this is more than simply a one track album. There are shorter more direct songs such as ‘Hit It And Quit It’ and ‘Can You Get To That’ that give a sense of the pop sensibilities that lie behind all the weirdness. It is a measure of bandleader George Clinton’s production skills that he is able to successfully integrate these numbers with the proto heavy-metal of ‘Super Stupid’ or the apocalyptic ‘Wars Of Armageddon’.     

Artist - Funkadelic

A1 Maggot Brain 10:18 
A2 Can You Get To That 2:49 
A3 Hit It And Quit It 3:48 
A4 You And Your Folks, Me And My Folks 3:35 
B1 Super Stupid 3:56 
B2 Back In Our Minds 2:37 
B3 Wars Of Armageddon 9:42 

Catalogue No. - HIQLP 020

Record Condition - Mint (Sealed)

Cover Condition - Mint

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PAYMENT

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POSTAGE

At Netdiscs we ensure you get the postage and packing service you require - we can send by 1st, 2nd or Recorded delivery within the UK and Air or Airsure to any overseas destination.  We no longer use surface mail due to the length of delivery time and any overseas items over £20 will now have to be sent by Airsure.

We hate being overcharged for postage, it’s money for nothing. So we aim to keep our postage costs fair and transparent. Obviously each item is different, but we’ve done a fair bit of work to establish the correct postage price before posting.  If you feel hard done by, please get in contact.

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PACKAGING

We’re record lovers too and hate receiving items marked as ‘Mint’ and turns out to be scuffed or ripped. This can be avoided!

We use top quality packaging materials - so all our items arrive with you, the buyer, in top notch condition.

Please note: all records are removed from their sealed packaging UNLESS REQUESTED OTHERWISE. Once removed from their packaging, they are kept in a 250g polysleeve which ensures protection. The record(s) and its sleeves are then placed between 2 stiffeners. This ensures that everything arrives exactly as you’d want it to.

Remember - we all need to recycle where possible, so with larger orders and larger items, we re-use the packing boxes and protective wrapping received from our suppliers.

The charges for packaging are based on the following:

FORMAT

PACKAGING

COST

7”

1 polysleeve, 2 stiffeners, 1 card envelope

£0.80

10”

1 polysleeve, 2 stiffeners, 1 card envelope

£1.00

12” / LP

1 polysleeve, 2 stiffeners, 1 card envelope

£1.00

2 x12”

2 polysleeve, 2 stiffeners, 1 card envelope

£1.10

CD

1 Jiffy bag

£0.60

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Grading based on Record Collector Guidelines:

Mint   The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as sealed or unplayed should be Mint.

Excellent   The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

Very Good   The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

Good   The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration etc.

Fair   The record is still just playable but has not been cared for properly and displays considerable surface noise, it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor   The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

Bad   The record is unplayable or might even be broken, and is only of use as a collection-filler.

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