Funkymix 8 La Tour De La Soul Mantronix McLaren Fox USA UNPLAYED DJ 3x12 inch
$
29
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Description
Funkymix 8 Label: Ultimix – FM-008 Series: Funkymix – 8 Format: 3 × Vinyl, 12", 33 ⅓ RPM, Compilation, Promo Country: US Released: 1991 Genre: Electronic, Hip Hop Style: Breakbeat, House, Pop Rap Tracklist Hide Credits A1 –La Tour* People Are Still Having Sex 7:02 B1 –De La Soul Ring Ring Ring 6:18 B2 –Samantha Fox (Hurt Me! Hurt Me!) But The Pants Stay On 6:51 C1 –Scratchmaster Chuck T.* Jazzy Way Edited By [Edit] – Bradley D. Hinkle 6:05 C2 –Malcolm McLaren Romeo And Juliet Remix [Mix] – Roy McLeod 7:07 D1 –Mantronix Step To Me Remix [Mix] – Tim Robertson 6:46 D2 –Tara Kemp Piece Of My Heart Remix [Mix] – Rob Harvey 6:24 E1 –Sissy Penis Factory Everybody Fuck Now 5:15 E2 –Nikki D Daddy's Little Girl Remix [Mix] – Coe Ramsey 5:41 F –Various The 1990 Funkymix Medley - Part 1 DJ Mix [Mix] – Roonie G.* 12:16 Credits Remix [Mix] – Bradley D. Hinkle (tracks: B1, E1), Roonie G.* (tracks: A, B1 to B2, E1)
USA DJ TRIPLE 12 INCH SINGLE.
This 12 inch is from a large former distributor's collection. They have been in storage for decades. The discs are unplayed. The sleeves may have minor storage wear.
SLEEVE: VERY GOOD+.
DISCS: UNPLAYED.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
- 1. USA BY MEDIA MAIL IS $6.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME
- 2. INTERNATIONAL BY EBAY
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