GARY HIGGINS RED HASH INSANELY RARE ORIG '73 NUFUSMOON FOLK PSYCH LP wINSERT N/M
$
243
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Description
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· GARY HIGGINS – RED HASH – INSANELY RARE ORIGINAL 1973 NUFUSMOON STEREO LP WMI-3673
· ORIGINAL U.S. PRESSING
· ORIGINAL 1973 PRIVATE PRESSING RELEASED ON GARY HIGGINS' OWN 'NUFUSMOON'; LABEL, AND WITH APPARENTLY GARY HIGGINS' OWN GRAPHIC DESIGN FOR THE FONT OF THE ALBUM'S NAME
· ORIGINAL RED NUFUSMOON LABEL WITH BLACK PRINT
· INCLUDES RARE ORIGINAL INSERT / LYRICS SHEET
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL "TEXTURED" (CRUDE FINISH) COVER.
· CLEAN, WEAR-FREE LABELS
· THE RECORD HAS A 'BELL SOUND' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 7.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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It's been a good couple of years for once-lost folkies. Comparing Higgins to other formative players in the midst of rebirth, he's darker than Vashti Bunyan or Incredible String Band, less outer-realms and more melodic than Simon Finn. His work could, more or less, be compared to Skip Spence's Oar dressed up like David Crosby. On Red Hash, his guitar and soulsick (but often uplifting) voice are accented with rich cello, piano, organ, mandolin, flute, and bass. The sounds are melancholy but never unaccessible: This is folk both your uncle and WFMU will (and do) love.
Coming first, "Thicker Than a Smokey"'s the strongest composition, a perfect blend of wanderer sadness, transcendent vocals, jangling instrumentation, dour melodies, and a libretto that feels like a Beatnik "Advice to the Graduate". Like many of Higgins songs, "Thicker" deals with a journey. Beginning with the queries, "What do you intend to do young man? Where do you intend to go?," he delves out homespun advice ("If you travel with a spider/ In your duffle bag/ With you good weather goes") and personal anecdote ("It's often that I wish to leave myself/ Buy some fancy clothes...") in a way that connotes something cyclical or unending.
Higgins' major themes are travel and lonesomeness. "Telegraph Towers" finds the protagonist "sailin' for home"; only the blowing wind makes him feel like he's not alone. In "I Can't Sleep at Night" he's afraid of shut-eye because it might mean death (he smells it everywhere). The mournful "Windy Child"'s downcast sing-along weds flute, cello, and Higgins' minor chords to "You were the sun/ And I was the morning dew... / You were always bigger / you were always brighter than me." The parlor fare of "Looking For June" has Higgins joined on vocals with upfront piano for a tale of a solo desert wanderer meeting with camels and the pope (check out the subtle, Eastern vibe).
Secondary lyrical fixations include animals, which often signify a lighthearted turn that under closer scrutiny isn't so joyful. There are plenty of birds (and the skies in which they fly), including a cuckoo in the track of the same name. Honing in on Trout Mask Replica, "Down on the Farm"'s comic protagonist milks a bull instead of a cow. There's also the gently humorous love ballad, "Stable the Spuds", but before getting too cozy, note the creepy piano, which trills like descending ice cubes.
The most beautiful work outside of "Thicker than a Smokey" is "Unable to Fly", which is traditional-sounding and pastoral, as if performed by Elliott Smith. (In parts, Higgins adopts a falsetto that sounds torn from Either/Or.) It retells a quest to reach the sun via an Icarus-type flight, but the hero's sent off in a wooden boat (carved by his father) to sail alone on the sea (as instructed by his mother). Before going, he turns in time to see her spread her wings "to greet the sky so blue" and fly away. Addressing a lover, he's bummed that know that knows where he's supposed to go, "You no longer care to know." He then flies, "In the golden light of your stare."
Red Hash proper consists of 11 pieces and ends with the aforementioned (Revelations-inspired?) dream quest, "Looking For June".
(EXCERPT FROM AN ONLINE REVIEW BY BRANDON STOSUY)
For a very illuminating interview with Gary Higgins ►CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(c) The album comes with its original insert/lyrics sheet
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2 (front side) and 1 (back side)
- Cover has some fraying/wear along the spine (no evidence of splitting - yet); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape
- Cover has a tiny peel-off mark, probably from the careless removal of the price sticker (less than ¼ square inch in size).
- Cover has two corners slightly dinged / bent. (nothing significant)
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Front cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting and are barely visible]
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams (yet - but the spine is close)
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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