GENE CLARK With The Gosdin Brothers LP COLUMBIA 1967 US orig+mono CL 2618 BYRDS
  £   75
  $   99

 


£ 75 Sold For
Oct 6, 2016 Sold Date
Sep 26, 2016 Start Date
1 Number Of Bids
  Italy Country Of Seller
eBay Sold at
 
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Description

U.K.  BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS

 BEFORE BIDDING, PLEASE

CAREFULLY READ BELOW THE CORRECT SHIPPING COST!

 THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).

The shipping cost from Italy to UK and Europe from 1 up to 5 albums

[it is a question of weight, we have to stay under 3kg] 

is £12 with registered letter, with a sturdy and well conceived box.

The shipping cost  also depends by the exchange euro/pounds. 

Still, starting from the 1st of December the Italian Post increased the price for the international shipment. 

We have done our best to absorb any handling fees in order to keep all international shipping rates as low as we can

PLEASE ASK FOR ANY INFORMATION

GENE CLARK WITH THE GOSDIN BROTHERS

and BILL RINEHART, CLARENCE WHITE, GLEN CAMPBELL, JERRY COLE,

CHRIS HILLMAN, MIKE CLARKE, LEON RUSSELL, DOUG DILLARD

Original Byrd and legendary singer-songwriter who crafted highly poetic folk and country-rock.

Gene Clark will always be best remembered for his two-year stint as a vocalist with the Byrds between 1964 and 1966. 

A fine legacy to be sure, but the shame of it is that there was far more to Clark's body of work than that; 

he was a superb songwriter, one of the founding fathers of country-rock, 

and recorded a number of fine albums with an impressive array of collaborators 

whose quality far outstripped their modest sales figures

"GENE CLARK WITH THE GOSDIN BROTHERS"

Produced by Gary Usher and Larry Marks

1967     LP     COLUMBIA RECORDS     MONO CL 2618

PRINTED IN USA    ORIGINAL FIRST PRESSING

THICK CARDBOARD COVER (AMERICAN STYLE)

First pressing on a red Columbia label with white 2 eye and Mono 360 Sound arc footer

Barcode and Other Identifiers

Barcode: none

LABEL:  COLUMBIA - <360 SOUND> RED LABEL - BLACK/WHITE TEXT

Catalog on cover: CL 2618 

Catalog on labels: [CL 2618 (XLP 116291)]   /   [CL 2618 (XLP 116292)

Matrix / Runout (Side A, Etched): XLP 116291-1A

Matrix / Runout (Side B, Etched): XLP 116292 1B-

On labels: ?"360 Sound" Mono "360 Sound"?

rim text reads '® "Columbia", Marcas Reg. Printed in U.S.A.'

 On back cover: Notes by ©1966 Gene Clark

All the selections are BMI

The Gosdin Brothers appear through the courtesy of Tickson Music

Manufactured by Columbia Records/CBS, Inc./51 W. 52 Street, New york, N.Y.

®"Columbia", Marcas Reg. Printed in U.S.A.

from my records collection

tracklisting

Side A: ECHOES - THINK, I'M GONNA FEEL BETTER - TRIED SO HARD

IS YOURS IS MINE - KEEP ON PUSHIN - I FOUND YOU

Side B: SO YOU SAY YOU LOST YOUR BABY - ELEVATOR OPERATOR
THE SAME ONE - COULDN'T BELIEVE HER - NEEDING SOMEONE

  grading

RECORD EX (please, read above description)

SLEEVE VG(+) but (please, see pictures and read above description)

The first album that Gene Clark released after his departure from the Byrds followed very closely 

on the model of his earlier efforts on the Byrds' first two albums. 

His backing musicians included ex-bandmates Chris Hillman andMichael Clarke, as well 

as future Byrd Clarence White and Clark collaborator Doug Dillard, not to mention the Gosdin Brothers, 

whose harmonies resembled a rockier Everly Brothers and brought the sound very close to that of the Byrds. 

The album contains a number of fine pop-oriented tunes and stellar folk-rock/country-rock numbers 

(a year before the Byrds' Sweetheart of the Rodeo, which employed both White and Dillard) and established 

Clark as a major songwriter, rivaling his old band and often coming close to the fabness of the Beatles. 

Still, despite such solid songs and backing musicians, Gene Clark with the Gosdin Brothers failed to make much of an impact, 

perhaps due to its being released in the same week as the Byrds' Younger Than Yesterday,

 itself a tour de force that cemented their influence. However, in the realm of Clark's recorded output, 

this album stands as the one of the best, if not the best, example of how powerful a singer, writer, and bandleader he was...(AllMusic)



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