GOOD TIME BLUES St. Louis 1926-1932 MAMLISH LP NM/EX Peetie Wheatstraw, JD Short
$
25
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
Good Time Blues! St. Louis 1926-1932
Label: Mamlish ?– S 3805 Format: Vinyl, LP, CompilationCountry: US Released: Genre: Blues Style: Country Blues, Piano Blues
TracklistHide Credits
A1 –Charley Jordan Two Street Blues Vocals, Guitar – Charley Jordan A2 –J. D. Short She Got Jordan River In Her Hips Guitar – Clifford GibsonPiano – Roosevelt SykesVocals – J. D. Short A3 –Sylvester Palmer Lonesome Man Blues Vocals, Piano – Sylvester Palmer A4 –Papa Eggshell* Far From Home Vocals, Guitar – Papa Eggshell* A5 –Edith North Johnson* Honeydripper Blues Piano – Roosevelt SykesVocals – Edith North Johnson* A6 –Peetie Wheatstraw Don't Hang My Clothes On No Barbed Wire Line Guitar – Charley JordanVocals, Piano – Peetie Wheatstraw A7 –Jelly Roll Anderson Good Time Blues Guitar – Unknown Artist, Unknown ArtistVocals – Jelly Roll Anderson B1 –Lee Green Train Number 44 Vocals – R. Sykes*Vocals, Piano – Lee Green B2 –"Hi" Henry Brown* Hospital Blues Guitar – Charley JordanVocals, Guitar – "Hi" Henry Brown* B3 –Walter Davis Sunnyland Blues Guitar – Henry TownsendPiano – R. Sykes*Vocals – Walter Davis B4 –Robert Peeples Fat Greasy Baby Piano – Henry BrownVocals – Robert Peeples B5 –Lonnie Johnson (2) Love Story Blues Vocals, Guitar – Lonnie Johnson (2) B6 –Pretty Boy Walker The Breaks I'm Getting Piano – Peetie WheatstrawVocals – Pretty Boy Walker B7 –Cora Perkins Today Blues Mandolin – Lonnie Johnson (2)Piano – De Louise Searcy*Violin – James Johnson (7)Vocals – Cora PerkinsCredits
- Artwork – Gary Bready*
- Liner Notes – Don Kent
- Mastered By – Nick Perls
- Sleeve – B. Elniff*, V. Ceriano
Barcode and Other Identifiers
- Matrix / Runout (Side A runout etched): S3805 A
- Matrix / Runout (Side B runout etched): S3805 B
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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