GORKY'S ZYGOTIC MYNCI barafundle LP FONTANA 1997 rare psych rock INDIE OOP vg+

$

68

RECORD AND JACKET ARE GRADED AS VG+ INCLUDES ORIGINAL PRINTED INNER SLEEVE.  INCREDIBLE PRICE ON THIS RARE 1997 INDIE PSYCH MASTERPIECE!
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Tracklist Hide Credits

A1 Diamond Dew Bass, Electric Guitar, Backing Vocals, Jew's Harp – John Lawrence (2)Guitar [Spanish] – Richard James (2)Percussion – Euros RowlandsViolin, Backing Vocals – Megan ChildsVocals, Harmonium, Organ [Hammond] – Euros ChildsWritten-By – Childs*, James* 2:50 A2 The Barafundle Bumbler Bass, Guitar [Spanish], Guitar [Steel String], Electric Guitar – John*Percussion – Euros R*Piano – Gorwel OwenViolin – Megan*Vocals, Voice [Voices], Harmonium, Piano [Ice Cream Piano], Synth [Teisco Synth], Keyboards [Vox Continental] – Euros C*Written-By – Childs* 1:50 A3 Starmoonsun Backing Vocals – Euros C*Bass – Richard*Percussion – Euros R*Shawm – Lynn Childs, Stuart Evans (8), Tom RawlinsViolin – Megan*Vocals, Electric Piano [Wurlitzer], Organ [Hammond], Recorder [Recorders], Backing Vocals, Bodhrán, Written By – John*Written-By – Lawrence* 3:03 A4 Patio Song Bass, Keyboards [Korg Micro Preset] – Richard James (2)Electric Guitar – John*Percussion – Euros R*Violin – Megan*Vocals, Organ [Hammond], Synth, Synthesizer [Moog], Piano – Euros C*Written-By – Childs* 2:42 A5 Better Rooms... Guitar [Steel String], Vocals, Recorder [Recorders], Electric Guitar – John*Snare, Other [Legs In Trousers] – Euros R*Violin – Megan*Vocals, Guitar [Spanish] – Euros C*Written-By – Childs* 3:46 A6 Heywood Lane Backing Vocals – Fiona OwenGuitar [Steel String], Backing Vocals – Richard*Organ [Hammond], Backing Vocals – John*Percussion – Euros R*Violin, Backing Vocals – Megan*Vocals, Piano – Euros C*Written-By – Childs*, Lawrence* 2:52 A7 Pen Gwag Glas Bass – Richard*Guitar [Steel String], Voice [Monk Voices], Electric Guitar – John*Percussion – Euros R*Synthesizer [Moog] – Gorwel OwenViolin – Megan*Vocals, Harmonium, Piano, Keyboards [Vox Continental], Voice [Monk Voices] – Euros C*Written-By – Childs* 3:58 A8 Bola Bola Electric Guitar – John*Guitar [Spanish], Bass – Richard*Horn [Marching Horn] – Martin Smith (2)Organ [Hammond] – Gorwel*Tambourine – Andrew Frizell*, Euros R*Violin – Megan*Vocals, Piano, Organ [Wurlitzer], Backing Vocals – Euros C*Written-By – Childs* 1:45 B1 Cursed, Coined And Crucified Crumhorn – Lynn Childs, Tom RawlinsFlute – Stuart Evans (8)Guitar [Spanish], Piano – John*Guitar [Steel String] – Richard*Keyboards [Korg Micro Preset] – Euros C*Organ [Hammond] – Megan*Written-By – Lawrence* 2:26 B2 Sometimes The Father Is The Son Guitar [Steel String], Organ [Hammond], Piano – Richard*Harmonium, Vocals – Euros C*Hurdy Gurdy – Tom RawlinsViolin – Megan*Vocals, Guitar [Spanish], Electric Guitar – John*Written-By – James* 3:16 B3 Meirion Wyllt Bass – Richard*Drums – Euros R*Electric Guitar, Guitar [Spanish], Backing Vocals – John*Tenor Saxophone – Simon JamesTrombone – Andrew Frizell*Trumpet, Horn [Marching Horn] – Martin Smith (2)Violin – Megan*Vocals – Fiona OwenVocals, Organ [Hammond], Piano, Organ [Wurlitzer], Backing Vocals, Keyboards [Korg Micro Preset] – Euros C*Written-By – Childs* 2:48 B4 The Wizard And The Lizard Guitar [Spanish] – Richard*Keyboards [Korg Micro Preset], Backing Vocals, Narrator [Narration] – Euros C*Steel Guitar, Vocals, Jew's Harp, Recorder, Backing Vocals – John*Violin – Megan*Written-By – Childs*, Lawrence* 1:57 B5 Miniature Kingdoms Bass – Richard*Piano, Keyboards [Vox Continental], Electric Guitar, Backing Vocals – John*Tenor Saxophone, Flute – Simon JamesTrombone, Flute – Andrew Frizell*Trumpet, Horn [Marching Horn] – Martin Smith (2)Violin, Backing Vocals – Megan*Vocals, Synth [Teisco Synth], Backing Vocals – Euros C*Written-By – Childs*, Lawrence* 4:18 B6 Dark Night Bass, Piano, Strings, Other [Gas Tank] – Richard*Electric Guitar, Steel Guitar, Voice [Chant], Voice [Warped Talking], Other [Gas Tank] – John*Percussion – Euros R*Tenor Saxophone – Simon JamesTrombone – Andrew Frizell*Violin, Other [Gas Tank] – Megan*Vocals – Fiona*Vocals, Piano, Keyboards [Korg Micro Preset], Synth [Teisco Synth], Voice [Warped Talking], Voice [Chant], Other [Gas Tank] – Euros C*Written-By – Childs* 4:47 B7 Hwyl Fawr I Pawb Bass, Handclaps [Claps] – Richard*E-Bow [E Bow], Vocals, Recorder, Handclaps [Claps] – John*Piano, Violin, Vocals, Handclaps [Claps] – Megan*Synth [Teisco Synth], Handclaps [Claps], Vocals – Euros C*Trombone – Andrew Frizell*Trumpet – Martin Smith (2)Written-By – M. Childs* 1:47 B8 Wordless Song Bass – Richard*Guitar, Backing Vocals – John*Percussion – Euros R*Piano [Classy Piano], Organ [Farfisa] – Gorwel OwenPiano, Vocals, Mellotron [Melotron], Keyboards [Vox Continental], Backing Vocals – Euros C*Violin – Megan*Written-By – Childs* 3:20

Companies, etc.

• Recorded At – Stiwdio Ofn
• Mixed At – Parr Street Studios
• Mastered At – The Town House
• Pressed By – MPO

Credits

• Engineer – Gorwel Owen
• Engineer [Assistant] – Pete O'Connor
• Mastered By – Kevin Metcalfe
• Mixed By [Engineer Assistant] – Dave Buchanan
• Photography By – Merton Gauster
• Producer, Mixed By – Gorwel Owen
• Producer, Mixed By, Sleeve [Sleeve Idea] – G.Z.M.*

Notes

Recorded at Stiwdio Ofn, Autumn 1996. Produced by Gorwel Owen & Gorky's Zygotic Mynci. Engineered by Gorwel Owen. Assistant: Pete O'Connor. Mixed at Parr Street Studios, December 1996 by Gorwel Owen & Gorky's Zygotic Mynci. Assistant Engineer: Dave Buchanan. Mastered by Kevin Metcalfe at Townhouse.
Printed inner sleeve with credits and artwork

Timing of track B4 is incorrectly listed on inner sleeve as 1:27, should be 1.57.

Barcode and Other Identifiers

• Barcode: 7 31453 47691 2
• Matrix / Runout (Side A, etched): MPO 534 791–1–A¹
• Matrix / Runout (Side B, etched): MPO 534 791-1–B¹

                                                                                                                                                                         



LOST WEEKEND RECORDS GRADING SCALE


MINT (M)

These are absolutely perfect in every way. Lost Weekend will never grade a record as Mint as we believe it is an unattainable grade.


VERY GOOD PLUS PLUS (VG++)

VG++ records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not VG++. If played, it will do so with no surface noise. (VG++ records don’t have to be “never played”; a record used on an excellent turntable can remain VG++ after many plays if the disc is properly cared for.)

VG++ covers are free of creases, ring wear and seam splits of any kind.

VG++ will be the highest grading Lost Weekend Records uses. Even so we won't grade many records at this level as we are very particular about this level of grading.


VERY GOOD PLUS (VG+)

VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.

VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

VERY GOOD (VG)

 VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too.

VERY GOOD MINUS (VG-)

VG- does not mean bad! The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers and failing miserably. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.





STILL SEALED (SS)

Lost Weekend Records will sometimes list an album that is Still Sealed from the factory. They will typically bring higher prices than a clean opened copy.

We can't call Sealed records mint because there might be a minor flaw in the pressing of the vinyl or some minor warping from being sealed.


                                                                                                                                                                                                                 


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