GRAHAM BOND ORGANIZATION SOUND OF '65 RARE ORIG UK LP

$

56

    
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·       GRAHAM BOND ORGANIZATION (with JACK BRUCE AND GINGER BAKER) -  THE SOUND OF '65 –  ORIGINAL 1965 EMI / COLUMBIA (UK) MONO LP SX-1711

·       ORIGINAL U.K. PRESSING

·       ORIGINAL, FIRST BRITISH PRESSING ON BLACK COLUMBIA (UK) LABEL WITH COLUMBIA LOGO IN BLUE LETTERS

·       ULTRA-RARE BRITISH-ONLY RELEASE; NEVER RELEASED IN THE UNITED STATES OR CANADA (OR, FOR THAT MATTER, EVEN EUROPE AS FAR AS WE KNOW)

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)

·       ORIGINAL LAMINATED COVER

·       BOTH ORIGINAL MASTER TAPES AND THE PRODUCTION STAMPERS OF THIS TITLE HAVE BEEN LOST AND MISSING FOR DECADES. TO REISSUE THIS ALBUM ON VINYL IN THE MID-1980’S , BRITISH EDSEL LABEL HAD TO RELY ON BRITISH RADIO ARCHIVE BACKUP TAPES.

·       ORIGINAL FLIP-BACK COVER (1/2-INCH MARGINS OF THE FRONT PANEL ARE FOLDED AND PASTED ONTO THE BACK PANEL)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX): XAX-2784-1-N (SIDE 1) AND  XAX-2785-1-N (SIDE 2)

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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This album is essential listening for anyone who is seriously interested in either British blues, the Rolling Stones' early sound, or the history of popular music, in England or America, during the late '50s and early '60s. In England during the years 1957-1962, jazz and blues used to intermix freely, especially among younger blues enthusiasts and more open-minded jazzmen -- by 1963, most of the former had gone off to form bands like the Rolling Stones, the Yardbirds, the Pretty Things, etc., with guitars a the forefront of their sound, while the latter (most notably British blues godfather Alexis Korner) kept some jazz elements in their work.  The Graham Bond Organization (along with Zoot Money's Big Roll Band and other, similar outfits) represented the jazzier side of the British blues boom, less charismatic and sexually provocative than blues-rock bands like the Stones or the Yardbirds, but no less potent a product of the same inspiration, sax and organ being much more prominent in their sound. Indeed, Bond's playing on the organ as represented on this set  is the distant antecedent to Keith Emerson's more ambitious keyboard excursions of 3-4 years later, without the incessant copping of classical riffs. The playing and singing (by Graham Bond and a young Jack Bruce) are curiously soulful, and when Ginger Baker takes a solo on "Oh Baby," it's a beautiful, powerful, even lyrical experience (as drum solos go), and one of those bold, transcendent, virtuoso moments, akin to Brian Jones' harmonica solo on the Stones' version of "Hi Heel Sneakers." The band was more exciting on stage, as the evidence of their one surviving early live performance indicates, but they were worth hearing on record as well. In a universe that was fair and idealized, this album would rank right up there in sales with anything (including the Bluesbreakers with Eric Clapton album) that John Mayall ever released, and Bond also proves himself a more fervent and exciting figure here than Mayall ever seemed on his records.

For its extraordinary contribution to the contemporary music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, songwriters and general public, or for some other inherent quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, show business professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, the legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice , Lisa Robinson, Robert Shelton, Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" , Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing)

For additional historical information on this album, including track listing ►click here

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          CAUTION! The vinyl is only VERY GOOD (-)- TO GOOD+, with multiple, numerous, small scuffs and scratches which are BOTH visible AND audible. The record plays with light and tolerable BUT AUDIBLE surface noise and occasional pops and clicks. The record plays without skipping throughout. This record WAS play-graded.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Stereo copies of this album are NOT known to exist.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

(e)           A note about the condition of this record: as you can see,  the condition of this album is not mint or near mint; however, we will never stop marveling at how these old records, despite their wear and tear STILL manage to play almost two levels above their visual grade. Simply put: the record plays much better than it looks. This record WAS play-graded.

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS ONLY ABOUT GOOD+ (G+).

The following flaws or imperfections are noted on the cover:

-         Cover has a partially split top seam (less than 1 inch / 2.5 centimeters)

-         Cover has a few VISIBLE  wrinkles along the seams

-         Cover has  visible wrinkles (creases) in the cardboard base on the front panel

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Extensive writing / doodling covers much of the back panel (please see the  attached images)

-         Back cover has a few yellowish dust speckles scattered here and there

-         2 small greasy stains noted on the back

-         Minor shelf wear noted on the top and bottom seams (nothing significant)

-         Cover has one corner slightly worn / dinged / bent.

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2 (front side) and 3 (back side)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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