GRAMOPHONE SHOP CELEBRITIES Mogens Woldike Copenhag Boys Choir BAROQUE CANTATAS

$

66

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Welcome to my auctions of great records

This is my FINAL WEEK. Auctions will end on June 9 – I WILL PACK AND BILL YOUR RECORDS after the close on JUNE 9, due to the very high number of records, pls allow 48 HOUR for me to send you an invoice.

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International shipping: approx postage 1x10"=$25: 1x12"=$25 to $35: 10"Album 4 Rec=50$: 12" Album 2 Rec=50$
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About 30% less to Canada. Pls ignore international postage displayed in Ebay, rates are too high

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A series of great Violin, Piano and Orchestra records on rare labels, from 1902 Monarch to 1940 War Germany recordings.

GSC-5: Baroque Cantatas of 17th Century North Germany (Mogens Wöldike directing)

Franz Tunder

Franz Tunder Wachet auf ruft uns die Stimme
Mogens Woldike cond Copenhagen Boys Choir and Chamber Orch

Matthias Weckmann
Zion spricht der Herr hat mich verlassen
Elsa Sigfuss Vollmer Holbell Holger Noergaard Mogens Woldike

Heinrich Schuetz
O hilf Christe Gottes Sohn
Meister wir haben die ganze Nacht gearbeitet
Eskild Rank Nielsen & Vollmer Holbell Mogens Woldike harpsichord

Pharisaer und Zoellner
Maja Baerentzen Valborg Garde ollmer Holbell Holger Noergaard Mogens Woldike harpsichord Alberto Medici Cello

Erhoere mich, wenn ich rufe
Maja Baerentzen Valborg Garde Mogens Woldike harpsichord Alberto Medici Cello

VINCENT LUEBECK
Willkommen, suesser Braeutigam
Karen Haerup Valborg Garde w Else Marie Bruun & Julius Koppel violins Alberto Medici Cello

Christoph Bernhard
Fuerchtet Euch nicht
Karen Haerup  w Else Marie Bruun & Julius Koppel violins Alberto Medici Cello Mogens Woldike harpsichord

Dietrich Buxtehude
O wie selig
Niels Brinker & Holger Noergaard w Else Marie Bruun & Julius Koppel violins Alberto Medici Cello Mogens Woldike harpsichord

6x12" 78 rpm record. w original album and booklet

Condition: EXCELLENT pristine plays  very quiet lightest crackle faint warp NAP

Album like new

A GREAT COPY

Mogens Wöldike and the Gramophone Wöldike was quick to understand the potential of the gramophone. His first two records, made in 1928, were with his own Palestrina Choir. A 12 inch disc has Gabrieli’s twelve voice, polyphonic Benedictus and another polyphonic work by Palestrina; the motet Sicut cervus desiderat ad fontem. On the other disc (10 inch) there is Praetorius’s version of En rose så jeg Skyde and Kingo’s Hører til, I høje Himle. We reach the mid 1930s before Wöldike really starts to assert himself as a conductor in recordings – naturally enough a choral conductor – with records of both the Madrigal Choir and the Copenhagen Boys’ Choir. The repertoire was centred around the late Renaissance and early Baroque. Best known include Buxtehude’s Cantatas Send hid din Engel (Send hither thine Angel) from 1936 and Was mich auf dieser Welt Betrübt (1940). But the most loved of them were the 1939 Morning Song and Oluf’s Ballade both from Gade’s Elverskud. In these can be heard The Copenhagen Boys’ Choir and the Young Artists’ Music Society orchestra with Aksel Schiøtz. This record became uniquely popular and sold a very large number of copies, remaining in the catalogue and in the shops until the mid-1950s and the end of 78 rpm era. Another popular disc (1943) was of pieces by Mozart, Ave Verum Corpus with The Boys’ Choir, and Alleluia from Exsultate, Jubilate with Karin Munk as soloist. In that same year, just before Wöldike had to flee to Sweden with his wife who was of Jewish descent and so in danger of Nazi persecution in occupied Denmark, he recorded five pieces from Mogens Pederssøn’s collection Pratum spirituale from 1620 : Kyrie at Easter, Aleneste Gud I Himmerig, Ad te levavi , Med Konning David Klage and Nu bede vi den Helligånd . After the war, as early as 1945, Wöldike quickly resumed recording work with Buxtehude’s Aperite mihi Portas and three years later with the Madrigal Choir came Gabrieli’s Jubilate Deo in eight parts and Schütz’s Selig sind die toten (six parts). He remade Gabrieli’s Benedictus with the Madrigal Choir and, with them also, there was Buxtehude’s Missa Brevis. With a few exceptions like the Elverskud record, one must say that all this is what we, today, would call a narrow repertoire. But in the late 1940s the field began to expand. Wöldike had formed a chamber orchestra; the Royal Chapel Chamber Orchestra which, while playing only baroque music, included works that appealed to a wider audience. With it he began recording Bach’s Brandenburg Concertos, and also Bach’s concertos with violin and oboe, and two violins as well as one of Corelli’s Concerti grossi. Eventually it was difficult to maintain the Royal Chapel Chamber Orchestra and Wöldike began to record with the Radio Chamber Orchestra which was also founded at his instigation. Its members were chosen by him from the Radio Symphony Orchestra so that he could cultivate his ideal sound. With this ensemble he made records both in the 78 and LP eras

A series of great Records about Dixie, the Civil War, early One Step, Cakewalk and Blackface performers

issued first in 1901 Record No 485 on rare COLUMBIA CONDITIONS RECORD

NO 485

Here take 4 without performers named

ANNOUNCED  Edward Favor What do you of Think O'HOOLIHAN

10" 78 rpm record

Condition:

VERY GOOD PLUS, plays w hissy swish, light fuzziness on top

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The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately

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