GRATEFUL DEAD The Best Of-Skeletons From The Closet NM- PLAY GRADED 1974 Truckin
$
30
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Description
Vinyl: NM- Play Graded. Sounds Great! Warner Brothers Labels are Clean. This is the 1974 Warner Brothers Release! W2764. This is the audiophile acclaimed Winchester, VA pressing. A primer for Deadhead candidates and easy listening for Everready Dead-o-philes; a starting point inviting deeper exploration. A frontier of experience awaits! Tip of the iceberg! Dancing bears peaking around the corner...! See Review Below!
In The Dead Wax: Side 1: W-1-2764 ww2 #8 SP 1-1 and the glyph for the Winchester, VA Pressing Plant. Side 2: W-2-2764 ww4 #4 SP 1-1 and the glyph for the Winchester, VA Pressing Plant.
Cover: NM- (see photos).
Goldmine Standards. I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer. On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
AllMusic Review by Ronnie D. Lankford, Jr. [-]
Skeletons from the Closet has been long-lived as a Grateful Dead primer. Fans of the band's live show have noted that Skeletons only contains two live tracks from a band whose live shows are its strongest suit. Still, Skeletons remains a good introduction to the band's early -- and arguably best -- work, and is also a great disc for the casual fan. Favorites include "Truckin'," "Sugar Magnolia," "Friend of the Devil," and "Casey Jones," classic tracks taken from 1970's Workingman's Dead and American Beauty. The disc also includes a couple of early Bob Weir jewels, "Mexicali Blues" and "One More Saturday Night," and an edited version of "Turn on Your Love Light" by Ron "Pigpen" McKernan. The disc offers several selections from the Dead's early albums, including "The Golden Road (To Unlimited Devotion)," "St. Stephen," and "Rosemary." The tracking order of the songs isn't always chronological but it does have a natural flow, with the possible exception of the high-powered "Love Light." Skeletons -- for longtime fans -- will always be a great disc for a lazy Sunday afternoon.
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