GROUNDHOGS Blues Obituary LP LIBERTY 1969 UK 2nd press+stereo TONY McPHEE RARE
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  $   29

 


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Nov 20, 2016 Sold Date
Nov 8, 2016 Start Date
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Description

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GROUNDHOGS

TONY McPHEE, PETE CRUICKSHANK, KEN PUSTELNIK

 British blues band that backed John Lee Hooker in the mid-'60s, 

and went on to explor acid rock and prog during the '70s

"BLUES OBITUARY"

Produced by Tony (T.S.) McPhee

1969      LP        LIBERTY RECORDS       STEREO 83253

MADE IN ENGLAND     ORIGINAL COPY    2ND PRESSING

This version: released on the black Liberty label
First copies were issued on the blue Liberty label

LAMINATED (ON FRONT) SINGLE SLEEVE

Barcode and Other Identifiers

LABEL:  LIBERTY -  BLACK LABEL WITH RAINBOW SEGMENT TO THE LEFT - SILVER TEXT

Catalog on cover: (spine) LBS 83253   (rear) STEREO 83253

Catalog on labels: LBS 83253 (LBS 83253 A / LBS 83253 B)

Matrix / Runout (Side A, Stamped): LBS 83253   A-1 

Matrix / Runout (Side B, Stamped): LBS 83253   B-1

On labels: The Groundhogs Blue Obituary--featuring Rev. "T.S." McPhee 

 ? 1969

Produced by Tony "T.S." McPhee for Groundhogs Productions

GROUNDHOGS SERIES

rim text reads '......A Product Of Liberty Records Ltd. England'

On Back Sleeve: Groundhogs Blue Obituary featuring Rev. (T.S.) McPhee

A Product Of Liberty Records

Mortimer House 37/41 Mortimer Street London W1

A Product of Liberty/UA Records Ltd. London, England

GROUNDHOGS SERIES

Printed in England by Robert Stace

from my records collection

tracklisting

Side 1: B.D.D. - DAZE OF THE WEAK

TIMES - MISTREATED

Side 2: EXPRESS MAN - NATCHEZ BURNING - LIGHT WAS THE DAY

  grading

RECORD NEAR EX  (please, read above description)

SLEEVE STRONG VG+ but (please, see pictures and read above description)

Composed, written, and arranged by Tony "T.S." McPhee, there are seven tracks 

hovering from the around four- to seven-minute mark. The traditional "Natchez Burning," 

arranged by McPhee, fits in nicely with his originals while the longest track, 

the six-minute-and-50-second "Light Is the Day," features the most innovation,

a Ginger Baker-style tribal rant by drummer Ken Pustelnik allowing McPhee 

to lay down some muted slide work. As the tempo on the final track elevates along 

with manic guitar runs by McPhee, the jamming creates a color separate 

from the rest of the disc while still in the same style...(AllMusic)


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