GROUNDHOGS Blues Obituary LP LIBERTY 1969 UK 2nd press+stereo TONY McPHEE RARE
€
25
$
29
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Description
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GROUNDHOGS
TONY McPHEE, PETE CRUICKSHANK, KEN PUSTELNIK
British blues band that backed John Lee Hooker in the mid-'60s,
and went on to explor acid rock and prog during the '70s
"BLUES OBITUARY"
Produced by Tony (T.S.) McPhee
1969 LP LIBERTY RECORDS STEREO 83253
MADE IN ENGLAND ORIGINAL COPY 2ND PRESSING
This version: released on the black Liberty label
First copies were issued on the blue Liberty label
LAMINATED (ON FRONT) SINGLE SLEEVE
Barcode and Other Identifiers
LABEL: LIBERTY - BLACK LABEL WITH RAINBOW SEGMENT TO THE LEFT - SILVER TEXT
Catalog on cover: (spine) LBS 83253 (rear) STEREO 83253
Catalog on labels: LBS 83253 (LBS 83253 A / LBS 83253 B)
Matrix / Runout (Side A, Stamped): LBS 83253 A-1
Matrix / Runout (Side B, Stamped): LBS 83253 B-1
On labels: The Groundhogs Blue Obituary--featuring Rev. "T.S." McPhee
? 1969
Produced by Tony "T.S." McPhee for Groundhogs Productions
GROUNDHOGS SERIES
rim text reads '......A Product Of Liberty Records Ltd. England'
On Back Sleeve: Groundhogs Blue Obituary featuring Rev. (T.S.) McPhee
A Product Of Liberty Records
Mortimer House 37/41 Mortimer Street London W1
A Product of Liberty/UA Records Ltd. London, England
GROUNDHOGS SERIES
Printed in England by Robert Stace
from my records collection
tracklisting
Side 1: B.D.D. - DAZE OF THE WEAK
TIMES - MISTREATED
Side 2: EXPRESS MAN - NATCHEZ BURNING - LIGHT WAS THE DAY
grading
RECORD NEAR EX (please, read above description)
SLEEVE STRONG VG+ but (please, see pictures and read above description)
Composed, written, and arranged by Tony "T.S." McPhee, there are seven tracks
hovering from the around four- to seven-minute mark. The traditional "Natchez Burning,"
arranged by McPhee, fits in nicely with his originals while the longest track,
the six-minute-and-50-second "Light Is the Day," features the most innovation,
a Ginger Baker-style tribal rant by drummer Ken Pustelnik allowing McPhee
to lay down some muted slide work. As the tempo on the final track elevates along
with manic guitar runs by McPhee, the jamming creates a color separate
from the rest of the disc while still in the same style...(AllMusic)
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