GUNS N' ROSES " APPETITE FOR DESTUCTION " WITHDRAWN SLEEVE, 1A/1B - WX 125 - EX
£
18
$
23
£ 18
Sold For
Apr 9, 2017
Sold Date
Apr 2, 2017
Start Date
£ 5
Start price
7
Number Of Bids
Great Britain
Country Of Seller
eBay
Auctioned at
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Description
ARTIST - GUNS N' ROSES
TITLE - " APPETITE FOR DESTUCTION "
LABEL - GEFFEN
RECORD NO. - WX 125
YEAR - 1987
SLEEVE - WITHDRAWN SLEEVE
INNER - PICTURE INNER
VINYL - EX
MATRIX - R/S Alsdorf 924148 - 1 - A
R/S Alsdorf 924148 - 1 - B
TRACK LISTING........
G1 Welcome To The Jungle Written-By – Guns N' Roses 4:31 G2 It's So Easy Written-By – Guns N' Roses, West Arkeen 3:21 G3 Nightrain Written-By – Guns N' Roses 4:26 G4 Out Ta Get Me Written-By – Guns N' Roses 4:20 G5 Mr. Brownstone Written-By – Guns N' Roses 3:46 G6 Paradise City Written-By – Guns N' Roses 6:46 R1 My Michelle Written-By – Guns N' Roses 3:39 R2 Think About You Written-By – Guns N' Roses 3:50 R3 Sweet Child O' Mine Written-By – Guns N' Roses 5:55 R4 You're Crazy Written-By – Guns N' Roses 3:25 R5 Anything Goes Written-By – Chris Weber, Guns N' Roses 3:25 R6 Rocket Queen Written-By – Guns N' Roses 6:13Companies, etc.
- Manufactured By – Record Service GmbH
- Manufactured By – Warner Bros. Records Inc.
- Phonographic Copyright (p) – The David Geffen Company
- Copyright (c) – The David Geffen Company
- Made By – WEA Musik GmbH
- Duplicated By – Record Service Alsdorf
- Recorded At – Rumbo Recorders
- Recorded At – Take One Studio
- Recorded At – Can-Am Recorders
- Mixed At – Mediasound
- Mastered At – Sterling Sound
- Published By – Guns N' Roses Music
- Pressed By – Record Service Alsdorf
Credits
- A&R [A&R Coordination] – Teresa Ensenat, Tom Zutaut
- Arranged By – Guns N' Roses
- Art Direction, Design – Michael Hodgson (2)
- Artwork [Tattoo Redrawn] – Andy Engell*
- Bass, Backing Vocals – Duff "Rose" McKagan*
- Design [Cross Tattoo Design] – Bill White Jr.
- Drums – Steven Adler
- Engineer [2nd Engineer] – Andy Udoff, Dave Reitzas*, Jeff Poe, Julian Stoll, Micajah Ryan, Victor "The Fuckin' Engineer" Deyglio*
- Lead Guitar, Rhythm Guitar, Acoustic Guitar – Slash (3)
- Lead Vocals, Backing Vocals, Synthesizer [Synth], Percussion – W. Axl Rose*
- Management [Business Affairs] – Boulevard Management
- Management [Career Affairs] – Alan Niven, Stravinski Brothers
- Mastered By – George Marino
- Mixed By – Steve Thompson & Michael Barbiero
- Painting [Front Cover Painting] – Robert Williams (15)
- Photography By [Back Cover, Inner Sleeve Photos] – Robert John (4)
- Photography By [Inner Sleeve Photos] – Jack Lue, Leonard McCardie, Marc Canter
- Producer, Engineer – Mike Clink
- Rhythm Guitar, Lead Guitar, Percussion, Backing Vocals – Izzy Stradlin
Notes
©? 1987 The David Geffen CompanyIncludes printed inner-sleeve.
Recorded at Rumbo Studios, Canoga Park, CA. Take One Studio, Burbank, CA. Can Am Studio, Tarzana, CA.
Mixed at: Media Sound, NYC.
Album originally mastered at Sterling Sound, NYC.
Manufactured in Germany by Record Service GmbH, Alsdorf. Pressé en Allemagne par Record Service GmbH, Alsdorf.
There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.
SIX LPs CAN BE MAILED FOR SAME PRICE AS ONE SECOND CLASS ONLY **( UK ONLY ) ** DOUBLE ALBUM = 2 x LPs.
PLEASE WAIT FOR COMBINED INVOICE
Thank you for looking and happy bidding, and you can view my great feedback for peace of mind.
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GRADING: All records are graded using the standard UK Record Collector Grading system as follows:
- MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
- EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
- VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
- GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
- FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
- POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
- BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.
price rating
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