FOR SALE THROUGH THIS LISTING IS ONLY THE LP YOU SEE ON THE 2 FIRST PHOTOS. YOU COULD COMBINE THE LP YOU SEE ON THE 3RD PHOTO, which is in VG+++ to EX condition, adding $99.99 + $5.00 extra ship.

REGISTERED SHIPPING WORLDWIDE [INCLUDING USA]: ONE LP ONLY $15.00!!!

EBAY USUALLY SHOWS WRONG SHIPPING COST ON ITS AUTOMATED

INVOICES, SO PLEASE WAIT FOR MY INVOICE.

VERY RARE AVANT ELECTRONIC TRACK by composer Gilbert Trythall

on a RARE (UNKNOWN) OUT OF PRINT LIMITED EDITION Private USA 1969 LP:

PEABODY COLLEGE WIND ENSEMBLE  [Peabody College and Vanderbilt University –

The Contemporary College Wind Ensemble, based on Nashville Tennessee].

Mentions about the RARE CULT RECORDS of this college on WAXIDERMY site!

Outsider electronic/concrete composition "Surfaces op. 19",

PLUS avant Igor Stravinsky (Concerto for piano and wind instruments) 

and 2 serious contemporary jazz suites (Composers: IRVING KANE & DAVID WARD-STEINMAN).

Perfect mix for collectors of the REALLY INTERESTING unknown private presses

from the USA colleges and universities!

GREAT ELECTRONIC CONCRETE & AVANT GARDE & JAZZ FIND!

ONLY REGISTERED INTERNATIONAL SHIPPING INCLUDING USA ($ 15.00).

.........................................................................................................................................

COMBINE THIS RARE 1969 LP WITH THE OTHER "PEABODY COLLEGE ELECTRONIC LP"

I HAVE ON MY LISTINGS:

SEE WHAT THE WAXIDERMY SITE SAYS

ABOUT THE SECOND PEABODY COLLEGE LP

(SEE THE... 3rd PHOTO ON MY LISTING):

Peabody College and Vanderbilt University,

The Contemporary College Wind Ensemble

"This was one of the first school band records I ever bought. I’d heard *of* Vanderbilt University, but never realized it was in Nashville. Hmm, Nashville…

strange then to find this tantalizing blurb on the back:

“This album is a new departure in wind ensemble programming. Leading Nashville composers and arrangers have bridged many musical styles and periods

to produce a kaleidoscopic survey of the possibilities of wind instrumentation. From Carmina Burana to MacArthur Park, from conventional sounds to the

complex multi-ensemble (with moog synthesizer) of Irving Kane’s "Fourth Stream", this performance demonstrates the expressive possibilities inherent in the

wind ensemble. The instrumentation of the group featured on this recording is that of the traditional wind, jazz and rock ensembles together with harpsichord and electronic tape.”

Tucked inside the sleeve there was a program for “CENTURIES of SOUND from BACH to ROCK” dated Tuesday, April 28, 1970, and this record contains excerpts from the night’s performances. I was kinda bummed that some of the titles listed on the program didn’t make it onto the record… namely an electronic work from Gilbert Trythall, and a BLOOD SWEAT AND TEARS cover!

Fortunately the other interesting sounding piece made it onto the record, FOURTH STREAM by Irving Kane. As it turns out, Irving Kane was a local Nashville studio musician and composer.

He describes the piece in the program, “Pop music, “serious music, (quotes indicate dissatisfaction with terminology)– the dichotomy preoccupies me; how to love and do both.

This piece seems to be an attempt to explicate a dilemma.”

Fourth Stream takes up most of one side of the LP, so I’ve included two 5 minute excerpts of the entire 15 minute performance. Enjoy!"

WAXIDERMY SITE.