Grateful Dead: Live/Dead (2 LPs, 180g, 2012, Mobile Fidelity Sound Lab) SEALED
$
60
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Mobile Fidelity Sound Lab Limited Edition No: 4729
GRATEFUL DEAD: LIVE/DEAD
Precedent-Setting 1969 Release One of the Five Best Live Albums Ever Recorded
Mastered from the Original Master Tapes: Invite the Dead Into Your Living Room—You Won’t Believe How Good This Pressing Sounds
Pinnacle First-Era Grateful Dead Record Captures Best of Both Worlds: Band’s Improvisational and R&B-Based Blues Sides on Display
Ranks #244 on Rolling Stone’s List of the 500 Greatest Records of All-Time
The Grateful Dead's fourth title was likewise their first extended concert recording.
Spread over two LPs, Live/Dead (1969) finally was able to relay the intrinsic sonic magnificence of a Dead show in real time. Additionally, it unleashed several key entries into their repertoire, including the sidelong epic and Deadhead anthem"Dark Star" as well as wailing and otherwise electrified acidic covers of the Rev. Gary Davis blues standard "Death Don't Have No Mercy" and the R&B rave-up "(Turn on Your) Lovelight."
Finally, the conundrum of how to bring a lengthy performance experience to the listener has been solved. The album's four sides provided the palette from which to replicate the natural ebb and flow of a typical Dead set circa early 1969. Tomes have been written about the profound impact of "Dark Star" on the Dead and their audience. It also became a cultural touchstone signifying that rock music was becoming increasingly experimental by casting aside the once-accepted demands of the short, self-contained pop song.
This version was recorded on February 27, 1969, at the Fillmore West and is presented pretty much the way it went down at the show. The same is true of the seven remaining titles on Live/Dead. The rousing rendition of "St. Stephen" reinvents the Aoxomoxoa (1968) prototype with rip-roaring thunder and an extended ending which slams into an instrumental rhythmic excursion titled "The Eleven" after the jam's tricky time signature.
The second LP began with a marathon cover of "(Turn on Your) Lovelight," which had significant success for both Bobby "Blue" Bland and Gene Chandler earlier in the decade. With Ron "Pigpen" McKernan at the throttle, the Dead barrel their way through the work, reproportioning and appointing it with fiery solos from Garcia and lead vocal raps courtesy of McKernan. "Death Don't Have No Mercy" is a languid noir interpretation of Rev. Gary Davis' distinct Piedmont blues. Garcia's fretwork smolders as his solos sear through the melody.
VINYL: MINT (never played)
JACKET: MINT
SAVE ON COMBINE SHIPPING
FACTORY SEALED
price rating