Guerrieri Del Bronx Warriors OST Soundtrack Vinyl LP Death Waltz Mondo RSD OOP
£
21
$
28
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Description
The Guerrieri Del Bronx (Bronx Warriors) score by Walter Rizzati on vinyl.
This was a limited Record Store Day 2014 Death Waltz release.
Beautiful coloured vinyl.
Shrink carefully split. Played once and stored in a poly sleeve. Vinyl transferred to a MOFI inner which will be included. Small corner crease top right. See photo. Otherwise excellent.
Includes a massive poster and nice art print.
DUE TO WORK COMMITMENTS I WON'T BE ABLE TO DISPATCH THIS UNTIL THURSDAY 2ND MAY.
CHECK OUT MY OTHER ITEMS. I COMBINE POSTAGE FOR MULTIPLE PURCHASES.
Many thanks!
Limited edition UK coloured vinyl. Released for the Record Store Day 2014.
Comes with Obi strip, a 12 x 12 art print and a 36 x 36 poster of the cover art.
180 GM vinyl Black and Red swirl with heavy Yellow splatter
Released in 2014 on the Death Waltz Label.
Remastered from the original master tapes.
Travelling twenty-four years into the past in a beat-up DeLorean, Death Waltz Recording Company has returned from a post-apocalyptic wasteland to bring you the futuristic stylings of Walter Rizzati’s music to cult classic 1990: THE BRONX WARRIORS.
Coming from the mind of celebrated shlock-meister Enzo G. Castellari, take John Carpenter’s ESCAPE FROM NEW YORK, swap out the whole of NYC for just the Bronx, add in a little bit of THE WARRIORS and a lot of bikers and you have Castellari’s masterwork.
The beauty of Rizzati’s score is that while it’s a tricked-out work of crazy genius for crazed biker gangs in a wasteland, it feels like a compilation of scores for movies that would only really play on the old 42nd Street.
It’s not easy to nail down what Rizzati’s chief weapon is; is it the electrifying guitar that wails out the main theme, the bassline that reaches eleven on the funkometer, or the Manzarek-esque plinking keyboards?
Then there’s the thick percussion with the odd time-signatures, like a demonic version of The Dave Brubeck Quartet’s ‘Take Five’, or the out-of-nowhere piano/guitar rag.
Or maybe it’s the big religioso number that sounds like it’s influenced by either Carl Orff or Fabio Frizzi. Either way, The Bronx in 1990 is the place to be. Just don’t forget your axe.
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