Media Grading: NM Sleeve Grading: NM
Excellent copy of this RARE album!! Still in plastic wrap.

Notes

B6 contains the hidden track "Look At Your Game Girl"

A1 Originally Recorded by The Skyliners - 1958
A2 Originally Recorded by The Damned - 1977
A3 Originally Recorded by The UK Subs - 1980
A4 Originally Recorded by The New York Dolls - 1974
A5 Originally Recorded by Iggy And The Stooges - 1973
A6 Originally Recorded by The Dead Boys - 1978 In Memory Of Stiv Bators
B1 Originally Recorded by T.Rex - 1973
B1 Originally Recorded by Soundgarden - 1989
B2 Originally Recorded by Nazareth - 1975
B3 Originally Recorded by The Misfits - 1980
B4 Originally Recorded by Steve Jones/The Sex Pistols - 1980
B5 Originally Recorded by Johnny Thunders - 1978 In Memory Of Johnny Thunders
B6 Originally Recorded by Fear - 1982

Mixed in (ou)R Sound™

“A great song can be found anywhere.
Do yourself a favor and go find
the originals.”
G N' R

A very special thanks to our immediate family who were with us throughout the tour.

Guns N' Roses ?– "The Spaghetti Incident?"

Label: Geffen Records ?– GEF24617, Uzi Suicide Records ?– none Format: Vinyl, LP, Album
Country: Europe Released: 1993 Genre: Rock Style: Hard Rock, Punk

Tracklist

A1 Since I Don't Have You Bass – Duff McKaganDrums – Matt SorumKeyboards – W. Axl rose*Lead Guitar, Rhythm Guitar – Slash (3)Piano – Dizzy ReedRhythm Guitar – Gilby ClarkeVocals – W. Axl Rose*Written-By – James Beaumont*, Joseph Rock*, The Skyliners 4:18 A2 New Rose Bass – Duff McKaganDrums – Matt SorumLead Guitar, Rhythm Guitar – Slash (3)Rhythm Guitar – Gilby ClarkeVocals – Duff McKaganWritten-By – Brian James 2:37 A3 Down On The Farm Bass – Duff McKaganDrums – Matt SorumLead Guitar, Rhythm Guitar – Slash (3)Vocals – W. Axl Rose*Written-By – Alvin Gibbs, Charles Harper*, Nicholas Garrett* 3:27 A4 Human Being Bass – Duff McKaganDrums – Matt SorumKazoo – W. Axl Rose*Keyboards – Dizzy ReedLead Guitar, Rhythm Guitar – Slash (3)Rhythm Guitar – Gilby ClarkeVocals – W. Axl Rose*Written-By – David Johnson*, Johnny Thunders 6:47 A5 Raw Power Bass – Duff McKaganDrums – Matt SorumKeyboards – Dizzy ReedLead Guitar, Rhythm Guitar – Slash (3)Rhythm Guitar – Gilby ClarkeVocals – Axl*, Duff*Written-By – Iggy Pop, James Williamson 3:12 A6 Ain't It Fun Bass – Duff McKaganDrums – Matt SorumGuitar [Additional] – Mike StaggsLead Guitar, Rhythm Guitar – Slash (3)Vocals – W. Axl Rose*, Michael MonroeWritten-By – Cheetah Chrome, Peter Laughner 5:05 B1 Buick Makane (Big Dumb Sex) Bass – Duff McKaganDrums – Matt SorumLead Guitar, Rhythm Guitar – Slash (3)Rhythm Guitar – Gilby ClarkeVocals – Axl*, Slash (3)Written-By – Marc Bolan 2:39 B2 Hair Of The Dog Bass – Matt SorumKeyboards – Dizzy ReedLead Guitar, Rhythm Guitar – Slash (3)Percussion – Matt Sorum, Mike FasanoRhythm Guitar – Gilby ClarkeVocals – W. Axl Rose*Written-By – Dan McCafferty, Darrell Sweet, Manuel Charlton*, Pete Agnew 3:53 B3 Attitude Backing Vocals [Background Vocals] – Matt Sorum, Slash (3)Bass – Duff McKaganDrums – Matt SorumLead Guitar, Rhythm Guitar – Slash (3)Rhythm Guitar – Gilby ClarkeVocals – Duff McKaganWritten-By – Glenn Danzig 1:26 B4 Black Leather Bass – Duff McKaganDrums – Matt SorumLead Guitar, Rhythm Guitar – Slash (3)Rhythm Guitar – Gilby ClarkeVocals – W. Axl Rose*Written-By – Steven Jones* 4:07 B5 You Can't Put Your Arms Around A Memory Acoustic Guitar – Duff McKaganBacking Vocals [Background Vocals] – Dizzy Reed, Duff McKagan, Eddie HuletzBass – Duff McKaganDrums – Duff McKaganLead Guitar, Rhythm Guitar – Richard Duguay (2)Vocals – Duff McKaganWritten-By – Johnny Thunders 3:34 B6a I Don't Care About You Backing Vocals [Background Vocals] – Blake Stanton, Eric Mills, Rikki Rachtman*, Slash (3), S.C. Bailey*Bass – Duff McKaganDrums – Matt SorumLead Guitar, Rhythm Guitar – Slash (3)Rhythm Guitar – Gilby ClarkeVocals – W. Axl Rose*Written-By – Lee Ving 2:09 B6b Look At Your Game Girl Written-By [Uncredited] – Charles Manson

Companies, etc.

• Marketed By – BMG Ariola
• Distributed By – BMG
• Phonographic Copyright (p) – Geffen Records, Inc.
• Copyright (c) – Geffen Records, Inc.
• Record Company – MCA Records
• Record Company – Bertelsmann Music Group
• Published By – Bonnyview Music Corp.
• Published By – Southern Music Publishing Co. Inc.
• Published By – Rock Music Co. Ltd.
• Published By – Embassy Music
• Published By – Music Sales Corp.
• Published By – Seldak Music Corp.
• Published By – Haverstraw Music Publishing
• Published By – Wb Music Corp.
• Published By – Chappell & Co.
• Published By – Bug Music
• Published By – James Osterberg Music
• Published By – Straight James Music
• Published By – EMI Music Publishing Ltd.
• Published By – Screen Gems-EMI Music Inc.
• Published By – Larry Spier Inc.
• Published By – CBGB's Music
• Published By – Bleu Disque
• Published By – Wizard (Bahamas) Ltd.
• Published By – Loud Love Music
• Published By – Bienstock Publishing Co.
• Published By – Evilive Music
• Published By – Glitterbest Ltd.
• Published By – Careers-BMG Music Publishing, Inc.
• Published By – EMI Virgin Music
• Published By – EMI Virgin Music Ltd.
• Published By – Range War Music
• Published By – BUG Music Group
• Recorded At – A&M Studios
• Recorded At – Record Plant, Los Angeles
• Recorded At – Rumbo Recorders
• Recorded At – Can-Am Recorders
• Recorded At – Sound Techniques, Boston
• Recorded At – Triad Studios
• Recorded At – Conway Studios
• Recorded At – Ocean Way Recording
• Mixed At – Skip Saylor Recording
• Mastered At – Sterling Sound
• Pressed By – Sony/CBS, Haarlem – 08-32410-20

Credits

• A&R [Artist & Repertoire With] – Patricia Fuenzalida, Susanne Filkins, Todd Sullivan (2)
• A&R [Artist & Repertoire] – Tom Zutaut
• Art Direction, Design – W. Axl Rose*, Kevin Reagan, Slash (3)
• Engineer [Assisted By] – Allen Abrahamson, Craig Brock, Ed Goodreau, John Aguto, Shawn Berman
• Engineer [Engineered By] – Jim Mitchell
• Guitar [Additional Guitar] – Carlos Booy
• Management – Big FD Entertainment, Doug Goldstein
• Mastered By – George Marino
• Mixed By – Bill Price
• Other [Guns N' Roses Want To Thank Everyone Who Worked With Us On The “Use Your Illusion World Tour.” We Did It...Thanks!], Backing Vocals [Background Singers] – Diane Jones, Roberta Freeman, Traci Amos
• Other [Guns N' Roses Want To Thank Everyone Who Worked With Us On The “Use Your Illusion World Tour.” We Did It...Thanks!], Horns [976-Horns] – Anne King (2), Cece Worrall, Lisa Maxwell
• Other [Guns N' Roses Want To Thank Everyone Who Worked With Us On The “Use Your Illusion World Tour.” We Did It...Thanks!], Keyboards – Teddy “Zig Zag” Andreadis*
• Other [Special Thanks For Historic And Artistic Consultation To] – S.C. Bailey
• Photography By [Cover Photo By] – Dennis Keeley (2)
• Photography By [Inside Photos By] – Gene Kirkland, Robert John (4)
• Producer – Duff McKagan (tracks: B5), Guns N' Roses (tracks: A1 to B4, B6), Jim Mitchell (tracks: B5), Mike Clink (tracks: A2 to B4, B6)
• Technician [Tech's] – Adam Day, Mike Fasano, Mike Mayhue, Phil Danneman, Timmy Doyle*, Tom Mayhue

Semi-glossy cover.

Barcode and Other Identifiers

• Matrix / Runout (Runout side A, stamped, variant 1): 08-32410-20-2A 1 GEF 24617
• Matrix / Runout (Runout side B, stamped, variant 1): 08-32410-20-2B 1 GEF 24617
• Matrix / Runout (Runout side A & B, etched, variant 1): A
• Matrix / Runout (Runout side A, stamped, variant 2): 08-32410-20-2A 1 GEF 24617
• Matrix / Runout (Runout side B, stamped, variant 2): 08-32410-20-1B 1 GEF 24617
• Matrix / Runout (Runout side A & B, etched, variant 2): A
• Matrix / Runout (Runout side A, stamped, variant 3): 08-32410-20-1A 1 GEF 24617
• Matrix / Runout (Runout side B, stamped, variant 3): 08-32410-20-1B 1 GEF 24617
• Matrix / Runout (Runout side A, etched, variant 3): A
• Matrix / Runout (Runout side B, etched, variant 3): B
• Label Code: LC 7266
• Rights Society: BIEM/GEMA
• Rights Society: ASCAP
• Rights Society: PRS
• Rights Society: BMI
• Barcode (Text): 7 20642 46171 6
• Barcode (Scanned): 720642461716
• Price Code (F): BM270

The Goldmine Standard for grading is used for my listings:

 

Mint (M)

Vinyl

Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.  

CD 

Perfect. No scuffs/scratches, unplayed - possibly still sealed.

Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed. 

Cassette 

J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all.

 

Near Mint (NM or M-)

Vinyl

A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD

Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.

Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling. 

Cassette

Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

 

Very Good Plus (VG+) 

Vinyl

Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.  

CD 

A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.

Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette

Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

 

Very Good (VG) 

Vinyl

Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.  

CD

Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+. 

Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette

Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

 

Good (G), Good Plus (G+) 

Vinyl 

Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD 

There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. 

Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette

Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

 

Poor (P), Fair (F)

Vinyl 

Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.  

CD 

The CD may or may not play some or all of the tracks. See the seller's comments for details.

Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette 

Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.  

Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.