HANK MOBLEY DIPPIN’ ORIG 1960s BLUE NOTE NY USA MONO JAZZ LP VAN GELDER EX COND
$
150
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Description
HANK MOBLEY~DIPPIN’~ORIG 1960s BLUE NOTE NY USA MONO JAZZ LP~VAN GELDER~EX COND
Product Description
ANOTHER LP FROM THE AMAZING COLLECTION OF 10,000+ LPs THAT WE ARE OVERJOYED TO HAVE PURCHASED!
THE VAST MAJORITY OF THE ALBUMS IN THIS COLLECTION HAD BEEN HORDED OVER A PERIOD OF 30 YEARS STARTING IN THE MID-1980s AND CONTINUING UP THROUGH 2014!
TO SAY THAT THE PREVIOUS OWNER WAS OBSESSED WITH COLLECTING WOULD BE AN UNDERSTATEMENT.
Hank Mobley ?? Dippin'
Blue Note ?? BLP 4209
1960s MONO US PRESSING!
ORIGINAL WHITE AND BLUE ?BLUE NOTE? LABEL WITH NEW YORK, USA ADDRESS ON THE LABEL.
THE RECORD HAS A RUDY VAN GELDER?S MACHINE STAMP IN THE DEAD WAX.
THICK CARDBOARD COVER (AMERICAN STYLE) WITH PASTEBOARD BACK AND LAMINATE SHINE FRONT COVER.
THE BACK COVER FEATURES THE 43 WEST 61st ADDRESS.
COVER IS IN EXCELLENT CONDITION WITH SOME DAMAGE TO TWO OF THE CORNERS.
VINYL IS EX/NM WITH A SCUFF ON SIDE 1 WHICH DOES NOT AFFECT PLAY.
CLEAN, WEAR-FREE LABELS.
Dippin' is one of Hank Mobley's finer moments, even considering that his entire Blue Note catalog is masterful, particularly his 1960s dates that reveal the depth and dimension of his understanding of harmonic invention -- all in the name of groove and swing, of course. This date, recorded on a single day in June of 1965, netted four Mobley originals as well as two covers. The band included trumpeter Lee Morgan, pianist Harold Mabern, bassist Larry Ridley, and drummer Billy Higgins. The two-horn front line always served Mobley well. Here, with Morgan, the groove commences from the first notes of the title cut that opens the set. The short bluesy lines burst from the horns, and are turned inside out with elegant yet knotty lines that move the tune almost into pop territory but never venture far from the blues. The sprightly "Recado Bossa Nova," written by Djalma Ferreira, moves the band outside its comfort zone rhythmically, but Mobley's horn chart is brilliant. Higgins and Ridley keep the bossa groove natural and steaming as the soloists begin taking the tune apart and putting it back together. There is one ballad on the set, "I See Your Face Before Me" composed by Arthur Schwartz and Howard Dietz. On it, Mobley does his best Ben Webster, blowing low and smoky and sweet, but the truth is that it doesn't belong on a program with so many hard bop swingers. The rest of the session is a pure joy and a fine document of Mobley's abilities as a bandleader and composer.
Credits
Bass ? Larry Ridley
Design [Cover] ? Reid Miles
Drums ? Billy Higgins
Liner Notes ? Ira Gitler
Photography By [Cover Photo] ? Francis Wolff
Piano ? Harold Mabern, Jr.*
Producer ? Alfred Lion
Recorded By [Recording By] ? Rudy Van Gelder
Tenor Saxophone ? Hank Mobley
Trumpet ? Lee Morgan
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MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you'?re getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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