HANK MOBLEY "Soul Station" 2008 Music Matters/Blue Note 45 RPM BST 84031 NM (AP)

$

30

I offer a combined shipping discount for multiple LP's. Please select "REQUEST TOTAL" before paying and I will send you an invoice with a cost calculated for combined shipping. 

I Care About Vinyl

I do clean my records on a machine I designed and built myself. Even though these records look very clean, I believe that all records need to be deep-cleaned at least twice, especially older LP's. I will leave it up to the buyer to use their own method and machine to do the final deep clean these records.

I use a strong halogen side light sometimes looking at small marks with a strong hand-held lens inspect them before assigning a visual grade. 

Most Importantly- I also take the time to play-grade the record on my system (Luxman TT with an Ortofon cartridge, Roksan Integrated and B&W speakers) to establish the fidelity of the recording and pressing as well as the condition of the LP. This helps to ensure that the description of the record will match the play experience you have on your own system.  

Hank Mobley "Soul Station" (sides 3 and 4) 

NO JACKET- Just the Lp.

2008 Music Matters/ Blue Note project. 45 RPM stereo. Outstanding Sonics! More polite (not in your face) than the original RVG masters but I find the soundstage is deep and my speakers just disappear. The overall sound is very "musical" and enjoyable. Not better, just different. 

From the Music Matters site:

"If the goal is getting to the essence of the music, we discovered that you cannot take a dogmatic view of this issue. Rudy Van Gelder first began recording Blue Note sessions in stereo in March of 1957. From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. After that session, Rudy abandoned the practice of running both mono and stereo session tapes and recorded strictly in stereo. The evidence is there for anyone to see who examines the original master tapes. When Kevin Gray, Ron Rambach and I began our first mastering session with our first six Blue Note masters we couldn't help noticing the clearly marked (by Alfred Lion) notations indicating "monaural masters made 50/50 from stereo master" on the master tape boxes.

Quite frankly, our expectation going into this project was that both mono and stereo masters existed and that the mono masters would probably be preferred. After all, in the LP collector market it is the mono Blue Notes that are most prized. Kevin, Ron and I put up the first tape (Horace Parlan's great "Speakin' My Piece" session) with an open mind. To our collective surprise, when listening to the master tape, the stereo was greatly preferred to the (summed) mono. There was no doubt that the stereo presentation much more clearly presented the quintet performing these six great tunes that July day in 1960 at Rudy Van Gelder's Englewood Cliffs studio. The stereo presentation revealed more air, more detail and more sheer life than the mono. The mono playback was a wonderful remembrance of the old LP we all knew and loved. The stereo playback from the original masters was eerie. It was like going back in time to that day in Rudy's studio. Quite simply, the stereo masters revealed more of what it was like to be there that day. 

Listening to tape after tape during that first two-day mastering session revealed the same thing. And every one of those master tape boxes had the same hand written notation "mono master made from 50/50 stereo." For me, and for everyone involved, the great RVG mono/stereo controversy had been solved once and for all. 

But then Ron Rambach said, "what about all of those Blue Note collectors (like me and Joe) who have always cherished the mono LPs and WANT the mono LPs?" As good as the mono originals are, after the October 30, 1958 session at Van Gelder Studios the mono masters were made by folding down the original stereo master. Once we heard the actual stereo masters, the decision was made: when a stereo Blue Note master exists, we will use that stereo master to cut our lacquers for this series. Whichever way you choose to listen to these great Blue Note 45RPM LPs, we hope you enjoy them as much as we do."    

The LP is in fantastic NM/NM visual with no play marks on Side 1 just a cloudy streak/blush across the top that does not affect the sound. Side 2 has just two hard-to-see micro lines on one side.  Well-cleaned and sleeved with a fresh paper and poly inner sleeve. NM/NM play grade. Plays excellent with strong clear sonics. Very quiet and smooth. 

The label on Side 4 has some damage. It looks like some paper from the inner sleeve got stuck on top of the label.

Matrix/Stamper Side 3: (etched: MMBST-4031-(45)-C "Karl Sheath"? 17039.3 (3) ) 

Matrix/Stamper Side 4: (etched: MMBST-4031-(45)-O "Karl Sheath"? 17039.4 (3) ) 

NO JACKET- JUST LP and INNER 

Condition and Audio Quality:

The LP  has been visually inspected and play graded. Both sides look very clean but I always recommend a good cleaning for older records, even in this fine condition, to remove any inner sleeve fibers that may have accumulated over the years. 

Genre/Sub Genre/Featured Instruments: Jazz / hard bop

Label: Blue Note/ Music Matters BST 84031

Format: 1 x LP Stereo

Country: US Pressing

Year Released: 2008

Shipping: Album will be placed inside new 3 ml. poly outer sleeve. Record and inner sleeve are placed between the jacket and outer sleeve to prevent jacket splits during shipping. Shipped in pro-quality #200 LP mailer w/padding.

PLEASE READ THIS

For your protection as well as mine, all domestic record and audio sales over $100 will have to be sent with full value insurance.

All international record sales over $100 will have to be sent with insurance and shipped via registered mail.

Please ask or wait for a final invoice before paying for the auction. If you pay the stated Ebay postage (which does not include the insurance and registered mail fee) I will send an invoice for the additional cost and hold the shipment until it is paid.

~~~~~~~~~~ END OF LISTING ~~~~~~~~~~~~

Record and Jacket Grading Standards

I have been very unhappy with the variation in grading I see between record sellers. While all grading seems to reference the Goldmine grading standards, there are subtle variations in a condition that can make a big difference in the sonic enjoyment of a record, especially at the higher quality end of the grading spectrum. As such, I have created my own grading standards for records and jackets that points out these finer differences.

(SS) Still Sealed:  "Still Sealed" is a grade I am reserving for factory-sealed records that have never been opened. This grade assumes the disc inside is undamaged and in "Mint" condition but this cannot be verified until the disc is opened and examined. The jacket will have its original shrink wrap.

(M) Mint: "Mint " is a grade I am reserving for a perfect record. There are no scratches, scuffs, hairlines, fingerprints, spindle marks or other indications that it has been handled or played. The jacket will have its original shrink which is opened. The are no corner bumps, scratches, marks, creases or other signs of jacket wear.

(M-) Mint Minus: A "Mint Minus" record may have one very light paper scuff but no hairlines or other surface scratches. It looks clean and unplayed. I may also use a "Mint Minus" to grade a sealed record that has corner bumps or tears in the shrink wrap.

(NM) Near Mint: "Near Mint" is a record that is virtually flawless, clean and glossy. A near perfect, rarely-played record. May play with some very light and occasional dust or static related light noise that is only heard in the quietest passages. The vinyl and label surfaces show no obvious sign of wear. It looks clean with the factory shine and there may be a very light, barely visible paper scuff or two and a few light hairlines but no scratches. An LP jacket has no seam splits or any other obvious signs of wear but one or two light creases are acceptable. Ring wear should be almost invisible. No punch holes or other discount marks.  Very minimal corner bumps. Artist signatures are the only acceptable forms of handwriting for this grade. Basically, "Near Mint" looks as if you just got it home from a new record store and removed the shrink wrap.

(NM-) Near Mint Minus: Same as above, yet shows a few very light hairlines which have no effect on the sonic quality. The record will have its factory gloss and ?rainbow luster? and only light spindle marks. Ring wear is minimal but starting to show lightly at the top and bottom. The jacket may have discount cuts or sales stickers, which will be noted. Artist signatures and minimal owner marks are the only acceptable forms of handwriting for this grade.

(VG++) Very Good Plus Plus: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show signs of use and may have slight paper scuffs or very light surface scratches that only reveal themselves in the quietest of passages and don't detract from the overall sonic quality. Most factory shine is still present. Slight edge warps that do not affect the tracking or sound quality are OK and will be noted. An LP jacket may have some signs of ring wear and shelf wear and a small corner bump or two these are minimal and acceptable for this grade.  A small seam split is also acceptable and will be noted. Light owner signatures, DJ marks and other forms of handwriting are acceptable for this grade. In general, if not for a couple of minor things wrong with it, this would be a showcase piece. All but the most discriminating collectors will find a ?Very Good Plus? record highly acceptable.

(VG+) Very Good Plus: Many of the defects found in a VG++ record are more pronounced in a VG+ disc but it is still a keeper. Surface noise is evident upon playing, but does not overwhelm the music. Groove wear will start to be audible and a random click, tic or soft pop may be evident but will not detract from the enjoyment of the recorded material. The jacket may have a seam split or ring wear and labels may be marred by writing, or have tape or stickers (or their residue) attached. A small light stain or some discoloring may be evident. The cover may exhibit a combination of these flaws but they will not overwhelm the piece.

(VG) Very Good: A VG disc will have more flaws but it is still a keeper. Surface noise is evident upon playing but does not overpower the music. Groove wear will be audible along with occasional pops and tics but there are no skips. The jacket may have a significant seam split and the spine may be seriously flaked. Labels and jackets may be marred by writing, or have tape or stickers (or their residue) attached. A small light stain or some discoloring may be evident. The cover may exhibit a combination of these flaws but they will not overwhelm the piece.

(G+) Good Plus, (G) Good: ?Good? means acceptable?not completely roached. The grade I usually reserve for listing the rarest of records. A record in ?Good? condition can be put onto a turntable and will play but it will it will have significant audible surface noise. A jacket or sleeve has larger seam splits and there may be significant water stains. Tape, writing, ring wear or other defects will start to overwhelm the object.

Special Note:

(+) Plus: An extra "plus? may be added occasionally to a grade to highlight the finer points of some better grades.

Domestic / USA Shipping

Media Mail

  LP Only Shipments:

$4.00 for the 1st LP 

$1.00 for each additional LP

  45 Only Shipments:

$4.00 for the 1st 45 

$1.00 for each additional 45

Priority Mail

  LP Only Shipments:

$9.00 for the 1st LP 

$2.00 for each additional LP

  45 Only Shipments:

$9.00 for the 1st 45 

$2.00 for each additional 45

  78 RPM Only Shipments:

Calculated

  Double LPs & Box Sets:

Additional charge per LP as indicated above

  Mixed Format Shipments:

Additional charge per LP or 45 as indicated above

International Shipping

First Class Mail
Allow 2-4 weeks delivery time depending on your country's customs.

Priority Mail
Allow 5-14 business days delivery time depending on your country's customs.

All international orders over $100.00 or over 4 pounds must be shipped USPS Priority Mail.

International Buyers - Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying

Canada / Mexico

First Class

  LP Only Shipments:

$16.00 for the 1st LP 

$4.00 for each additional LP

  45 Only Shipments:

$16.00 for the 1st 45 

$4.00 for each additional 45

Priority Mail

  LP Only Shipments:

$35.00 for the 1st LP 

$5.00 for each additional LP

  45 Only Shipments:

$35.00 for the 1st 45 

$4.00 for each additional 45

Worldwide

First Class

  LP Only Shipments:

$24.00 for the 1st LP 

$5.00 for each additional LP

  45 Only Shipments:

$22.00 for the 1st 45 

$4.00 for each additional 45

Priority Mail

  LP Only Shipments:

$45.00 for the 1st LP 

$5.00 for each additional LP

  45 Only Shipments:

$40.00 for the 1st 45 

$3.00 for each additional 45

  78 RPM Only Shipments:

Calculated

  Double LPs & Box Sets:

Additional charge per LP as indicated above

  Mixed Format Shipments:

Additional charge per LP or 45 as indicated above

Customer Service and Return Policy

A five-star rating is important to me and I will work with a reasonable buyer who is not satisfied. You can buy with confidence because I provide a thorough assessment of a record. In a case where a buyer feels that I have provided a record below what has been described or I missed a major fault, please contact me through Ebay within 30 days of receiving your item, explain your problem and If we agree, then I will take the item back and provide a full refund. Buyer must pay return shipping. Sealed records must be returned still sealed to be eligible for a full refund.