HELEN MERRILL w/THAD JONES+GARY BARTZ SHADE/DIFFERENCE RARE ORIG'68 MILESTONE LP

$

83

WE CURRENTLY HAVE  NEARLY 200  LISTED ITEMS

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·       HELEN MERRILL with THAD JONES, GARY BARTZ, JIM HALL, ELVIN JONES AND RON CARTER – A SHADE OF DIFFERENCE - VERY RARE ORIGINAL 1968 MILESTONE STEREO LP  MSP-9019

·       ORIGINAL U.S. PRESSING

·       ORIGINAL YELLOW & BROWN MILESTONE LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       ORIGINAL LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Originally put out by the Milestone label and later reissued by Landmark, this is a superior and consistently surprising effort by singer Helen Merrill. With arrangements provided by pianist Dick Katz and adventurous yet sympathetic playing by Thad Jones on flugelhorn and cornet, flutist Hubert Laws, altoist Gary Bartz (who is only on Ornette Coleman's "Lonely Woman"), Katz, guitarist Jim Hall, either Ron Carter or Richard Davis, on bass and drummer Elvin Jones, this is a particularly strong jazz vocal date. Merrill's voice was at its prime during the era, and her ability to tackle a wide repertoire and to bring new life to standards (including taking "My Funny Valentine" as a fairly free duet with Ron Carter) makes this a highly recommended effort.

 (EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        The laminated cover has a few visible air 'bubbles' and wrinkles in lamination (this is a common problem with most laminated 50’s and 60’s covers

-        Cover has three corners slightly dinged (nothing significant)

-        Cover has a light "wrinkle" (crease)  in one of the corners.   (VISIBLE ON BACK SIDE ONLY)

-        Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-        Cover shows some light yellowing on both sides, apparently from aging. Minor yellowing is also noted on the INSIDE gatefold

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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