HERB ALPERT RISE ULTRA-RARE ORIG LTD EDITION MFSL AUDIOPHILE TEST PRESSING LP NM

$

93

WE CURRENTLY HAVE  MORE THAN 150  LISTED ITEMS

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·       HERB ALPERT – RISE– ORIGINAL 1982 MOBILE FIDELITY (MFSL) HIGH-QUALITY 'ORIGINAL MASTERS' AUDIOPHILE, EXTENDED DYNAMIC RANGE VIRGIN VINYL LP MFSL-1-053

·       ORIGINAL U.S. PRESSING

·       ULTRA-RARE MOBILE FIDELITY TEST PRESSING

·       ORIGINAL WHITE MFSL LABEL, TEST PRESSING VERSION, WITH A LARGE "SAMPLE" STAMP ON THE LABELS

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. AUDIOPHILE PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 7.

·       PLEASE NOTE: THIS TEST PRESSING APPARENTLY NEVER HAD A CUSTOM COVER;  THE ALBUM WILL BE SHIPPED IN A PLAIN, GENERIC [WHITE] CARDBOARD COVER. TEST PRESSINGS ARE RARELY – IF EVER – FOUND IN CUSTOM (STOCK) COVERS.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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If the 12" single of Herb Alpert's "Rise" hadn't taken over the charts the way it did back in 1979, one wonders if anyone would have gotten around to checking out the Tijuana Brass, or if Alpert would have gone down in the books as the guy who had a number one with a Burt Bacharach tune ("This Guy's in Love with You"). Instead, the cut energized the entire dance club generation, with DJs looking for new grooves, and it even ended up being used by Sean "Puffy" Combs on the Notorious B.I.G.'s Hypnotise, albeit in a drastically re-morphed form. The single began as a disc track composed by Alpert's nephew Randy and his pal Andy Armer. Alpert suggested they slow the groove way down and turn it into a slow mover. They issued it without an album to go with it, simply as a single on A&M. Club DJs picked up on it and began using duplicate copies either to let the percussion break go on a bit longer before trumpet kicked in, or playing one copy just behind another, creating a call-and-response melody with the trumpet and the rhythm section. After the single stormed the charts and stayed there all summer, eventually hitting the number one spot, Alpert, Armer, and friends went about assembling an album to capitalize on it.

They did well: Rise hit number six on the Billboard pop chart. The rest of the tracks are a slew of originals and covers. The set opens with a small pomp and circumstance intro called "1980" that Alpert composed for the Olympics that year, assisted by the late Michel Colombier on keyboards. Alpert also composed the ballad-turned-Latin-dancefloor fire walker "Behind the Rain," (originally composed for Gato Barbieri's Caliente! album) that has its own appeal in the 21st century with chorus-like backing vocals. Other tracks include the Armer and Randy Alpert "Rotation." This cut, introduced by hand percussion, bells, and shakers is another soulful groover with a killer, soft-spoken keyboard line that's hypnotic lite funk. A looped synth line enters in place of a bassline. Handclaps, fingersnaps, and Alpert's distant trumpet play a melody not unlike the one on the "Lonely Bull." Effects, washes, reverb, and mild distortion create a futuristic backdrop to this otherwise beautifully melodic tune. Alpert plays in-the-pocket soul-drenched melody lines over the top and one of the first "chillout" tunes was born.

What it all adds up to is an extraordinary recording that stands the test of time as a bona fide classic of the late disco/pre hip-hop era. The pop charts would have none of it these days. But eating this up as folks did, pre-MTV, with simply the radio going nuts trying to introduce the next single from it, Alpert, his nephew, and Armer stumbled onto something that would reinvigorate Alpert's career as a recording artist and as a producer.

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is STILL in its original inner, hi-grade MFSL PVC inner sleeve, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(c)           The record is pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.

(d)            In addition, the record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

COVER : This reference (test) pressing comes without any custom jacket, and will be shipped in a plain, generic, white MFSL cardboard test pressing cover (NOT SEPARATELY GRADED, BUT IN A VERY NICE CONDITION OVERALL)

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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